Reflections on Artistic License
Tuesday, December 17, 2019, 6:30pm
Solomon R. Guggenheim Museum, New York
In this series of conversations, the six artist-curators of Artistic License, currently on view at the Solomon R. Guggenheim Museum in New York through January 12, are invited to reflect on their interpretations of the museum’s collection and the themes that informed their curatorial selections. Richard Prince’s presentation investigates the uncannily coherent formal qualities of the museum’s international holdings of abstract painting and sculpture from the 1940s and ’50s, and ultimately questions how taste is formed. To attend the event, purchase tickets at www.guggenheim.org.
Georges Mathieu, Untitled, 1959, Solomon R. Guggenheim Museum, New York © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris
Harmony Korine: Young Twitchy is available for online reading from July 26 through August 25 as part of the From the Library series. This catalogue was published on the occasion of the 2019 exhibition at Gagosian, 980 Madison Avenue, New York, of new paintings by the artist. To make these works, Harmony Korine digitally painted different characters over iPhone photographs of his surroundings in Florida, and then re-created the compositions in oil paint on canvas. The publication includes a new text by Richard Prince.
Harmony Korine: Young Twitchy (New York: Gagosian, 2019)
Richard Prince: High Times is available for online reading from July 5 through August 3 as part of the From the Library series. Published on the occasion of the eponymously titled exhibition at Gagosian, West 21st Street, New York, in 2018, the book includes reproductions of Prince’s latest paintings alongside his earlier Hippie Drawings that serve as their main sources. Integrated among these fascinating images are recent essays by the artist; reprints of historical texts by Eve Babitz, Joan Didion, and Kim Gordon; and a new essay by Rachel Kushner. Plastic inserts throughout the book house postcards, facsimiles of ephemeral materials related to 1960s culture from Prince’s personal collection, and a seven-inch recording of Prince’s 1985 composition “Loud Song.”
Richard Prince: High Times (New York: Gagosian, 2018)
Visions of the Self
Rembrandt and Now
Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
In the interest of public health, this event has been postponed until further notice.
Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)
Tom Eccles and Kiki Smith on Rachel Whiteread
On the occasion of Artist Spotlight: Rachel Whiteread, curator Tom Eccles and artist Kiki Smith speak about the work of Rachel Whiteread through the lens of their personal friendships with her. They discuss her public projects from the early 1990s to the present, the relationship between drawing and sculpture in her practice, and the way her works reveal the memories embedded in familiar everyday objects.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
Rachel Whiteread and Ann Gallagher
Rachel Whiteread speaks to Ann Gallagher about a new group of resin sculptures for an upcoming exhibition at Gagosian in London. They discuss the works’ emphasis on surface texture, light, and reflection.
Rachel Whiteread on Piero della Francesca
Rachel Whiteread writes about the Italian artist’s Baptism of Christ (after 1437) and what has drawn her to this painting, from her first experience of it at a young age to the present day.
Lauren Mahony and Michael Tcheyan pay homage to the founder of the New York Studio School.
Titus Kaphar: From a Tropical Space
Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.
Nathaniel Mary Quinn: In the Studio
Hear the painter describe the creation of a new work in this time-lapse documentation of his process.
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for an upcoming exhibition at Gagosian, New York. In this video, shot on location in Chicago during the tumultuous weeks of protest in late spring 2020, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.