Helen Frankenthaler: Voices from the Archives
Wednesday, February 5, 2020, 5:30pm
Arthur Ross Gallery, University of Pennsylvania, Philadelphia
Writer and art historian Avis Berman will give a talk on Helen Frankenthaler in conjunction with the exhibition Frankenthaler on Paper at the Arthur Ross Gallery, University of Pennsylvania, in Philadelphia. Berman will discuss Frankenthaler’s prints and paintings with commentary from the artist herself, as well as her contemporaries, through the use of archival recordings. The event is free and open to the public.
Helen Frankenthaler, Cedar Hill, 1983 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York/Crown Point Press, Oakland, California
Talk and Book Signing
Monday, May 20, 2019, 6–7:30pm
Gagosian Shop, New York
Avis Berman, author of Roy Lichtenstein: The Impossible Collection, will be in conversation with Dorothy Lichtenstein to celebrate the release of the book. In this new Assouline Ultimate Collection volume, one hundred of Roy Lichtenstein’s most memorable works are lavishly reproduced, from the iconic Whaam! (1963) and Drowning Girl (1963) to later reinterpretations of paintings by Picasso, Matisse, and van Gogh and public commissions such as his 1994 mural for the Times Square – 42nd Street New York City subway station. Berman will sign copies of the book after the talk. To attend the free event, RSVP to firstname.lastname@example.org.
Roy Lichtenstein: The Impossible Collection (New York: Assouline, 2019)
Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to email@example.com. Space is limited.
Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins
Ruth E. Fine
Making Magic: Frankenthaler on Paper
Thursday, January 16, 2020, 5–7:30pm
Arthur Ross Gallery, University of Pennsylvania, Philadelphia
Curator and author Ruth E. Fine will be giving a lecture on the occasion of the opening of Frankenthaler on Paper at the Arthur Ross Gallery, University of Pennsylvania in Philadelphia. Fine will discuss Helen Frankenthaler’s print practice. During the 1960s and ’70s, several groundbreaking print workshops were established, reflecting a renewed interest on the part of artists and collectors in contemporary printmaking. Inspired by the process, Frankenthaler experimented endlessly, working with master printers across the country and abroad for more than three decades. The event is free and open to the public.
Helen Frankenthaler, Message from Degas, 1972–74 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York/Universal Limited Art Editions (ULAE), West Islip, New York. Photo: Kevin Ryan
The artist speaks with Laura Fried about her most recent paintings, the symbol of the serpent, and her evolving relationship to color.
Gagosian Quarterly Spring 2020
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
Urs Fischer: Leo
Journalist and curator Judith Benhamou-Huet leads a tour of the exhibition Urs Fischer: Leo at Gagosian, Paris.
Michael Craig-Martin in Conversation at artgenève
Michael Craig-Martin speaks with Samuel Gross about his depictions of everyday objects and the building blocks of his visual vocabulary, as part of artgenève’s art talks 2020.
The World According to Kelly Reichardt
Carlos Valladares writes on Kelly Reichardt’s films, exploring the director’s interest in subtle details and care for complex characters.
John Mason: Geometric Force
An exhibition of ceramic sculptures by John Mason in early 2020 focused on the artist’s mature work. In this video tour, narrated by the exhibition’s curator, Rani Singh, Mason’s early career and aesthetic development receive a deeper look.
Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.
Picasso and Maya: An Interview with Diana Widmaier-Picasso
Diana Widmaier-Picasso curated a presentation at Gagosian, Paris, to celebrate the publication of Picasso and Maya: Father and Daughter at the end of 2019. This comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Picasso details her ongoing interest in the subject and reflects on the process of making the book.
The Films of Man Ray: Mysterious Encounters of Realities and Dreams
Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco.
Albert Oehlen: Maximum Chance Maximum Control
The artist met with art historian Christian Malycha to discuss his newest paintings.
Giuseppe Penone at Fort Mason
A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.
Edmund de Waal and Sally Mann
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.