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Dan Colen × Dover Street Market

Dan Colen and Dover Street Market have teamed up to create a line of clothing and farm goods to be sold through the retail store to support Sky High Farm, founded by Colen in 2011. All proceeds will be donated to the 40-acre farm in upstate New York, which aims to address food security and nutrition by sustainably growing and harvesting fresh produce and raising livestock exclusively for donation to underserved communities. The collection includes vintage-sourced, naturally tie-dyed tees and other apparel, as well as honey, jam, tea, salt, and tomatoes grown and jarred on the farm.

Sky High Farm collection on display at Dover Street Market, Los Angeles, 2019

Sky High Farm collection on display at Dover Street Market, Los Angeles, 2019

Related News

Dan Colen: High Noon (New York: Gagosian, 2020)

Online Reading

Dan Colen
High Noon

Dan Colen: High Noon is available for online reading from May 20 through June 19 as part of Artist Spotlight: Dan Colen. The book documents two performance pieces by the artist, Carry On Cowboy and At Least They Died Together (both 2018), and a related exhibition of Desert paintings (2015–19), presented at Gagosian, Beverly Hills. The volume features an essay by Douglas Fogle, as well as a conversation between Colen, Fogle, and choreographer Dimitri Chamblas.

Read Online Now

Dan Colen: High Noon (New York: Gagosian, 2020)

Photo: Eric Piasecki

Artist Spotlight

Dan Colen

May 20–26, 2020

Moving between diverse styles and subjects, Dan Colen investigates the conceptual stakes of materiality and mark making. Alongside explorations in unconventional mediums including chewing gum, flowers, and metal studs, he continually returns to oil painting and representation, conducting an ever-evolving inquiry into the objecthood and authority of painting as a medium.

Photo: Eric Piasecki

Clockwise from top left: Sarah Sze, photo: courtesy MacArthur Foundation; Urs Fischer, photo: Chad Moore; Jennifer Guidi, photo: Brica Wilcox; Titus Kaphar, photo: John Lucas; and Jenny Saville, photo: Pal Hansen/Getty Images

Online Exclusive

Artist Spotlight
One Artist, One Work, One Week

Launching April 8, 2020

As arts institutions worldwide temporarily close their doors to support efforts to contain the COVID-19 pandemic, exhibitions everywhere are being canceled, postponed, or curtailed. For artists who have invested time, energy, and resources preparing shows now directly affected by the health crisis, Gagosian is launching Artist Spotlighta new, multifaceted program that invites individual artists to use the gallery’s online channels as an open platform, to present their work to the world and continue generating support for their studios.

Clockwise from top left: Sarah Sze, photo: courtesy MacArthur Foundation; Urs Fischer, photo: Chad Moore; Jennifer Guidi, photo: Brica Wilcox; Titus Kaphar, photo: John Lucas; and Jenny Saville, photo: Pal Hansen/Getty Images

The Nature of Mark Grotjahn

The Nature of Mark Grotjahn

Michael Auping writes about the origins of Mark Grotjahn’s Capri paintings and their relationship with nature and landscape.

Featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Mark Grotjahn: Capri

Mark Grotjahn: Capri

Mark Grotjahn speaks to Sam Orlofsky about the stories and processes behind his Capri series, on the occasion of his exhibition New Capri, Capri, Free Capri in New York.

Project EATS farm (top); Sky High Farm (bottom).

The Bigger Picture
Sky High Farm × Project EATS

Dan Colen and Linda Goode Bryant are both artists who have founded nonprofits devoted to food justice. Here they speak about art, food, and life, including how they arrived at farming and the urgency of their projects’ missions during the current health crisis.

A Single Moment: Dan Colen and Francesco Bonami

A Single Moment: Dan Colen and Francesco Bonami

Dan Colen joins Francesco Bonami in a conversation about absence and nostalgia, decadence and decay, progress and failure—and about help, the theme of his most recent body of paintings.

Video still of Dan Colen seated onstage with Hans Ulrich Obrist.

In Conversation
Dan Colen with Hans Ulrich Obrist

Against the backdrop of his survey exhibition Sweet Liberty, Dan Colen speaks about his work with Hans Ulrich Obrist, starting with his earliest interest in art and continuing up to the recent Desert paintings (2015–19).

Georg Baselitz and Zeng Fanzhi. Portraits of both artists in black-and-white.

Artist to Artist: Georg Baselitz and Zeng Fanzhi

On the occasion of Georg Baselitz: Years later at Gagosian, Hong Kong, Zeng Fanzhi composed a written foreword for the exhibition’s catalogue and a video message to the German painter. Baselitz wrote a letter of thanks to the Chinese artist for his insightful thoughts.

Willem de Kooning seated at Sidney Janis Gallery, 1959. Color photograph

There is Woman in the Landscapes: Willem de Kooning from 1959 to 1963

Lauren Mahony considers a critical four-year period in the painter’s career, examining the technical changes that occurred between his “abstract parkway landscapes” of the late 1950s and the “pastoral landscapes” that succeeded them, as well as the impact on his work of his impending move to Springs, New York.

Georg Baselitz working on a painting in his studio.

Georg Baselitz: What if...

Richard Calvocoressi narrates a tour of an exhibition of new paintings by Georg Baselitz in San Francisco, describing the visual effect of these luminous compositions and explaining their relationship to earlier works by the artist.

Installation view, "Katharina Grosse: Is It You?," Baltimore Museum of Art, March 1–June 28, 2020.

Katharina Grosse: The Movement Comes from Outside

Katharina Grosse discusses her exhibition Is It You? at the Baltimore Museum of Art with Gagosian’s Jona Lueddeckens. They consider what sets the Baltimore installation apart from its predecessors, and how Grosse sees the relationship of the human body to her immersive environments as opposed to her canvases.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020

Katharina Grosse: I see what she did there

On the occasion of the artist’s exhibition at the Baltimore Museum of Art, Terry R. Myers muses on the manipulations of time in Grosse’s work.

Still from the film "Women Artists: Katharina Grosse" by Claudia Müller.

Women Artists: Katharina Grosse

In this film by Claudia Müller, Katharina Grosse curates a virtual exhibition of works by ten female artists, including Valie Export, Isa Genzken, Emily Kame Kngwarreye, Wangechi Mutu, and others. Speaking about each artist’s practice, she explains what draws her to the selected works, which range from painting and sculpture to performance video and installation.