Thursday, March 5, 2020, 6–8pm
Bookmarc, New York
John Currin will be signing copies of his book Men, which accompanied his exhibition John Currin: My Life as a Man, recently on view at Dallas Contemporary. Curated by Alison M. Gingeras, the survey marks the first ever attempt to track the evolution of male iconography in the artist’s oeuvre. Offering a unique opportunity to view Currin’s career through a new lens, the catalogue includes a selection of previously unpublished paintings, works on paper, and drawings, as well as new essays by Gingeras, cultural critic Naomi Fry, and psychoanalyst Jamieson Webster. A champagne reception will follow the signing. The event is free and open to the public.
John Currin: Men (New York: Gagosian, 2019)
Wednesday, February 19, 2020, 6pm
Gagosian, Hong Kong
In the interest of public health, this event has been canceled.
Join Gagosian for a tour of John Currin’s first solo exhibition in Asia, currently on view at Gagosian, Hong Kong. The exhibition presents a new series of portraits by Currin featuring his most beloved subject: women. Gagosian director Nick Simunovic will examine the genre of female portraiture in Currin’s oeuvre and explore how the artist channels his prodigious painterly skills into idealized yet perverse images that both charm and challenge. To attend the free event, RSVP to email@example.com. Space is limited.
John Currin, Shelley, 2019 © John Currin. Photo: Rob McKeever
Tuesday, December 10, 2019, 6:30–7:30pm
New York Studio School
John Currin will be in conversation with Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum in New York. The pair will discuss Currin’s practice as well as his exhibition, Life as a Man, on view at Dallas Contemporary through December 22. The event is free and open to the public.
John Currin, Untitled, 1995 © John Currin
Talk and Book Signing
John Currin, Naomi Fry, Alison Gingeras, and Jamieson Webster
Tuesday, November 12, 2019, 6–8pm
National Arts Club, New York
Join us to celebrate John Currin: My Life as a Man, currently on view at Dallas Contemporary, and the accompanying catalogue, Men, published by Gagosian. To mark the occasion, Currin will speak with the book’s contributors—cultural critic Naomi Fry, exhibition curator Alison Gingeras, and psychoanalyst Jamieson Webster—and will sign copies following the talk. Both the exhibition and catalogue include several paintings, works on paper, and drawings that have never previously been exhibited or published, offering a unique opportunity to view Currin’s career through a new lens. The event has reached capacity. To join the wait list, contact firstname.lastname@example.org.
John Currin: Men (New York: Gagosian, 2019)
The Nature of Mark Grotjahn
Michael Auping writes about the origins of Mark Grotjahn’s Capri paintings and their relationship with nature and landscape.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
Mark Grotjahn: Capri
Mark Grotjahn speaks to Sam Orlofsky about the stories and processes behind his Capri series, on the occasion of his exhibition New Capri, Capri, Free Capri in New York.
The Bigger Picture
Sky High Farm × Project EATS
Dan Colen and Linda Goode Bryant are both artists who have founded nonprofits devoted to food justice. Here they speak about art, food, and life, including how they arrived at farming and the urgency of their projects’ missions during the current health crisis.
A Single Moment: Dan Colen and Francesco Bonami
Dan Colen joins Francesco Bonami in a conversation about absence and nostalgia, decadence and decay, progress and failure—and about help, the theme of his most recent body of paintings.
Dan Colen with Hans Ulrich Obrist
Against the backdrop of his survey exhibition Sweet Liberty, Dan Colen speaks about his work with Hans Ulrich Obrist, starting with his earliest interest in art and continuing up to the recent Desert paintings (2015–19).
Artist to Artist: Georg Baselitz and Zeng Fanzhi
On the occasion of Georg Baselitz: Years later at Gagosian, Hong Kong, Zeng Fanzhi composed a written foreword for the exhibition’s catalogue and a video message to the German painter. Baselitz wrote a letter of thanks to the Chinese artist for his insightful thoughts.
There is Woman in the Landscapes: Willem de Kooning from 1959 to 1963
Lauren Mahony considers a critical four-year period in the painter’s career, examining the technical changes that occurred between his “abstract parkway landscapes” of the late 1950s and the “pastoral landscapes” that succeeded them, as well as the impact on his work of his impending move to Springs, New York.
Georg Baselitz: What if...
Richard Calvocoressi narrates a tour of an exhibition of new paintings by Georg Baselitz in San Francisco, describing the visual effect of these luminous compositions and explaining their relationship to earlier works by the artist.
Katharina Grosse: The Movement Comes from Outside
Katharina Grosse discusses her exhibition Is It You? at the Baltimore Museum of Art with Gagosian’s Jona Lueddeckens. They consider what sets the Baltimore installation apart from its predecessors, and how Grosse sees the relationship of the human body to her immersive environments as opposed to her canvases.
Katharina Grosse: I see what she did there
On the occasion of the artist’s exhibition at the Baltimore Museum of Art, Terry R. Myers muses on the manipulations of time in Grosse’s work.
Seeing the Child: Braiding possibility
Titus Kaphar and Tochi Onyebuchi present an excerpt from their short story “Seeing the Child,” a poetic rumination on Kaphar’s latest body of work, From a Tropical Space (2019–).