Jennifer Guidi: Heliocentric is available for online reading from April 22 through May 21 as part of Artist Spotlight: Jennifer Guidi. Her first exhibition with Gagosian, Heliocentric featured fourteen luminous paintings with surfaces that oscillate between color and texture. Images of these works, as well as installation views of the exhibition, are accompanied by an essay by Stuart Krimko in this accompanying publication.
Jennifer Guidi: Heliocentric (Hong Kong: Gagosian, 2018)
April 22–28, 2020
Light and color pervade every aspect of Jennifer Guidi’s work. The Los Angeles artist’s radiant, mandala-like paintings are marked by tonal and chromatic shifts that operate in concert with richly textured surfaces. Mixing sand into oils and acrylics, she produces immersive abstract compositions that borrow from the pared-down structures of Minimalism while evoking a powerful archetypal symbolism.
Photo: Brica Wilcox
Art Basel Hong Kong 2022
May 27–29, 2022, booth 1C15
Hong Kong Convention and Exhibition Centre
Gagosian is pleased to participate in Art Basel Hong Kong 2022 with an ensemble of contemporary works by international artists. The gallery’s presentation will feature works by artists including Georg Baselitz, Louise Bonnet, Edmund de Waal, Urs Fischer, Katharina Grosse, Mark Grotjahn, Jennifer Guidi, Simon Hantaï, Hao Liang, Damien Hirst, Thomas Houseago, Tetsuya Ishida, Alex Israel, Ewa Juszkiewicz, Rick Lowe, Takashi Murakami, Albert Oehlen, Nam June Paik, Giuseppe Penone, Rudolf Polanszky, Sterling Ruby, Ed Ruscha, Jenny Saville, Jim Shaw, Rudolf Stingel, Spencer Sweeney, Rachel Whiteread, and Zeng Fanzhi.
Gagosian’s booth at Art Basel Hong Kong 2022. Artwork, left to right: © Georg Baselitz; © Louise Bonnet; © Zeng Fanzhi; © 2019 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved; © Rudolf Stingel. Photo: Martin Wong
Zona Maco 2022
February 9–13, 2022, booth B115
Centro Citibanamex, Mexico City
Gagosian is pleased to announce its return to Zona Maco México Arte Contemporáneo for the first time since 2018; significantly, this is also the gallery’s first in-person art fair of 2022. Gagosian is presenting a specially curated selection of dynamic paintings, sculptures, and works on paper by iconic figures long associated with the gallery, juxtaposed with works by key contemporary artists. Many of the featured artists are being represented at Zona Maco for the first time.
Rachel Whiteread, Untitled (November), 2020 (detail) © Rachel Whiteread. Photo: Prudence Cuming Associates Ltd.
Frank Auerbach: Artist Friends
In this candid interview with Richard Calvocoressi, the painter Frank Auerbach reminisces on his friendships with Michael Andrews, Francis Bacon, and Lucian Freud. The two spoke during the planning of the exhibition Friends and Relations, a show that examines the interconnected lives and art practices of this group of London painters.
Gagosian Quarterly Winter 2022
The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.
“The Present Decline”: Jim Shaw’s Epic Parables
Catherine Taft examines Jim Shaw’s visionary work, which probes the American psyche through political, historical, and cultural allegory.
Sky High Farm Symposium at Judd Foundation: The Community Panel
In this video, Thelma Golden, Chief Curator and Director of the Studio Museum in Harlem; Tremaine Emory, Founder of Denim Tears and Creative Director of Supreme; Father Mike Lopez, Founder of the Hungry Monk Rescue Truck; and artist Anicka Yi sit down to explore how the concept of community has shaped their work, and the power in seeing the places we live, our histories, and even our bodies as porous, interdependent, and alive.
Walter De Maria: The Object, the Action, the Aesthetic Feeling
The definitive monograph on the work of Walter De Maria was published earlier this fall. To celebrate this momentous occasion, Elizabeth Childress and Michael Childress of the Walter De Maria Archive talk to Gagosian senior director Kara Vander Weg about the origins of the publication and the revelations brought to light in its creation.
Myths and Monsters
Mike Stinavage visits Dimitris Papaioannou in Athens as he closes one world tour and opens another.
Anna Weyant: Baby, It Ain’t Over Till It’s Over
Novelist Emma Cline traces the boundaries between terror and hilarity in Anna Weyant’s new paintings.
Bruce Bernard: Portraits Of Friends
Virginia Verran details the photographer’s friendships with the London painters.
The Actual Picture: On Karin Kneffel’s Painting
In 2021, Karin Kneffel embarked on a new series of oil paintings, different from anything she had made before. Derived from her photographic studies of early Northern Renaissance polychrome-painted wood sculptures, these portrait diptychs appear for the first time in the exhibition Face of a Woman, Head of a Child at Gagosian, Rome. Art historian Ulrich Wilmes provides a first look, noting how Kneffel links pictorial and empirical realities, past and present, in a topic of universal human significance.
Fashion and Art: Pierre-Alexis Dumas
Pierre-Alexis Dumas, the artistic director of Hermès, speaks with curator Abby Bangser about the central role of the house’s art collection in its creative process.
Shaw Studio Sing-along Songs
In this Shortlist series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Here Jim Shaw shares a selection of songs he listens to while working, from new discoveries to childhood staples. Shaw writes of the balance between delight and regret, hope and gloom in his playlist.
Bickerton’s “Bickertons” in the Realm of the Fetish
Abigail Solomon-Godeau analyzes periodization, artistic persona, and fetishism in the expansive work of Ashley Bickerton.