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Jennifer Guidi
Heliocentric

Jennifer Guidi: Heliocentric is available for online reading from April 22 through May 21 as part of Artist Spotlight: Jennifer Guidi. Her first exhibition with Gagosian, Heliocentric featured fourteen luminous paintings with surfaces that oscillate between color and texture. Images of these works, as well as installation views of the exhibition, are accompanied by an essay by Stuart Krimko in this accompanying publication.

Jennifer Guidi: Heliocentric (Hong Kong: Gagosian, 2018)

Jennifer Guidi: Heliocentric (Hong Kong: Gagosian, 2018)

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Installation view, Jennifer Guidi: And so it is., Orange County Museum of Art, Costa Mesa, California, September 15, 2023–February 18, 2024. Artwork © Jennifer Guidi. Photo: Yubo Dong, ofstudio

In Conversation

Jennifer Guidi
Heidi Zuckerman

Sunday, January 28, 2024, 3pm
Orange County Museum of Art, Costa Mesa, California
ocma.art

Join the Orange County Museum of Art for a conversation between Jennifer Guidi and OCMA CEO and director Heidi Zuckerman on the occasion of the artist’s exhibition And so it is., on view through February 18, 2024. The pair will discuss exploring the spiritual and metaphysical world, the importance of place, and Guidi’s rich history growing up in Orange County. The event is free to attend.

Installation view, Jennifer Guidi: And so it is., Orange County Museum of Art, Costa Mesa, California, September 15, 2023–February 18, 2024. Artwork © Jennifer Guidi. Photo: Yubo Dong, ofstudio

Photo: Brica Wilcox

Artist Spotlight

Jennifer Guidi

April 22–28, 2020

Light and color pervade every aspect of Jennifer Guidi’s work. The Los Angeles artist’s radiant, mandala-like paintings are marked by tonal and chromatic shifts that operate in concert with richly textured surfaces. Mixing sand into oils and acrylics, she produces immersive abstract compositions that borrow from the pared-down structures of Minimalism while evoking a powerful archetypal symbolism.

Photo: Brica Wilcox

Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson

Art Fair

Art Basel Hong Kong 2024

March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.

Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

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Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

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Not Running, Just Going

Robert M. Rubin’s Vanishing Point Foreve(RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.

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On Frederick Wiseman

Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.

film still of Harry Smith's "Film No. 16 (Oz: The Tin Woodman’s Dream)"

You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye

Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.

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Whit Stillman

In celebration of the monograph Whit Stillman: Not So Long Ago (Fireflies Press, 2023), Carlos Valladares chats with the filmmaker about his early life and influences.

Black and white portrait of Lisa Lyon

Lisa Lyon

Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.

self portrait by Jamian Juliano-Villani

Jamian Juliano-Villani and Jordan Wolfson

Ahead of her forthcoming exhibition in New York, Jamian Juliano-Villani speaks with Jordan Wolfson about her approach to painting and what she has learned from running her own gallery, O’Flaherty’s.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.