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Georg Baselitz
Years later

Georg Baselitz: Years later is available for online reading from May 18 through August 8 as part of the From the Library series. The book documents an exhibition of new paintings and works on paper by Baselitz opening at Gagosian in Hong Kong on May 21, the first show to open to the public within our international network of galleries since the global COVID-19 lockdown. The bilingual English-Chinese publication includes a foreword by Zeng Fanzhi and essay by Lu Mingjun.

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Georg Baselitz: Years later (New York: Gagosian, 2020)

Georg Baselitz: Years later (New York: Gagosian, 2020)

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Georg Baselitz, Ammersee, Germany, 2018. Photo: Martin Müller


Georg Baselitz
Académie des Beaux-Arts Foreign Associate Member

Georg Baselitz has been elected a foreign associate member of the prestigious Académie des Beaux-Arts, one of five institutions comprising the Institut de France. Baselitz joins ten other foreign members, taking the seat previously held by the late Polish film director Andrzej Wajda.

Dedicated to the fine arts, the Académie des Beaux-Arts encourages artistic creation and ensures the defense of France’s cultural heritage by awarding prizes to both emerging and recognized artists, organizing competitions, funding artist residencies, and granting aid to artistic projects, events, and associations. As an advisory body to the French public authorities, it is organized around the notion of multidisciplinarity, bringing together members within eight different artistic sections, foreign associate members, and corresponding members.

Georg Baselitz, Ammersee, Germany, 2018. Photo: Martin Müller

Georg Baselitz, Piet M., 2018 © Georg Baselitz. Photo: Jochen Littkemann


“Georg Baselitz: Devotion”
with Morgan Falconer

Thursday, February 14, 2019, 6:30–8pm
Gagosian, West 24th Street, New York

In conjunction with the 2019 College Art Association Annual Conference in New York, critic and art historian Morgan Falconer will lead a tour of Georg Baselitz: Devotion at Gagosian, West 24th Street, New York. Falconer will discuss Baselitz’s new paintings and works on paper and the artist’s interest in portraiture. To attend the free event, RSVP to Space is limited and will be granted on a first-come-first-serve basis.

Georg Baselitz, Piet M., 2018 © Georg Baselitz. Photo: Jochen Littkemann

Artwork © Georg Baselitz. Photo: Wilfried Hösl


Georg Baselitz

Through March 2019
Nationaltheater, Munich

Georg Baselitz has designed the set for a new reiteration of Parsifal at the Nationaltheater. The opera, composed by Richard Wagner, was first performed in Bayreuth, Germany, in 1882. To attend the event, purchase tickets at

Artwork © Georg Baselitz. Photo: Wilfried Hösl

The Nature of Mark Grotjahn

The Nature of Mark Grotjahn

Michael Auping writes about the origins of Mark Grotjahn’s Capri paintings and their relationship with nature and landscape.

Featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Mark Grotjahn: Capri

Mark Grotjahn: Capri

Mark Grotjahn speaks to Sam Orlofsky about the stories and processes behind his Capri series, on the occasion of his exhibition New Capri, Capri, Free Capri in New York.

Project EATS farm (top); Sky High Farm (bottom).

The Bigger Picture
Sky High Farm × Project EATS

Dan Colen and Linda Goode Bryant are both artists who have founded nonprofits devoted to food justice. Here they speak about art, food, and life, including how they arrived at farming and the urgency of their projects’ missions during the current health crisis.

A Single Moment: Dan Colen and Francesco Bonami

A Single Moment: Dan Colen and Francesco Bonami

Dan Colen joins Francesco Bonami in a conversation about absence and nostalgia, decadence and decay, progress and failure—and about help, the theme of his most recent body of paintings.

Video still of Dan Colen seated onstage with Hans Ulrich Obrist.

In Conversation
Dan Colen with Hans Ulrich Obrist

Against the backdrop of his survey exhibition Sweet Liberty, Dan Colen speaks about his work with Hans Ulrich Obrist, starting with his earliest interest in art and continuing up to the recent Desert paintings (2015–19).

Georg Baselitz and Zeng Fanzhi. Portraits of both artists in black-and-white.

Artist to Artist: Georg Baselitz and Zeng Fanzhi

On the occasion of Georg Baselitz: Years later at Gagosian, Hong Kong, Zeng Fanzhi composed a written foreword for the exhibition’s catalogue and a video message to the German painter. Baselitz wrote a letter of thanks to the Chinese artist for his insightful thoughts.

Willem de Kooning seated at Sidney Janis Gallery, 1959. Color photograph

There is Woman in the Landscapes: Willem de Kooning from 1959 to 1963

Lauren Mahony considers a critical four-year period in the painter’s career, examining the technical changes that occurred between his “abstract parkway landscapes” of the late 1950s and the “pastoral landscapes” that succeeded them, as well as the impact on his work of his impending move to Springs, New York.

Georg Baselitz working on a painting in his studio.

Georg Baselitz: What if...

Richard Calvocoressi narrates a tour of an exhibition of new paintings by Georg Baselitz in San Francisco, describing the visual effect of these luminous compositions and explaining their relationship to earlier works by the artist.

Installation view, "Katharina Grosse: Is It You?," Baltimore Museum of Art, March 1–June 28, 2020.

Katharina Grosse: The Movement Comes from Outside

Katharina Grosse discusses her exhibition Is It You? at the Baltimore Museum of Art with Gagosian’s Jona Lueddeckens. They consider what sets the Baltimore installation apart from its predecessors, and how Grosse sees the relationship of the human body to her immersive environments as opposed to her canvases.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020

Katharina Grosse: I see what she did there

On the occasion of the artist’s exhibition at the Baltimore Museum of Art, Terry R. Myers muses on the manipulations of time in Grosse’s work.

Still from the film "Women Artists: Katharina Grosse" by Claudia Müller.

Women Artists: Katharina Grosse

In this film by Claudia Müller, Katharina Grosse curates a virtual exhibition of works by ten female artists, including Valie Export, Isa Genzken, Emily Kame Kngwarreye, Wangechi Mutu, and others. Speaking about each artist’s practice, she explains what draws her to the selected works, which range from painting and sculpture to performance video and installation.