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Georg Baselitz
Years later

Georg Baselitz: Years later is available for online reading from May 18 through August 8 as part of the From the Library series. The book documents an exhibition of new paintings and works on paper by Baselitz opening at Gagosian in Hong Kong on May 21, the first show to open to the public within our international network of galleries since the global COVID-19 lockdown. The bilingual English-Chinese publication includes a foreword by Zeng Fanzhi and essay by Lu Mingjun.

Georg Baselitz: Years later (New York: Gagosian, 2020)

Georg Baselitz: Years later (New York: Gagosian, 2020)

Related News

Still from “Georg Baselitz: Archinto”

Video

Georg Baselitz
Archinto

This video takes the viewer through Georg Baselitz: Archinto, an exhibition of new and recent paintings and sculptures by the artist at Museo di Palazzo Grimani, Venice, on view May 19, 2021–November 27, 2022. In this show, Baselitz pays homage to Venice and its rich artistic tradition, establishing art historical continuity while also signaling a rupture between the Renaissance portrait tradition and its contemporary equivalents. 

Still from “Georg Baselitz: Archinto”

Georg Baselitz, Zero Dom (Zero Dome), 2015/2021, installation view, Académie des beaux-arts, Paris © Georg Baselitz 2022

Public Installation

Georg Baselitz
Zero Dom

October 20, 2021–March 7, 2022
Académie des beaux-arts, Paris

Georg Baselitz’s sculpture Zero Dom (2015/2021) is installed in front of the Académie des beaux-arts, Paris, in conjunction with the artist’s retrospective at the Centre Pompidou, which is on view through March 7, 2022, and in celebration of his admission into the Académie des beaux-arts as a foreign associate member. The 9-meter-high patinated bronze sculpture features a bundle of legs in high heels, a recurring motif in the artist’s work, which he sees as a form of self-portrait.

Georg Baselitz, Zero Dom (Zero Dome), 2015/2021, installation view, Académie des beaux-arts, Paris © Georg Baselitz 2022

Georg Baselitz, La tête d’Abgar, 1984, Musee d’Art Moderne de Paris © Georg Baselitz 2021. Photo: Jochen Littkemann

Donation

Georg Baselitz
Musée d’Art Moderne de Paris

Georg Baselitz has donated six paintings to the Musee d’Art Moderne de Paris, which are now on view in the special exhibition Donation d’œuvres de Georg Baselitz, through January 9, 2022. The gift testifies to the museum’s ongoing relationship with the artist since his retrospective there in 1997, followed by his sculpture exhibition in 2011.

Georg Baselitz, La tête d’Abgar, 1984, Musee d’Art Moderne de Paris © Georg Baselitz 2021. Photo: Jochen Littkemann

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

an open road in the desert with a single car driving on it

Not Running, Just Going

Robert M. Rubin’s Vanishing Point Foreve(RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.

Black and white close up image of a person lying down, their face surrounded by a fog of film grain

On Frederick Wiseman

Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.

film still of Harry Smith's "Film No. 16 (Oz: The Tin Woodman’s Dream)"

You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye

Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.

A person lays in bed, their hand holding their face up as they look at something outside of the frame

Whit Stillman

In celebration of the monograph Whit Stillman: Not So Long Ago (Fireflies Press, 2023), Carlos Valladares chats with the filmmaker about his early life and influences.

Black and white portrait of Lisa Lyon

Lisa Lyon

Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.

self portrait by Jamian Juliano-Villani

Jamian Juliano-Villani and Jordan Wolfson

Ahead of her forthcoming exhibition in New York, Jamian Juliano-Villani speaks with Jordan Wolfson about her approach to painting and what she has learned from running her own gallery, O’Flaherty’s.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.