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Helen Frankenthaler
Composing with Color: Paintings 1962–1963

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 is available for online reading from June 20 through July 19 as part of the From the Library series. This catalogue records a 2014 exhibition of eleven paintings made in a brief but critical period in Frankenthaler’s career when she “composed with color” rather than with line, producing for the first time the freer compositions that would come to exemplify her long and prolific career. An essay by Elizabeth A. T. Smith provides an in-depth examination of Frankenthaler’s development during this period, including her transition from oil to acrylic paint, and places these works within the context of American art in the early 1960s.

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 (New York: Gagosian, 2014)

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 (New York: Gagosian, 2014)

Related News

Helen Frankenthaler, M, 1977, collection of Helen Frankenthaler Foundation, New York © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Steven Sloman

Donation

Helen Frankenthaler Foundation
COVID-19 Relief Effort

In response to the catastrophic situation artists and art organizations face in the wake of the COVID-19 pandemic, the Helen Frankenthaler Foundation has announced a $5 million commitment to relief funding over the next three years. Building on its commitment to supporting artists and art institutions, this multiyear initiative marks the Foundation’s largest commitment of funding to date in support of a single cause since it became active in 2013.

Helen Frankenthaler, M, 1977, collection of Helen Frankenthaler Foundation, New York © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Steven Sloman

Helen Frankenthaler, Vessel, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Panel Discussion

Helen Frankenthaler
A Celebration

Monday, November 25, 2019, 6:30–8pm
Tate Modern, London
www.tate.org.uk

On the occasion of Helen Frankenthaler, a yearlong display of the artist’s work at Tate Modern, London, Clifford Ross, chairman of the Helen Frankenthaler Foundation, and art historian Briony Fer will discuss Frankenthaler’s life, work, and legacy. The talk will be chaired by Mark Godfrey, senior curator of international art at Tate Modern. The event has reached capacity.

Helen Frankenthaler, Vessel, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Helen Frankenthaler, Summer Picture, 1959, collection of Helen Frankenthaler Foundation, New York © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Tim Pyle

In Conversation

Alexander Nemerov and Clifford Ross on Helen Frankenthaler

Friday, August 23, 2019, 6–8pm
Parrish Art Museum, Water Mill, New York
parrishart.org

Art historian Alexander Nemerov, who is currently working on a new book about Helen Frankenthaler, will speak with Clifford Ross, chairman of the Helen Frankenthaler Foundation. The pair will discuss Nemerov’s forthcoming publication as well as the exhibition currently on view at the Parrish Art Museum, Abstract Climates: Helen Frankenthaler in Provincetown. To attend the event, purchase tickets at parrishart.org.

Helen Frankenthaler, Summer Picture, 1959, collection of Helen Frankenthaler Foundation, New York © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Tim Pyle

Mike Milken and Larry Gagosian

In Conversation
Mike Milken and Larry Gagosian

Mike Milken interviews Larry Gagosian about their shared histories, the important role of art in moments of crisis, and the long-term impact of creative visions.

Featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?

Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?

In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.

Jenny Saville in her studio.

In Conversation
Jenny Saville and Nicholas Cullinan

Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, from her studio. They discuss portraiture, her latest work, and her art historical influences, as well as the shifting nature of perception in the age of digital communication.

Jenny Saville, Study for Pentimenti I, 2011, graphite and pastel on paper.

Shortlist
Five Preoccupations: Jenny Saville

Jenny Saville shares a selection of the books, films, and more that have been her companions in the quiet of the shutdowns in recent months and as she looks ahead to a new exhibition next year.

Original walnut and pine table conceived in 1941 by Curzio Malaparte in situ at Casa Malaparte, Capri

Casa Malaparte: Furniture

Featuring interviews with Tommaso Rositani Suckert and Serena Cattaneo Adorno, this video presents a unique look at the history of Casa Malaparte in Capri and documents the fabrication of new editions of the iconic furniture pieces from the house, designed in the late 1930s by avant-garde writer Curzio Malaparte.

young people inside a tent structure within a purple-lit room

The Bigger Picture
Recess

Gagosian’s Sarah Hoover sat down with Allison Freedman Weisberg, founder and executive director of Recess, and Anaïs Duplan, Recess program manager, to discuss the community arts organization’s evolution, recent programs, and dreams for the future.

In the Studio: Damien Hirst’s Veil Paintings

In the Studio: Damien Hirst’s Veil Paintings

Damien Hirst speaks about his Veil paintings with Gagosian’s Alison McDonald. “I wanted to make paintings that were a celebration,” he says, “and that revealed something and obscured something at the same time.” 

Theaster Gates in his studio

Theaster Gates: Black Vessel

Join Theaster Gates in his studio as he prepares for his upcoming exhibition at Gagosian, New York, this fall. In this video, shot entirely on location in Chicago during the recent tumultuous weeks, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.

Rainer Maria Rilke, 1928. Photo: Lou Andreas-Salomé

Rainer Maria Rilke: Duino Elegies

Bobbie Sheng explores the symbiotic relationship between the poet and visual artists of his time and tracks the enduring influence of his poetry on artists working today.

Mary Weatherford, Orion’s Belt, 2016, Flashe and neon on linen.

Mary Weatherford: Train Yards

Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.

Installation view, Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Gagosian, Grosvenor Hill, London, June 15–July 31, 2020

Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray

Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.