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Helen Frankenthaler
Composing with Color: Paintings 1962–1963

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 is available for online reading from June 20 through July 19 as part of the From the Library series. This catalogue records a 2014 exhibition of eleven paintings made in a brief but critical period in Frankenthaler’s career when she “composed with color” rather than with line, producing for the first time the freer compositions that would come to exemplify her long and prolific career. An essay by Elizabeth A. T. Smith provides an in-depth examination of Frankenthaler’s development during this period, including her transition from oil to acrylic paint, and places these works within the context of American art in the early 1960s.

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 (New York: Gagosian, 2014)

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 (New York: Gagosian, 2014)

Related News

Left: Katy Hessel. Photo: Luke Fullalove. Middle: Matthew Holman. Right: Eleanor Nairne. Photo: Max Colson

In Conversation

Katy Hessel, Matthew Holman, and Eleanor Nairne on Helen Frankenthaler

Wednesday, September 8, 2021, 1pm edt (6pm bst)

Join Gagosian for an online conversation between broadcaster and art historian Katy Hessel; Matthew Holman, associate lecturer in English at University College London; and Eleanor Nairne, curator at the Barbican Art Gallery, London, about the exhibition Imagining Landscapes: Paintings by Helen Frankenthaler, 1952–1976, on view at Gagosian, Grosvenor Hill, London, through September 18. The trio will discuss Frankenthaler’s early training, the development of her signature soak-stain technique and subsequent shifts in style, and her connections to the London art world. To join, register at eventbrite.com.

Left: Katy Hessel. Photo: Luke Fullalove. Middle: Matthew Holman. Right: Eleanor Nairne. Photo: Max Colson

Helen Frankenthaler, M, 1977, Helen Frankenthaler Foundation, New York © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Steven Sloman

Donation

Helen Frankenthaler Foundation
COVID-19 Relief Effort

In response to the catastrophic situation artists and art organizations face in the wake of the COVID-19 pandemic, the Helen Frankenthaler Foundation has announced a $5 million commitment to relief funding over the next three years. Building on its commitment to supporting artists and art institutions, this multiyear initiative marks the Foundation’s largest commitment of funding to date in support of a single cause since it became active in 2013.

Helen Frankenthaler, M, 1977, Helen Frankenthaler Foundation, New York © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Steven Sloman

Helen Frankenthaler, Vessel, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Panel Discussion

Helen Frankenthaler
A Celebration

Monday, November 25, 2019, 6:30–8pm
Tate Modern, London
www.tate.org.uk

On the occasion of Helen Frankenthaler, a yearlong display of the artist’s work at Tate Modern, London, Clifford Ross, chairman of the Helen Frankenthaler Foundation, and art historian Briony Fer will discuss Frankenthaler’s life, work, and legacy. The talk will be chaired by Mark Godfrey, senior curator of international art at Tate Modern. The event has reached capacity.

Helen Frankenthaler, Vessel, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Roe Ethridge's Two Kittens with Yarn Ball (2017–22) on the cover of Gagosian Quarterly, Spring 2023

Now available
Gagosian Quarterly Spring 2023

The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.

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In an excerpt from his forthcoming monograph, Richard Wright pens a personal and philosophical text about painting.

Hao Liang, Spring and Emaciated Horse, 2022 (detail), ink and color on silk

Hao Liang: Emaciation Now: Paintings of My Contemporaries

Travis Diehl pens an essay on Hao Liang’s latest paintings.

Adam McEwen, Untitled (Grace), 2023, chromogenic print, dry mounted on Dibond, 60 × 40 inches (152.4 × 101.6 cm). Photo: Prudence Cuming Associates Ltd

Adam McEwen: An Act of Love

Contemporary artists Adam McEwen and Jeremy Deller met up online over the holiday season to discuss McEwen’s upcoming exhibitions in London and Rome. McEwen delves into the motivations and criteria behind his work, as well as the challenges and complexities of memorializing the living.

Ashley Bickerton

Game Changer
Ashley Bickerton

Michael Slenske pays tribute to the life and work of artist Ashley Bickerton.

Red, White, Yellow, and Black: 1972–73

Red, White, Yellow, and Black: 1972–73

In December 1972 and April 1973, Shigeko Kubota, Mary Lucier, Cecilia Sandoval, and Charlotte Warren conceived of “multimedia concerts” at The Kitchen, New York, under the name Red, White, Yellow, and Black. Here, Lumi Tan, former senior curator at The Kitchen, and Lia Robinson, director of programs and research at the Shigeko Kubota Video Art Foundation, speak with the Quarterly’s Wyatt Allgeier about the project.

Karl Lagefeld in front of a blue background. Photo: Roe Ethridge

The Art of Biography: Paradise Now: The Extraordinary Life of Karl Lagerfeld

William Middleton’s forthcoming biography of Karl Lagerfeld, Paradise Now, comes as a major follow-up to his lauded history of Dominique and John de Menil, Double Vision, from 2018. Here, curator Michael Cary speaks with Middleton about the challenges, strategies, and revelations that went into telling the story of this larger-than-life visionary in the world of fashion and the culture at large.

Harold Ancart, Untitled, 2021, oil stick and pencil on canvas, in artist’s frame depicting red mountain, blue sky, and sand landscape with a red-outlined moon.

Harold Ancart and Andrew Winer

Harold Ancart speaks with novelist Andrew Winer about being present, finding freedom in tension, and pathological escapism.

Cy Gavin, Untitled (Paths in a meadow), 2022, acrylic and vinyl on canvas, 42 × 75 inches (106.7 × 190.5 cm)

Cy Gavin: On the Other Side

Tiana Reid reports on her encounter with Cy Gavin’s new paintings.

Louise Bonnet in front of her painting Red Study, 2022, oil on linen, picturing a distorted female figure in a powerful stance, feet firmly planted and moving forward. Her hand is digging into the flesh of her hip and a red conical shape streams down from between her legs.

Louise Bonnet: On “Red Study” and Supporting Reproductive Rights

Louise Bonnet speaks with Freja Harrell about her new painting, her donation to Planned Parenthood Los Angeles, and the role of art in the fight for reproductive justice.

Michael Govan and Anselm Kiefer

In Conversation
Anselm Kiefer and Michael Govan

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

Fashion and Art: Pierpaolo Piccioli

Fashion and Art: Pierpaolo Piccioli

The creative director for Valentino speaks with Derek Blasberg about this year’s Met Gala, the duty of all creatives to honor their moment while dreaming for the future, and his recent collaboration with seventeen contemporary artists for Valentino Des Ateliers.