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Helen Frankenthaler
Composing with Color: Paintings 1962–1963

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 is available for online reading from June 20 through July 19 as part of the From the Library series. This catalogue records a 2014 exhibition of eleven paintings made in a brief but critical period in Frankenthaler’s career when she “composed with color” rather than with line, producing for the first time the freer compositions that would come to exemplify her long and prolific career. An essay by Elizabeth A. T. Smith provides an in-depth examination of Frankenthaler’s development during this period, including her transition from oil to acrylic paint, and places these works within the context of American art in the early 1960s.

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 (New York: Gagosian, 2014)

Helen Frankenthaler: Composing with Color: Paintings 1962–1963 (New York: Gagosian, 2014)

Related News

Left: Katy Hessel. Photo: Luke Fullalove. Middle: Matthew Holman. Right: Eleanor Nairne. Photo: Max Colson

In Conversation

Katy Hessel, Matthew Holman, and Eleanor Nairne on Helen Frankenthaler

Wednesday, September 8, 2021, 1pm edt (6pm bst)

Join Gagosian for an online conversation between broadcaster and art historian Katy Hessel; Matthew Holman, associate lecturer in English at University College London; and Eleanor Nairne, curator at the Barbican Art Gallery, London, about the exhibition Imagining Landscapes: Paintings by Helen Frankenthaler, 1952–1976, on view at Gagosian, Grosvenor Hill, London, through September 18. The trio will discuss Frankenthaler’s early training, the development of her signature soak-stain technique and subsequent shifts in style, and her connections to the London art world. To join, register at eventbrite.com.

Left: Katy Hessel. Photo: Luke Fullalove. Middle: Matthew Holman. Right: Eleanor Nairne. Photo: Max Colson

Helen Frankenthaler, M, 1977, Helen Frankenthaler Foundation, New York © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Steven Sloman

Donation

Helen Frankenthaler Foundation
COVID-19 Relief Effort

In response to the catastrophic situation artists and art organizations face in the wake of the COVID-19 pandemic, the Helen Frankenthaler Foundation has announced a $5 million commitment to relief funding over the next three years. Building on its commitment to supporting artists and art institutions, this multiyear initiative marks the Foundation’s largest commitment of funding to date in support of a single cause since it became active in 2013.

Helen Frankenthaler, M, 1977, Helen Frankenthaler Foundation, New York © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Steven Sloman

Helen Frankenthaler, Vessel, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Panel Discussion

Helen Frankenthaler
A Celebration

Monday, November 25, 2019, 6:30–8pm
Tate Modern, London
www.tate.org.uk

On the occasion of Helen Frankenthaler, a yearlong display of the artist’s work at Tate Modern, London, Clifford Ross, chairman of the Helen Frankenthaler Foundation, and art historian Briony Fer will discuss Frankenthaler’s life, work, and legacy. The talk will be chaired by Mark Godfrey, senior curator of international art at Tate Modern. The event has reached capacity.

Helen Frankenthaler, Vessel, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

an open road in the desert with a single car driving on it

Not Running, Just Going

Robert M. Rubin’s Vanishing Point Foreve(RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.

Black and white close up image of a person lying down, their face surrounded by a fog of film grain

On Frederick Wiseman

Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.

film still of Harry Smith's "Film No. 16 (Oz: The Tin Woodman’s Dream)"

You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye

Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.

A person lays in bed, their hand holding their face up as they look at something outside of the frame

Whit Stillman

In celebration of the monograph Whit Stillman: Not So Long Ago (Fireflies Press, 2023), Carlos Valladares chats with the filmmaker about his early life and influences.

Black and white portrait of Lisa Lyon

Lisa Lyon

Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.