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Mary Weatherford
I’ve Seen Gray Whales Go By

Mary Weatherford: I’ve Seen Gray Whales Go By is available for online reading from June 17 through July 16 as part of Artist Spotlight: Mary Weatherford. Documenting Weatherford’s 2018 exhibition at Gagosian in New York, her first with the gallery, it features a new essay by curator and art historian John Elderfield that examines how this body of work evokes not just landscapes, but specific events and narratives. The plate section is interspersed with examples of Weatherford’s varied source material, including a nursery rhyme, a page of sheet music, and an entry from artist Agnes Pelton’s journal.

Mary Weatherford: I’ve Seen Gray Whales Go By (New York: Gagosian, 2020)

Mary Weatherford: I’ve Seen Gray Whales Go By (New York: Gagosian, 2020)

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Photo: Antony Hoffman

Award

Mary Weatherford
Aspen Award for Art

Mary Weatherford is the recipient of the 2021 Aspen Award for Art, which will be presented on Friday, August 6. The award was established in 2005 by the Aspen Art Museum in Colorado to recognize individual artists making exemplary contributions to contemporary art.

On the occasion of the award, Weatherford will be in conversation with Nicola Lees, director of the Aspen Art Museum; Simone Krug, assistant curator; and Luis Yllanes, chief operating officer. The group will discuss Weatherford’s recent exhibition Neon Paintings, which was recently on view at the museum.

Photo: Antony Hoffman

Photo: Antony Hoffman

Artist Spotlight

Mary Weatherford

June 17–23, 2020

Mary Weatherford makes large paintings comprising grounds of spontaneously sponged paint on heavy linen canvases, often surmounted by one or more carefully shaped and placed colored neon tubes. The canvas—prepared with white gesso mixed with marble dust and worked on with Flashe paint, a highly pigmented but readily diluted emulsion—supports startlingly diverse applications of color, while the surface of the paint ranges from matte and velvety to transparent and translucent. Weatherford’s use of color and light is based on her direct experience of specific locations, as well as her memories of such experiences.

Photo: Antony Hoffman

Mary Weatherford (London: Lund Humphries, 2019)

Book Signing

Mary Weatherford

Tuesday, February 4, 2020, 5:30–6:30pm
Gagosian Shop, New York

Gagosian Shop will host a book signing with Mary Weatherford to coincide with the exhibition Mary Weatherford: Canyon—Daisy—Eden at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, on view from February 1 through July 12. Weatherford will be signing copies of her new monograph, Mary Weatherford, which features a new text by art historian Suzanne Hudson. Published by Lund Humphries, the book presents an overview of her work from the mid-1980s until today. The artist will also be signing copies of her 2016 book, Mary Weatherford: The Neon Paintings.

Both titles are available for purchase at Gagosian Shop. To attend the free event, RSVP to weatherfordrsvp@gagosian.com.

Mary Weatherford (London: Lund Humphries, 2019)

Michael Govan and Anselm Kiefer

In Conversation
Anselm Kiefer and Michael Govan

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Louise Bonnet in front of her painting Red Study, 2022, oil on linen, picturing a distorted female figure in a powerful stance, feet firmly planted and moving forward. Her hand is digging into the flesh of her hip and a red conical shape streams down from between her legs.

Louise Bonnet: On “Red Study” and Supporting Reproductive Rights

Louise Bonnet speaks with Freja Harrell about her new painting, her donation to Planned Parenthood Los Angeles, and the role of art in the fight for reproductive justice.

Installation view of the exhibition "Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews"

Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews

Join Jake Auerbach, Richard Calvocoressi, Bella Freud, Martin Gayford, and Florence Hallett as they discuss the work and legacy of four era-defining artists. Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews, on view at Gagosian, Grosvenor Hill, London, elucidates the connections between their respective practices, and also features some of the artists’ portraits of each other.

Alexandria Smith's painting, Languorous undulations (in the temple of my familiar), 2022, mixed media on three-dimensional wood assemblage, depicting a purple figure with a cloud-shaped head and one eye standing on a road and dipping a toe into a river. There is a bricked-up doorway in the background.

Languorous undulations (in the temple of my familiar)

Alexandria Smith and Akwaeke Emezi take up themes of queerness, hybridity, and embodied memory in their respective visual and literary works. Here, Emezi responds to Smith’s painting Languorous undulations (in the temple of my familiar) (2022) with an eponymous piece of flash fiction.

Still from Juan Sánchez, Unknown Boricua Streaming: A Nuyorican State of Mind, 2011 (still), video, picturing a cartoon in a superhero pose against a backdrop of a Puerto Rican flag collage in muted colors

On Centering Latinx Video Art

In late 2022, Gagosian, in collaboration with Anthology Film Archives, presented a selection of videos by Latinx artists curated by Susan Breyer. Here, Quarterly film writer Carlos Valladares responds to each work in prose or with a poem. 

Sterling Ruby studio

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.

Image of Jenny Saville standing in front of her artworks

Jenny Saville: Latent

In this video, Jenny Saville describes the evolution of her practice inside her latest exhibition, Latent, at Gagosian, Paris. She addresses the genesis of the title and reflects on the anatomy of a painting.

Glenn Brown in his studio

Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent

In conjunction with his exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent at Gagosian in New York, the artist sits down to discuss his new paintings, sculptures, and drawings.

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2023 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; Henri Rousseau. Photo: Lucia Hunziker/LL Productions

Duane Hanson at Fondation Beyeler

To celebrate their twenty-fifth anniversary, Fondation Beyeler, Riehen/Basel, Switzerland, staged an exhibition entitled Jubiläumsausstellung—Special Guest Duane Hanson. The presentation featured several sculptures by Duane Hanson alongside more than one hundred works from the foundation’s collection. Alice Godwin considers the fertile dialogues produced by these juxtapositions.

Tony Ward and Madonna from Sex (1992)

Fashion and Art: Madonna’s Sex and Saint Laurent Rive Droite

This year’s edition of Art Basel Miami Beach brought Saint Laurent to America for a special exhibition curated by creative director Anthony Vaccarello celebrating the thirtieth anniversary of the publication of Madonna’s groundbreaking book, Sex (1992). Staged on the Miami beachfront, the ephemeral exhibition was presented on the occasion of the reissue of Sex by Rive Droite and Callaway, New York, and featured large-format prints of Steven Meisel’s iconic photographs from the book, as well as unpublished images from the original photo shoots. Rennie McDougall reflects on the momentous impact of the publication, tracing Madonna’s ongoing influence on and provocation of popular culture.

Spencer Sweeney and Peter Doig sitting on chairs in Sweeney’s studio

Artist to Artist: Spencer Sweeney and Peter Doig

Peter Doig visits Spencer Sweeney’s studio and the two discuss automatism, ambiguity, and anguish in the creative process.