Video
Nancy Rubins
Monochrome II
Nancy Rubins’s Monochrome II (2010–18) has been permanently installed in the North Forest of Crystal Bridges Museum of American Art in Bentonville, Arkansas. In this video Rubins speaks about her thought process around the work, which is composed of recycled aluminum canoes and small boats, anchored around a steel armature.
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In Conversation
Nancy Rubins, Eric Shiner, Phong Bui
Monday, October 30, 2023, 6–8pm
Powerhouse Arts, New York
www.powerhousearts.org
Join Powerhouse Arts for a conversation between Nancy Rubins; Eric Shiner, president of Powerhouse Arts; and Phong Bui, publisher and artist director of the Brooklyn Rail, to celebrate the release of Rubins’s new monograph Fluid Force, which includes contributions by Shiner and Bui. A survey of the artist’s work to date, the book collects five decades of her gravity-defying practice and invites the reader to linger on her investigations of materiality. The trio will discuss Rubins’s fascination with form and matter and her exploration of the notions of what sculpture and drawing could and can be.
Nancy Rubins, Worlds Apart, 1982 © Nancy Rubins. Photo: Irv Tepper
In Conversation
Nancy Rubins
Sara Softness
Thursday, March 16, 2023, 3pm CDT
www.rubycity.org
Join Ruby City for an online conversation between Nancy Rubins and interdisciplinary curator Sara Softness. They will discuss Rubins’s sculptures, touching on her use of salvaged airplane parts in works including the one permanently installed in the sculpture garden at Ruby City. This talk is presented as part of San Antonio’s Contemporary Art Month, an annual program of events at galleries, museums, and performing art spaces throughout the city.
Nancy Rubins, 5,000 lbs. of Sonny’s Airplane Parts, Linda’s Place, and 550 lbs. of Tire-Wire, 1997, Ruby City, San Antonio © Nancy Rubins. Photo: courtesy Ruby City, San Antonio
Public Installation
Nancy Rubins
Dense Bud and Agrifolia Majoris
Two sculptures by Nancy Rubins—Dense Bud (2016) and Agrifolia Majoris (2017)—are currently on public display in Chicago as part of a partnership program between the Chicago Park District and EXPO Chicago’s IN/SITU Outside program, which installs temporary public art installations along the lakefront and throughout Chicago neighborhoods.
Nancy Rubins, Dense Bud, 2016, installation view, Chicago © Nancy Rubins. Photo: Brian Guido
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Prosperity’s Long Song #1: At Lights-Out Hour
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Mount Fuji in Satyajit Ray’s Woodblock Art, Part II
In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.
Adaptability
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Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Goetheanum: Rudolf Steiner and Contemporary Art
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Hans Ulrich Obrist’s Questionnaire: Frida Escobedo
In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.
Border Crossings: Exile and American Modern Dance, 1900–1955
Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.
Lisa Lyon
Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.