Menu

News / Announcements

Partnership

Douglas Gordon and
Institut Giacometti

The exhibition Douglas Gordon: The Morning After was scheduled to open at the Giacometti Institute in Paris on April 24, 2020, placing original works by Gordon side by side with those of Alberto Giacometti. Unfortunately, owing to the covid-19 crisis, the exhibition had to be delayed for a year. As a result, the institution has invited Douglas Gordon to collaborate on several activities from April 2020 through April 2021. This unprecedented partnership, the institute’s first with a contemporary artist, will variously take the form of impromptu interventions, disseminations, exchanges, and meetings on the foundation’s website and in the spaces of the institute and its partners.

Douglas Gordon’s hand alongside a sculpture by Alberto Giacometti at Institut Giacometti, Paris. Artwork © Succession Giacometti. Photo: Thomas Gangnet

Douglas Gordon’s hand alongside a sculpture by Alberto Giacometti at Institut Giacometti, Paris. Artwork © Succession Giacometti. Photo: Thomas Gangnet

Related News

Selfridges Oxford Street shop windows featuring work by Richard Wright, London, 2019

Visit

Douglas Gordon and Richard Wright
at Selfridges

Through March 28, 2019
Selfridges, London
www.selfridges.com

Ahead of the unveiling of London’s new Elizabeth railway line in 2020, Douglas Gordon and Richard Wright were commissioned to create artworks for the windows of Selfridges as part of the department store’s recently launched State of the Arts project.

Selfridges Oxford Street shop windows featuring work by Richard Wright, London, 2019

Rendering of Douglas Gordon’s if when why what (2018–22) on Piccadilly Lights, London

Public Installation

Douglas Gordon
if when why what

December 6–31, 2022, 8:22pm daily
Piccadilly Lights, London
circa.art

Beginning Tuesday, December 6, Douglas Gordon will take over the Piccadilly Lights advertising screen in London’s Piccadilly Circus, as well as a global network of screens in cities including Berlin, Melbourne, Milan, New York, and Seoul, nightly for three minutes at 20:22 (8:22pm) local time throughout December, with his new film, if when why what (2018–22). The never-before-seen work examines the history of the surrounding area, in particular Soho’s relationship with the erotic entertainment industry, focusing on the neighborhood’s iconic neon signage. The project is presented by the Cultural Institute of Radical Contemporary Art (CIRCA) in conjunction with the exhibition Douglas Gordon: Neon Ark at Gagosian, Davies Street, London, and will also be viewable online on the CIRCA website.

Watch Online

Rendering of Douglas Gordon’s if when why what (2018–22) on Piccadilly Lights, London

Invalides train station, Paris, to be converted into the Musée & École Giacometti. Photo: © Luc Castel, courtesy Fondation Giacometti

Visit

Musée & École Giacometti

The Fondation Giacometti is creating the Musée & École Giacometti in the historic building of the former Invalides train station and the basement of the esplanade in Paris, due to open in 2026. Envisioned as a new type of institution, the site will include a museum showcasing works by Alberto Giacometti, multidisciplinary exhibition spaces, and an art school. The site will be dedicated to fostering dialogues between the public, artists, and different modes of creative expression.

Invalides train station, Paris, to be converted into the Musée & École Giacometti. Photo: © Luc Castel, courtesy Fondation Giacometti

Screen Time: How Nadya Tolokonnikova and UnicornDAO are Warming the Web3 World

Screen Time: How Nadya Tolokonnikova and UnicornDAO are Warming the Web3 World

Ashley Overbeek profiles Pussy Riot member Nadya Tolokonnikova and the feminist collective UnicornDAO, highlighting their efforts to harness blockchain technology for art and activism.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Image of Gio Swaby, Love Letter 2, 2018, thread and fabric sewn on canvas

The Root of Black Joy: The Work of Bahamian Artist Gio Swaby

For Roxane Gay’s guest-edited section in the Winter 2022 Gagosian Quarterly, “Black to Black,” Brooke C. Obie addresses the mixed-media work of Gio Swaby, exploring the ways that Black joy, ancestry, and her home country inform her developing practice.

Leaps of Faith: A Conversation with Jordan Casteel and Calida Rawles

Leaps of Faith: A Conversation with Jordan Casteel and Calida Rawles

For her guest-edited section in the Winter 2022 Gagosian Quarterly, “Black to Black,” Roxane Gay speaks with Jordan Casteel and Calida Rawles about the nature of success, the intricacies of care, and how they each envision their practice.

Timothy Behrens, Lucian Freud, Francis Bacon, Frank Auerbach, andMichael Andrews (left to right) at Wheeler's restaurant in Soho,London, 1963. Photo: © John Deakin/John Deakin Archive/BridgemanImages

Frank Auerbach: Artist Friends

In this candid interview with Richard Calvocoressi, the painter Frank Auerbach reminisces on his friendships with Michael Andrews, Francis Bacon, and Lucian Freud. The two spoke during the planning of the exhibition Friends and Relations, a show that examines the interconnected lives and art practices of this group of London painters.

Anna Weyant in her studio, New York, 2022

Anna Weyant: Baby, It Ain’t Over Till It’s Over

Novelist Emma Cline traces the boundaries between terror and hilarity in Anna Weyant’s new paintings.

Jim Shaw, The Master Mason (2020) is a large acrylic work painted on a section of found muslin backdrop. Donald Trump is dressed as a founding father—namely George Washington—complete with tricorne hat and Masonic ritual apron, an emblem of innocence, righteousness, and proper conduct.

“The Present Decline”: Jim Shaw’s Epic Parables

Catherine Taft examines Jim Shaw’s visionary work, which probes the American psyche through political, historical, and cultural allegory.

Jim Shaw performing in the exhibition LEFT BEHIND at CAPC musée d’art contemporain de Bordeaux, France, 2010

Shortlist
Shaw Studio Sing-along Songs

In this Shortlist series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Here Jim Shaw shares a selection of songs he listens to while working, from new discoveries to childhood staples. Shaw writes of the balance between delight and regret, hope and gloom in his playlist.

A Body of Work: Firelei Báez and Tschabalala Self

A Body of Work: Firelei Báez and Tschabalala Self

Amber J. Phillips examines the works of Firelei Báez and Tschabalala Self as part of “Black to Black,” a supplement guest-edited by Roxane Gay for the Winter 2022 issue of the Quarterly.

Commemorative Acts: Ladi’Sasha Jones

Commemorative Acts: Ladi’Sasha Jones

As part of “Black to Black,” a special supplement guest-edited by Roxane Gay for the Winter 2022 issue of the Quarterly, Ladi’Sasha Jones looks at the work of Black women artists who utilize archives.

Visual Abundance in the Work of Kezia Harrell

Visual Abundance in the Work of Kezia Harrell

As part of “Black to Black,” a supplement guest-edited by Roxane Gay for the Winter 2022 issue of the Quarterly, Randa Jarrar explores the work of Kezia Harrell.

Black and white image of Bruce Bernard, Lucian Freud Standing on His Head, with Daughter Bella, 1983

Bruce Bernard: Portraits Of Friends

Virginia Verran details the photographer’s friendships with the London painters.