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Tom Wesselmann
Standing Still Lifes

Tom Wesselmann: Standing Still Lifes is available for online reading from August 30 through September 28 as part of the From the Library series. The publication features nine monumental works made by Wesselmann between 1967 and 1981, shown together for the first time as a complete series in 2018 at Gagosian, 555 West 24th Street, New York. Each large-scale work comprises multiple canvases, both hanging and standing, shaped according to the outlines of the commonplace objects that they depict. The catalogue features a text by Ara H. Merjian, a conversation between Michael Craig-Martin and Jeffrey Sturges, and a chronology by Lauren Mahony.

Tom Wesselmann: Standing Still Lifes (New York: Gagosian, 2018)

Tom Wesselmann: Standing Still Lifes (New York: Gagosian, 2018)

Related News

Tom Wesselmann, Great American Nude #5, 1961 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Panel Discussion

The Legacy of Tom Wesselmann
Estate Management and Catalogue Raisonné

Thursday, November 5, 2020, 5pm est

As part of Gagosian’s Building a Legacy program, Jeffrey Sturges, director of exhibitions for the Estate of Tom Wesselmann; Susan Davidson, curator and art historian; Huffa Frobes-Cross, Tom Wesselmann catalogue raisonné project manager at the Wildenstein Plattner Institute; and Rani Singh, director of special projects at Gagosian, will discuss the steps involved in transitioning from a working artist’s studio to an estate. They will also speak about the decision to publish the catalogue raisonné as a digital-only volume, as well as the forthcoming printed monograph on the Great American Nudes, edited by Davidson and with an illustrated chronology by Lauren Mahony. To join, register at zoom.us.

Tom Wesselmann, Great American Nude #5, 1961 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Tom Wesselmann, Great American Nude #1, 1961 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Upcoming Publication

Tom Wesselmann
Digital Catalogue Raisonné

The Wildenstein Plattner Institute (WPI), in partnership with the Estate of Tom Wesselmann, announces the preparation of a digital catalogue raisonné of the works of Tom Wesselmann. The first installment will be published on the Great American Nudes series. In advance of publication, a publicly available searchable database of all works recorded by the artist’s Estate, which incorporates ongoing research for the forthcoming catalogue raisonné, called the Tom Wesselmann Digital Corpus, has been launched.

Parallel with this effort, the Estate of Tom Wesselmann, Almine Rech, and Gagosian are also pleased to announce the forthcoming publication of Tom Wesselmann: The Great American Nudes. Edited by Susan Davidson, the monograph will be the first comprehensive publication dedicated to Wesselmann’s most famous body of work, made between 1961 and 1973. The book will include full color reproductions of each artwork, as well as related drawings, studies, and relevant works from associated series.

For collectors to confirm that a work in their possession will be included in the digital catalogue raisonné, please visit wpi.art to begin the submission process.

Tom Wesselmann, Great American Nude #1, 1961 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Rachel Whiteread, Untitled (November), 2020 (detail) © Rachel Whiteread. Photo: Prudence Cuming Associates Ltd.

Art Fair

Zona Maco 2022

February 9–13, 2022, booth B115
Centro Citibanamex, Mexico City
www.zsonamaco.com

Gagosian is pleased to announce its return to Zona Maco México Arte Contemporáneo for the first time since 2018; significantly, this is also the gallery’s first in-person art fair of 2022. Gagosian is presenting a specially curated selection of dynamic paintings, sculptures, and works on paper by iconic figures long associated with the gallery, juxtaposed with works by key contemporary artists. Many of the featured artists are being represented at Zona Maco for the first time.

Rachel Whiteread, Untitled (November), 2020 (detail) © Rachel Whiteread. Photo: Prudence Cuming Associates Ltd.

Titus Kaphar and Zoé Whitley sit in front of the artist’s artwork

In Conversation
Titus Kaphar and Zoé Whitley

Join Titus Kaphar and Zoé Whitley as they discuss the artist’s recent exhibition New Alte̲rs: Reworking Devotion, featuring paintings and sculptures in which Kaphar examines the history of representation by altering the work’s supports to reveal oft unspoken social and political truths.

Takashi Murakami cover and Andreas Gursky cover for Gagosian Quarterly, Summer 2022 magazine

Now available
Gagosian Quarterly Summer 2022

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).

An image of Cristina Iglesias smiling

In Conversation
Cristina Iglesias and Iwona Blazwick

Join Gagosian for a conversation between Cristina Iglesias and Iwona Blazwick, former director of Whitechapel Gallery in London, on the occasion of the artist’s exhibition at Davies Street, London and concurrent outdoor commissions for the Annenberg Courtyard of the Royal Academy of Arts in London, and Madison Square Park in New York.

Jon Huffman and John G. Hanhardt stand in front of Nam June Paik’s “Bakelite Robot”

Nam June Paik: Art in Process: Part One

On the occasion of Nam June Paik: Art in Process: Part One, curator John G. Hanhardt and Nam June Paik Estate curator Jon Huffman discuss the survey of works spanning the artist’s career.

Amanda Williams in her studio, Chicago, 2022. Photo: Jacob Hand

Amanda Williams: CANDYLADYBLACK

Jasmine Sanders addresses the economic, architectural, and chromatic roots of Amanda Williams’s new paintings.

Y.Z. Kami and Steven Henry Madoff sit in front two of the artist's paintings

In Conversation
Y.Z. Kami and Steven Henry Madoff

Y.Z. Kami and curator Steven Henry Madoff sit down in Kami’s studio to discuss the artist’s exhibition at the Museo de Arte Contemporáneo de Castilla y León, Spain. Entitled Y.Z. Kami: De forma silenciosa/In a Silent Way, the survey features portraits; images of buildings, both sacred and ordinary; a sculptural installation of loose bricks inscribed with texts; and recent dreamlike abstractions.

Brutalisten, Stockholm, 2022. Photo: Attilio Maranzano

Brutalisten: An Interview with Carsten Höller

This spring, Carsten Höller launched Brutalisten, a new restaurant concept in Stockholm and the latest embodiment of his long-term culinary and artistic project called the Brutalist Kitchen. The twenty-eight-seat restaurant features a menu overseen by chef Stefan Eriksson that adheres to three classifications: “semi-brutalist” dishes (using oil or minimal ingredients), “brutalist” dishes (using salt and water), and “orthodox-brutalist” dishes (no additional ingredients). For the Quarterly, Höller speaks with Gagosian directors Serena Cattaneo Adorno and Mark Francis about this terminology, the importance of experimentation, and the fortuitous side effects of brutalist cuisine.

Pink dots that read "On the dot" in the center of a green dot background

On the Dot

In the first installment of a two-part feature, John Elderfield discusses how dots found a special place in the vocabulary of painting with the work of the French artist Georges Seurat and continue to be used to this day, most famously by Damien Hirst and Yayoi Kusama. Elderfield asks: what is it about dots that attracted modern artists, and what functions do they serve?

Rebecca Cammisa's black and white image of Sister Helen on 142nd Street in Mott Haven, 1996.

Rebecca Cammisa

The filmmaker sat down with Carlos Valladares to talk her chief inspirations, the countercultural radicality of being a nun, and the shifting landscape of the documentary.

Black and white image of Annie Flanders entering Area nightclub, New York, 1986.

Game Changer
Annie Flanders

Aria Darcella pays homage to the founder of Details magazine, enumerating the many ways in which Flanders changed discourses around fashion, nightlife, and photography.

Amanda Williams and Derrick Adams sit in front of "CandyLadyBlack (Even When You Talk It Takes Over Me), 2022

In Conversation
Amanda Williams and Derrick Adams

On the occasion of her exhibition Amanda Williams: CANDYLADYBLACK at Gagosian in New York, the artist spoke with artist Derrick Adams about the way she uses color as a tool to examine the complex ways in which race informs our assignment of value to physical, social, and conceptual spaces. 

Darkly lit road, trees, and building exterior at La Ribaute, Barjac, France.

Anselm Kiefer: Architect of Landscape and Cosmology

Jérôme Sans visits La Ribaute in Barjac, France, the vast studio-estate transformed by Anselm Kiefer over the course of decades. The labyrinthine site, now open to the public, stands as a total work of art, reflecting through its grounds, pavilions, and passageways major themes in Kiefer’s oeuvre: regeneration, mythology, memory, and more.