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MoMA Virtual Views
Donald Judd

As we “museum from home,” exhibition curator Ann Temkin introduces the 2020 retrospective Judd at the Museum of Modern Art, New York. Temkin discusses Donald Judd’s installation process and how the artist’s revolutionary approach has widened our understanding of sculpture for generations to come.

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Artwork © Sally Mann

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Plan Your Vote

Created in 2020, Plan Your Vote is an initiative of Vote.org that harnesses the power of the visual arts to promote and empower citizens to exercise their right to vote. The organization has collaborated with artists, including Davide Balula, Sally Mann, and Patti Smith, to create a public library of voting advocacy images, available for anyone to download and share, in order to help ensure everyone has a voting strategy and is vote ready. To check if you are registered to vote, or learn more about your voting rights, visit vote.org.

Artwork © Sally Mann

Jay DeFeo on Mount Tamalpais, Marin County, California, 1973. Photo: John Bogdanoff

Launch

8-bridges

Gagosian will be participating in 8-bridges, a new online initiative created to highlight artists and galleries in the San Francisco Bay Area. Launching in October 2020, 8-bridges will present monthly exhibitions by Bay Area galleries, with a particular focus on artists and conversations relevant to the region. The platform will feature eight new presentations each month, and each cycle will also spotlight a local institution, starting with the Museum of the African Diaspora in San Francisco. Gagosian is pleased to be a member of the 8-bridges founding committee. The gallery’s inaugural presentation will be devoted to the work of Jay DeFeo.

Jay DeFeo on Mount Tamalpais, Marin County, California, 1973. Photo: John Bogdanoff

Sky High Farm, Columbia County, New York

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Sky High Farm

Dan Colen founded Sky High Farm in 2011 as a way to address food insecurity and improve access to fresh, nutritious food for underserved communities in New York. Located in Columbia County, New York, the 40-acre farm raises pasture-based livestock and grows organic fruit and vegetables exclusively for donation. Recently recognized as a 501(c)(3) nonprofit, the organization is raising funds to help expand its reach in the next decade. Donations will be used to increase production, scale up distribution, support other regional farms, and create educational opportunities. To donate, visit charity.gofundme.com.

Sky High Farm, Columbia County, New York

Gregory Crewdson, Red Star Express, 2018–19, digital pigment print, 56 ¼ × 94 ⅞ inches (127 × 225.7 cm)

Gregory Crewdson: An Eclipse of Moths

Gregory Crewdson discusses his new work with actor Cate Blanchett.

The crowd at the public funeral of Reverend Dr. Martin Luther King, Jr., in April 1968. Photo by Moneta Sleet Jr.

Now available
Gagosian Quarterly Fall 2020

The Fall 2020 issue of Gagosian Quarterly is now available.

Mary Weatherford, Orion’s Belt, 2016, Flashe and neon on linen.

Mary Weatherford: Train Yards

Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.

Louise Bonnet in her Los Angeles studio, 2020

Louise Bonnet

Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.

Ed Ruscha, At That, 2020, dry pigment and acrylic on paper.

“Things Fall Apart”: Ed Ruscha’s Swiped Words

Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.

The cover of Emma Cline’s book "Daddy"

Northeast Regional

A short story by Emma Cline, published here on the occasion of her new collection of stories entitled Daddy.

Photo: Moneta Sleet, Jr., 1965. Johnson Publishing Company Archive. Courtesy Ford Foundation, J. Paul Getty Trust, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, and Smithsonian Institution.

Theaster Gates: Black Image Corporation

As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space. 

Isabelle Waldberg, with Construction (1943), in her studio, New York, 1943.

Isabelle Waldberg

Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.

Jay DeFeo working on The Rose (then titled Deathrose), photographed by Burt Glinn in 1960.

Jay DeFeo

Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.

Henri Matisse, The Music Lesson, 1917, oil on canvas, domestic interior scene of people in the livingroom at the piano, reading chair, and window

Lockdown: Henri Matisse’s Domestic Interiors

John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.

Helen Frankenthaler, Cool Summer, 1962, oil on canvas, 69 ¾ × 120 inches (177.2 × 304.8 cm), Collection Helen Frankenthaler Foundation.

Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding

The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.

Bebe Miller and Cynthia Oliver in motion dancing, mid-jump, against a white background

Bebe Miller and Cynthia Oliver

The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.