2020 Benefit Auction
September 15–29, 2020
The nonprofit visual art space LAXART is hosting a benefit auction, featuring works by Katharina Grosse, Jennifer Guidi, and Ed Ruscha. Proceeds will help the organization continue its mission to promote emerging and under-recognized talent and engage with key issues of our time through exhibitions, publications, and public programs. The live auction begins at 5pm edt on September 15 on Artsy. The works will also be available for viewing at LAXART by appointment beginning September 15. To register to bid, visit artsy.net.
Ed Ruscha, Street Cred, 2019 © Ed Ruscha
September 16–22, 2020
At the start of his artistic career, Ed Ruscha called himself an “abstract artist . . . who deals with subject matter.” Abandoning academic connotations that came to be associated with Abstract Expressionism, he looked instead to tropes of advertising and brought words—as form, symbol, and material—to the forefront of painting. Working in diverse media with humor and wit, he oscillates between sign and substance, locating the sublime in landscapes both natural and artificial. Ruscha’s formal experimentations and clever use of the American vernacular have evolved in form and meaning as technology alters the essence of human communication.
Photo: Kate Simon
Ed Ruscha to kick off new season of Gagosian’s online series
Launching September 16, 2020
Gagosian is unveiling a new vision for the Artist Spotlight series that will operate independently of our exhibition program. This will cement the platform’s status as a vibrant aspect of the gallery’s programming that allows artists to operate imaginatively beyond the physical exhibition format.
The second season of Artist Spotlight—a series that focuses on an individual artist for one week each month—premieres on September 16, 2020, with a new project by legendary artist Ed Ruscha. A selection of works by preeminent artists—including John Currin, Takashi Murakami, Nathaniel Mary Quinn, and Rachel Whiteread—will debut this fall. For updates, please contact the gallery at firstname.lastname@example.org.
Ed Ruscha. Photo: Sten Rosenlund
Custom-Built Intrigue: Drawings 1974–1984
Ed Ruscha: Custom-Built Intrigue: Drawings 1974–1984 is available for online reading from September 16 through October 15 as part of the From the Library series. Published on the occasion of the artist’s 2017 exhibition at Gagosian, 980 Madison Avenue, New York, this catalogue features over seventy-five text drawings by Ruscha, rendered in pastel, dry pigment, and various edible substances. An essay by Lisa Turvey, editor of the Ed Ruscha catalogue raisonné of works on paper, examines the artist’s use of humor in this body of work.
Ed Ruscha: Custom-Built Intrigue: Drawings 1974–1984 (New York: Gagosian, 2018)
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
A short story by Emma Cline, published here on the occasion of her forthcoming collection of stories entitled Daddy.
Lockdown: Henri Matisse’s Domestic Interiors
John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.
Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.
Theaster Gates: Black Image Corporation
As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.
Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding
The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Natasha Prince interviews the Dutch photographer and filmmaker about his relationships with musicians and gets the backstory on some of his most legendary images. Ivan Shaw puts Corbijn’s practice and aesthetic innovations into context.
For Sale: Baby Shoes. Never Worn.
Sydney Stutterheim meditates on the power and possibilities of small-format artworks throughout time.