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Infinite Canvas
A Film by Ryan McGinley featuring Carsten Höller

Last year, seven artists, including Carsten Höller, led an augmented reality (AR) project in Apple Stores around the world. In collaboration with Apple and the New Museum, this project became [AR]T, a series of interactive AR installations. A new documentary directed by Ryan McGinley, available to watch on Apple TV, highlights the work of each artist and chronicles how they pushed the boundaries of their work to explore the uncharted territory of augmented reality art.

View with Carsten Höller’s augmented reality software Through (2019), which takes viewers through a portal into a world with no perspective

View with Carsten Höller’s augmented reality software Through (2019), which takes viewers through a portal into a world with no perspective

Related News

Carsten Höller’s The Double Club Los Angeles, Luna Luna, Los Angeles, March 7–10, 2024. Artwork © Carsten Höller

Installation

Carsten Höller
The Double Club Los Angeles

March 7–10, 2024
Luna Luna, Los Angeles
lunaluna.com

Carsten Höller’s The Double Club Los Angeles transforms a vast warehouse in the heart of the Los Angeles Arts District, used by the Luna Luna team to unpack and reconstruct the rides on display in its restaging of the art amusement park, into a fanciful landscape. Now in its third incarnation, Höller’s installation begins with a single floor area and applies the mathematical rule of division by halving the footprint, while doubling it in height, to create nine unique spaces that deconstruct the carnival experience. The four-day event is presented by Prada Mode, in partnership with Luna Luna, and includes musical programming curated by the rapper Drake, who played a major role in bringing Luna Luna to LA, and Höller, who visited the park during its 1987 debut in Hamburg, Germany. The event is free and open to the public on March 9–10 with admission to Luna Luna.

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Carsten Höller’s The Double Club Los Angeles, Luna Luna, Los Angeles, March 7–10, 2024. Artwork © Carsten Höller

Carsten Höller, Decimal Clock (Blue and Orange), 2023 © Carsten Höller. Photo: Thomas Lannes

Visit

Noor Riyadh Festival 2023
The Bright Side of the Desert Moon

November 30–December 16, 2023
Various locations in Riyadh
riyadhart.sa

The third annual Noor Riyadh, a citywide festival of public art installations, will showcase expansive light-based artworks by more than one hundred artists across five pivotal city hubs. Titled The Bright Side of the Desert Moon, the selection features ephemeral sculptures, urban projections, and immersive site-specific installations, including neon works by Douglas Gordon and Carsten Höller

Carsten Höller, Decimal Clock (Blue and Orange), 2023 © Carsten Höller. Photo: Thomas Lannes

Carsten Höller, Abu Dhabi Dots, 2023 © Carsten Höller. Photo: Colin Robertson

Public Installation

Carsten Höller
Abu Dhabi Dots

November 18, 2023–January 30, 2024, 5:30pm–1am daily
Corniche, Abu Dhabi
abudhabiculture.ae

Carsten Höller’s Abu Dhabi Dots (2023) is installed on the waterfront in Abu Dhabi as part of the inaugural edition of Manar Abu Dhabi, a festival offering an immersive, multisensory experience to celebrate the natural beauty of the United Arab Emirates. The second installment of the artist’s Dots series, the public light exhibit, which begins each evening at 5:30pm, comprises twenty spotlights in four colors that follow participants’ movements and allow them to play a “reward and punishment” game with one another.

Carsten Höller, Abu Dhabi Dots, 2023 © Carsten Höller. Photo: Colin Robertson

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

Black and white portrait of Frida Escobedo

Hans Ulrich Obrist’s Questionnaire: Frida Escobedo

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.

Black and white portrait of Katherine Dunham leaping in the air

Border Crossings: Exile and American Modern Dance, 1900–1955

Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.

Black and white portrait of Lisa Lyon

Lisa Lyon

Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.