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Public Installation

W1 Curates
Michael Craig-Martin

June 29–July 12, 2020
Flannels, London
www.w1curates.com

Michael Craig-Martin has created a new digital work viewable around the clock on a three-story building on Oxford Street in London, presented by W1 Curates. The artist describes his work Cornucopia Galactica as “a celebration, a dynamic cornucopia, a galaxy of these great wonders of nature, constantly moving, turning, spinning through an intensely colored space like planets, satellites, and spaceships.” W1 Curates aims to bring art to the people by using state-of-the-art technology to transform the exterior of the Flannels London flagship store into a digital exhibition space.

Michael Craig-Martin, Cornucopia Galactica, 2020, installation view, Flannels, London © Michael Craig-Martin. Photo: courtesy W1 Curates

Michael Craig-Martin, Cornucopia Galactica, 2020, installation view, Flannels, London © Michael Craig-Martin. Photo: courtesy W1 Curates

Related News

Meleko Mokgosi’s digital art installation for the facade of Flannels, London, 2020. Artwork © Meleko Mokgosi. Photo: courtesy W1 Curates

Public Installation

W1 Curates
Meleko Mokgosi

October 1–18, 2020
Flannels, London
www.w1curates.com

Meleko Mokgosi has created a new digital work viewable around the clock on a three-story building on Oxford Street in London, presented by W1 Curates. The project comprises an algorithmic sequence of image fragments and text panels from Mokgosi’s narrative paintings, digitally adapted to the full scale on a ten-minute loop across the building’s facade. W1 Curates aims to bring art to the people by using state-of-the-art technology to transform the exterior of the Flannels London flagship store into a digital exhibition space.

Meleko Mokgosi’s digital art installation for the facade of Flannels, London, 2020. Artwork © Meleko Mokgosi. Photo: courtesy W1 Curates

Installation view, Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 23, 2019. Artwork © Michael Craig-Martin. Photo: Mike Bruce

Talk

In Focus
Michael Craig-Martin, Man Ray, Giuseppe Penone

Thursday, July 30, 2020, 12pm edt

Join Gagosian for a trio of online presentations to learn about the ways Michael Craig-Martin, Man Ray, and Giuseppe Penone approach three-dimensional form and its potential to change the way we engage with the world. Craig-Martin will speak about his own practice, while Max Teicher and Pepi Marchetti Franchi will each discuss the works of Man Ray and Penone respectively. To join, register at zoom.us.

Installation view, Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 23, 2019. Artwork © Michael Craig-Martin. Photo: Mike Bruce

Michael Craig-Martin’s poster thanking health workers around the world, 2020

Design

Michael Craig-Martin
Thank You Health Workers Poster

Michael Craig-Martin has created a poster for people to customize and share to show support for health workers around the world. Originally conceived for the BBC Arts’s Culture in Quarantine program to thank National Health Service workers in the United Kingdom, the artist decided to make this international version to thank frontline health care workers around the world. The printable poster template can be downloaded, customized, and shared in windows or digitally.

Post your finished design on Instagram using #GagosianChallenge by May 11. Craig-Martin will be selecting his favorites to repost on Gagosian’s Instagram.

Download the poster in color (pdf) or black and white (pdf)

Michael Craig-Martin’s poster thanking health workers around the world, 2020

Titus Kaphar in his studio, touching his painting.

Titus Kaphar: From a Tropical Space

Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.

The crowd at the public funeral of Reverend Dr. Martin Luther King, Jr., in April 1968. Photo by Moneta Sleet Jr.

Now available
Gagosian Quarterly Fall 2020

The Fall 2020 issue of Gagosian Quarterly is now available.

Nathaniel Mary Quinn in his studio

Nathaniel Mary Quinn: In the Studio

Hear the painter describe the creation of a new work in this time-lapse documentation of his process.

Theaster Gates in his studio

Theaster Gates: Black Vessel

Join Theaster Gates in his studio as he prepares for an upcoming exhibition at Gagosian, New York. In this video, shot on location in Chicago during the tumultuous weeks of protest in late spring 2020, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.

Gregory Crewdson, Red Star Express, 2018–19, digital pigment print, 56 ¼ × 94 ⅞ inches (127 × 225.7 cm)

Gregory Crewdson: An Eclipse of Moths

Gregory Crewdson discusses his new work with actor Cate Blanchett.

Mary Weatherford, Orion’s Belt, 2016, Flashe and neon on linen.

Mary Weatherford: Train Yards

Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.

Louise Bonnet in her Los Angeles studio, 2020

Louise Bonnet

Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.

Ed Ruscha, At That, 2020, dry pigment and acrylic on paper.

“Things Fall Apart”: Ed Ruscha’s Swiped Words

Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.

Photo: Moneta Sleet, Jr., 1965. Johnson Publishing Company Archive. Courtesy Ford Foundation, J. Paul Getty Trust, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, and Smithsonian Institution.

Theaster Gates: Black Image Corporation

As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space. 

Jay DeFeo working on The Rose (then titled Deathrose), photographed by Burt Glinn in 1960.

Jay DeFeo

Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.

Henri Matisse, The Music Lesson, 1917, oil on canvas, domestic interior scene of people in the livingroom at the piano, reading chair, and window

Lockdown: Henri Matisse’s Domestic Interiors

John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.

Helen Frankenthaler, Cool Summer, 1962, oil on canvas, 69 ¾ × 120 inches (177.2 × 304.8 cm), Collection Helen Frankenthaler Foundation.

Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding

The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.