Menu

News / Events

In Conversation

Stanley Whitney
Matthew Jeffrey Abrams

Thursday, October 15, 2020, 2pm EDT

In the context of Stanley Whitney’s exhibition of recent paintings at Gagosian, Rome, which closes on October 17, Whitney and author Matthew Jeffrey Abrams will discuss Abram’s new monograph on the artist and the diverse formative influences on the artist’s imagination. To join, register at zoom.us.

Stanley Whitney at his studio near Parma, Italy, 2012. Photo: Marina Adams, courtesy the artist

Stanley Whitney at his studio near Parma, Italy, 2012. Photo: Marina Adams, courtesy the artist

Related News

Photo: EFE/Alamy

Artist Spotlight

Stanley Whitney

April 15–21, 2020

Stanley Whitney has been deeply invested in chromatic experimentation throughout his career, but it was the experience of Italian art and architecture, both ancient and modern, that informed his unique understanding of the nuanced relationship between color and geometry. His highly dynamic abstract paintings unlock the grid, imbuing it with new and unexpected cadences of color, rhythm, and space. Deriving inspiration from sources as diverse as Sandro Botticelli and Piet Mondrian, free jazz and American quilt-making, Whitney composes in varying scales with vibrant blocks and bars that articulate a chromatic call-and-response within each canvas.

Photo: EFE/Alamy

Stanley Whitney, No to Prison Life, 2019 © Stanley Whitney

Commission

Stanley Whitney
No to Prison Life

For his first public commission, Stanley Whitney used the H&R Block Artspace Project Wall at his alma mater, Kansas City Art Institute in Missouri, to display No to Prison Life (2019) from March 29, 2019 through January 31, 2020. Whitney’s Project Wall commission intentionally combined painting and handwritten text to register an urgent public protest against a US judicial system that promotes arrest, incarceration, and other forms of imprisonment that often further damage lives.

Stanley Whitney, No to Prison Life, 2019 © Stanley Whitney

Photo: Miranda Leighfield

Honor

Stanley Whitney
American Academy of Arts and Letters

Stanley Whitney was inducted into the American Academy of Arts and Letters, New York, in May 2017. Founded in 1898, the 250-person Academy is dedicated to the recognition of the country’s leading architects, artists, composers, and writers. It also administers over seventy awards and prizes, exhibits art and manuscripts, funds performances, and purchases artwork for donation to museums across the country.

Photo: Miranda Leighfield

Still from the video "In Conversation: Rachel Whiteread and Ann Gallagher"

In Conversation
Rachel Whiteread and Ann Gallagher

Rachel Whiteread speaks to Ann Gallagher about a new group of resin sculptures for an upcoming exhibition at Gagosian in London. They discuss the works’ emphasis on surface texture, light, and reflection.

The crowd at the public funeral of Reverend Dr. Martin Luther King, Jr., in April 1968. Photo by Moneta Sleet Jr.

Now available
Gagosian Quarterly Fall 2020

The Fall 2020 issue of Gagosian Quarterly is now available.

Piero della Francesca, The Baptism of Christ, after 1437, egg on poplar.

Rachel Whiteread on Piero della Francesca

Rachel Whiteread writes about the Italian artist’s Baptism of Christ (after 1437) and what has drawn her to this painting, from her first experience of it at a young age to the present day.

Titus Kaphar in his studio, touching his painting.

Titus Kaphar: From a Tropical Space

Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.

Nathaniel Mary Quinn in his studio

Nathaniel Mary Quinn: In the Studio

Hear the painter describe the creation of a new work in this time-lapse documentation of his process.

Theaster Gates in his studio

Theaster Gates: Black Vessel

Join Theaster Gates in his studio as he prepares for an upcoming exhibition at Gagosian, New York. In this video, shot on location in Chicago during the tumultuous weeks of protest in late spring 2020, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.

Gregory Crewdson, Red Star Express, 2018–19, digital pigment print, 56 ¼ × 94 ⅞ inches (127 × 225.7 cm)

Gregory Crewdson: An Eclipse of Moths

Gregory Crewdson discusses his new work with actor Cate Blanchett.

Mary Weatherford, Orion’s Belt, 2016, Flashe and neon on linen.

Mary Weatherford: Train Yards

Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.

Louise Bonnet in her Los Angeles studio, 2020

Louise Bonnet

Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.

Ed Ruscha, At That, 2020, dry pigment and acrylic on paper.

“Things Fall Apart”: Ed Ruscha’s Swiped Words

Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.

Bebe Miller and Cynthia Oliver in motion dancing, mid-jump, against a white background

Bebe Miller and Cynthia Oliver

The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.

Jay DeFeo working on The Rose (then titled Deathrose), photographed by Burt Glinn in 1960.

Jay DeFeo

Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.