Matthew Jeffrey Abrams
Thursday, October 15, 2020, 2pm EDT
In the context of Stanley Whitney’s exhibition of recent paintings at Gagosian, Rome, which closes on October 17, Whitney and author Matthew Jeffrey Abrams will discuss Abram’s new monograph on the artist and the diverse formative influences on the artist’s imagination. To join, register at zoom.us.
Stanley Whitney at his studio near Parma, Italy, 2012. Photo: Marina Adams, courtesy the artist
April 15–21, 2020
Stanley Whitney has been deeply invested in chromatic experimentation throughout his career, but it was the experience of Italian art and architecture, both ancient and modern, that informed his unique understanding of the nuanced relationship between color and geometry. His highly dynamic abstract paintings unlock the grid, imbuing it with new and unexpected cadences of color, rhythm, and space. Deriving inspiration from sources as diverse as Sandro Botticelli and Piet Mondrian, free jazz and American quilt-making, Whitney composes in varying scales with vibrant blocks and bars that articulate a chromatic call-and-response within each canvas.
No to Prison Life
For his first public commission, Stanley Whitney used the H&R Block Artspace Project Wall at his alma mater, Kansas City Art Institute in Missouri, to display No to Prison Life (2019) from March 29, 2019 through January 31, 2020. Whitney’s Project Wall commission intentionally combined painting and handwritten text to register an urgent public protest against a US judicial system that promotes arrest, incarceration, and other forms of imprisonment that often further damage lives.
Stanley Whitney, No to Prison Life, 2019 © Stanley Whitney
American Academy of Arts and Letters
Stanley Whitney was inducted into the American Academy of Arts and Letters, New York, in May 2017. Founded in 1898, the 250-person Academy is dedicated to the recognition of the country’s leading architects, artists, composers, and writers. It also administers over seventy awards and prizes, exhibits art and manuscripts, funds performances, and purchases artwork for donation to museums across the country.
Photo: Miranda Leighfield
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Gagosian Quarterly Fall 2020
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