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Takashi Murakami

In collaboration with RxART, Takashi Murakami has transformed the CT/PET Scan Suite at the Children’s National Hospital in Washington, DC, by wrapping the walls and CT/PET scanner itself with a vibrant landscape featuring his signature smiling flowers. The installation has turned the once intimidating room—in which over 2,500 scans are performed each year—into an uplifting space, in an effort to alleviate the anxiety that many pediatric patients feel when they receive scans.

Takashi Murakami’s transformation of the CT/PET Scan Suite at the Children’s National Hospital, Washington, DC. Artwork ©️ Takashi Murakami/Kaikai Kiki Co. Ltd. All rights reserved. Photo: Kenson Noel

Takashi Murakami’s transformation of the CT/PET Scan Suite at the Children’s National Hospital, Washington, DC. Artwork ©️ Takashi Murakami/Kaikai Kiki Co. Ltd. All rights reserved. Photo: Kenson Noel

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Takashi Murakami and Supreme T-shirt


Takashi Murakami and Supreme
COVID-19 Relief Fund T-shirt

Takashi Murakami has collaborated with the fashion brand Supreme to create an original T-shirt to raise funds for HELP USA. Over a million dollars in proceeds from the sale of the shirt have been donated to the nonprofit to support youth and families facing homelessness during the COVID-19 pandemic.

Takashi Murakami and Supreme T-shirt

Photo: Chika Okazumi

In Conversation

Takashi Murakami
Stephen Little

Wednesday, February 20, 2019, 7:30–8:30pm
Bing Theater, Los Angeles County Museum of Art

Takashi Murakami will speak with Stephen Little, a curator at the Los Angeles County Museum of Art, about his work, including the upcoming exhibition Takashi Murakami: GYATEI² at Gagosian, Beverly Hills. LACMA director Michael Govan will introduce the conversation. To attend the free event, register at

Photo: Chika Okazumi

Takashi Murakami, Rose Milk, 1997 © 1997 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved

Art Fair

Takashi Murakami
For Your Infotainment: Hudson and Feature Inc.

May 3–6, 2018, booth FYI6
Randall’s Island Park, New York

Curated by Matthew Higgs, For Your Infotainment: Hudson and Feature Inc.—the first-ever themed section at Frieze New York—will be dedicated to the legacy of the fiercely independent art dealer Hudson and his seminal New York– and Chicago-based gallery Feature Inc. This section will feature artists who received their gallery debuts or had a long history at Feature Inc. in the 1980s and ’90s, including Takashi Murakami, whose booth will be presented by Gagosian.

Takashi Murakami, Rose Milk, 1997 © 1997 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved

Jeff Wall, Low tide gull shadow, 2020, inkjet print, 23 x 26 inches (58.5 x 66 cm)

In Conversation
Jeff Wall and Gary Dufour

Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide.

Jenny Saville’s Prism (2020) on the cover of Gagosian Quarterly magazine.

Now available
Gagosian Quarterly Winter 2020

The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.

Dancer on Soho roof in performance "Roof Piece," New York, 1973

Foray Forêt: Trisha Brown’s Choreographed Landscapes

On the occasion of the Trisha Brown Dance Company’s fiftieth anniversary, Hendel Teicher examines the legendary choreographer’s work through a biographical lens.

The Kitchen, 512 West 19th Street, New York

The Kitchen: Fifty-Year Anniversary

To celebrate the fiftieth anniversary of the trailblazing New York institution The Kitchen, we present an oral history that includes contributions from Laurie Anderson, Charles Atlas, Wade Guyton, Jacqueline Humphries, Joan Jonas, Ralph Lemon, and Anicka Yi. Statements organized by Christopher Bollen and Tim Griffin.

Jeff Wall, Dead Troops Talk (a vision after an ambush of a Red Army Patrol, near Moqor, Afghanistan, winter 1986), 1992, transparency in lightbox, 90 ⅛ × 164 ⅛ inches (229 × 417 cm)

Death Valley ’89: Jeff Wall vs. Photography

Daniel Spaulding considers formal and technical developments in the photographer’s work against the background of global shifts of power and politics, specifically the fall of the Berlin Wall in 1989.

Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2020, oil on canvas, 63 × 47 ¼ inches (160 × 120 cm)

Ewa Juszkiewicz

Lisa Small, senior curator of European art at the Brooklyn Museum, considers the historical precedents for Ewa Juszkiewicz’s painting practice.

Gaia Repossi. Photo: Zoe Ghertner

Fashion and Art: Gaia Repossi

The creative director of the Parisian jewelry house Repossi speaks with the Quarterly’s Wyatt Allgeier about her enduring love of Donald Judd, her use of photography and drawing in the design process, and the innovative collaborations, with visionaries like Rem Koolhaas and Flavin Judd, behind their retail spaces.

From left to right: Carolyn Christov-Bakargiev, Elvira Dyangani Ose, and Sarah Cosulich

Leaders in the Arts: Italy Edition

We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.

Installation view, Meleko Mokgosi: Democratic Intuition, Gagosian, Britannia Street, London, September 29–December 12, 2020. Artwork

Meleko Mokgosi: Democratic Intuition

Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.

Rendering of framework for the new UCSD-Alacrán Community Station housing project on the remediated site, Alacrán Canyon, Tijuana, Mexico. Rendering: Estudio Teddy Cruz + Fonna Forman (Marcello Maltagliati)

Prouvé in Tijuana

Architect Teddy Cruz and political theorist Fonna Forman speak about a new social-housing project on the outskirts of Tijuana, and its connections to the modernist designer Jean Prouvé, with cultural historian Robert M. Rubin and critic Alastair Gordon.

Gerhard Richter, Uncle Rudi, 1965, oil on canvas, 34 ¼ × 19 ¾ inches (87 × 50 cm), CR: 85

Gerhard Richter: Young Gerd

Richard Calvocoressi reflects on the monochrome world of Gerhard Richter’s early photo paintings.

Jay DeFeo’s Transcendent Objects

Jay DeFeo’s Transcendent Objects

Alice Godwin explores the shifts in Jay DeFeo’s practice in the 1970s, considering the familiar objects that became recurrent subjects in her work during these years and their relationship to the human body.