Eric N. Mack
Wednesday, December 16, 2020, 6pm EST
Using the exhibition Katharina Grosse: Is It You? at the Baltimore Museum of Art as a starting point, Grosse and fellow artist Eric N. Mack will discuss the intersections of their practices, processes, and inspirations. The talk will be moderated by critic and art historian Molly Warnock as part of the museum’s Violet Hour series. To watch the live conversation, visit BMA’s Facebook.
Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1, 2020–January 3, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art
Katharina Grosse and Alexander Kluge
with Joachim Bernauer and Julia Draganović
Tuesday, November 24, 2020, 1pm EST (7pm CET)
Katharina Grosse will speak with writer, theorist, and filmmaker Alexander Kluge about his writings on Leibniz’s theory of the “separatrix” and its key impact on her new body of watercolors and paintings on canvas, on view at Gagosian, Rome, through January 7. The conversation will be moderated by special guests Joachim Bernauer, director of Goethe-Institut Italien, and Julia Draganović, director of Accademia Tedesca Roma Villa Massimo, Rome. For this online discussion, Bernauer and Draganović will be speaking live from the gallery while Grosse and Kluge will join remotely. To join, complete this form.
Still from Alexander Kluge’s film Separatrix (2020), featuring Katharina Grosse’s painting Untitled (2019)
Tuesday, November 10, 2020, 1pm EST (7pm CET)
Katharina Grosse will speak with Bartolomeo Pietromarchi, director of Museo nazionale delle arti del XXI secolo (MAXXI) in Rome, as part of the museum’s Conversazioni d’autore series. The pair will discuss her artistic practice, including such works as Ingres Wood Seven (2018) in the MAXXI collection, as well as her latest paintings and works on paper on view in Separatrix at Gagosian, Rome, through January 7. The event is organized in collaboration with Gagosian; Accademia Tedesca Roma Villa Massimo, Rome; and Goethe-Institut, Rome. To watch the live conversation, visit MAXXI’s Facebook.
Photo: Robert Schittko, Art/Beats
Sunday, September 13, 2020, 7:30pm, 8:15pm, and 9pm
Hamburger Bahnhof–Museum für Gegenwart, Berlin
As part of Berlin Art Week, Katharina Grosse and musician Stefan Schneider will present three performances together in the exhibition Katharina Grosse: It Wasn’t Us at the Hamburger Bahnhof–Museum für Gegenwart, Berlin. The pair released their first album Tiergarten three years ago after a series of joint spontaneous musical dialogues incorporating analogue synthesizers. To attend the event, purchase tickets at www.berlinartweek.de.
Installation view, Katharina Grosse: It Wasn’t Us, Hamburger Bahnhof–Museum für Gegenwart, Berlin, June 1, 2020–January 10, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Jens Ziehe
The Iconoclasts: Part 1
The first installment of a four-part story cycle by Anne Boyer.
Gagosian Quarterly Winter 2020
The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.
Ewa Juszkiewicz: In vain her feet in sparkling laces glow
The artist elaborates on the creation of her first solo exhibition in New York.
Miranda July on Nichols Canyon
A new short film and essay by Miranda July, inspired by David Hockney’s painting Nichols Canyon (1980).
As part of “New Interiorities,” a supplement guest edited by Alison M. Gingeras and Jamieson Webster for the Winter 2020 issue of the Quarterly, Jacqueline Rose writes powerfully and soberly on the future of feminism in the time of covid.
Alison M. Gingeras and Jamieson Webster consider the paradigm shifts brought on by 2020’s biological, psychological, and social crises. The essay serves as an introduction to “New Interiorities,” a supplement they guest edited for the Winter 2020 issue of the Quarterly.
Edmund de Waal: some winter pots
Join the artist in his ceramics studio as he describes the impetus behind his exhibition in London and the importance of touch in the creation of these new works.
Murakami on Ceramics
Takashi Murakami writes about his commitment to the work of Japanese ceramic artists associated with the seikatsu kōgei, or lifestyle crafts, movement.
Takashi Murakami and Hans Ulrich Obrist
Hans Ulrich Obrist interviews the artist on the occasion of his 2012 exhibition Takashi Murakami: Flowers & Skulls at Gagosian, Hong Kong.
Jenny Saville: Painting the Self
Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, about her latest self-portrait, her studio practice, and the historical painters to whom she continually returns.
NXTHVN is a new national arts model that empowers emerging artists and curators of color through education and access. Through intergenerational mentorship, professional development, and cross-sector collaboration, NXTHVN accelerates professional careers in the arts. Join Titus Kaphar and Jason Price on a tour of the organization’s headquarters in New Haven, Connecticut. They discuss the founding and vision for this singular arts space.
The Iconoclasts: Part 4
The final installment of a four-part story cycle by Anne Boyer.