New Release
Miranda July
Nichols Canyon Road
On December 11, 2020, writer, filmmaker, and artist Miranda July released a new short film inspired by David Hockney’s painting Nichols Canyon (1980), alongside an accompanying essay, on Gagosian Quarterly.
July states, “I exited the freeway abruptly at Hollywood Blvd.—it was like deciding at the last minute to go with your lover instead of seeing them off. I mean, not at all, it wasn’t at all like this, unless, as I said, you were living a very restricted life. The road was only fifteen or twenty minutes away from my house. There were hundreds of roads that were only fifteen or twenty minutes away, all radiating in a halo around me; I never drove on any of them anymore.”
Share
Miranda July, Nichols Canyon Road, 2020 (still) © Miranda July
Related News
Support
Ed Ruscha × Avant Arte
Limited-Edition Print for LACMA
Ed Ruscha has partnered with Avant Arte, an online art marketplace, to create a limited-edition print of his painting Actual Size (1962) on the occasion of ED RUSCHA / NOW THEN, a major retrospective of his work at the Los Angeles County Museum of Art. A portion of proceeds from sales will benefit the museum’s future. The print will be available for purchase online at Avant Arte for forty-eight hours beginning at 1pm ET on Thursday, April 11, 2024. The edition size will be determined by the number of orders placed within the timed-release period. Each print is individually numbered and authenticated with a bespoke artist’s stamp.
Ed Ruscha, Actual Size, 2024 © Ed Ruscha
Honor
Neil Jenney
Tribeca Ball 2024
Neil Jenney is the honoree of the Tribeca Ball 2024, taking place on April 1 in New York. During the annual gala, the five floors of the New York Academy of Art are open for guests to explore while students offer a firsthand look at their creative processes. Proceeds from the event support the nonprofit school, which was founded by artists in 1982, and its mission to empower a new generation of artists, and will be used to establish the Neil Jenney Artist Scholarship Fund.
Neil Jenney with a portrait of himself by Joseph McNamara at Gagosian, 980 Madison Avenue, New York, 2013. Artwork © Joseph McNamara. Photo: Robert Wright/The New York Times/Redux
Honor
Giuseppe Penone
Årets Konstnär 2024
Giuseppe Penone has been named 2024’s Artist of the Year by Prinsessan Estelles Kulturstiftelse (preks), a foundation established in 2019 by Sweden’s Crown Princess Victoria and Prince Daniel and named for their daughter, Princess Estelle, with the mission of promoting cultural activities in the country. Every year, the chosen artist is invited to create a monumental, site-specific work to be permanently installed within Prinsessan Estelles Skulpturpark, a sculpture park at Royal Djurgården in Stockholm. Penone’s sculpture, The Inner Flow of Life (2022), will be unveiled on May 30, 2024.
Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Prosperity’s Long Song #1: At Lights-Out Hour
We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.
Mount Fuji in Satyajit Ray’s Woodblock Art, Part II
In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.
Adaptability
Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Goetheanum: Rudolf Steiner and Contemporary Art
Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.
Hans Ulrich Obrist’s Questionnaire: Frida Escobedo
In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.
Border Crossings: Exile and American Modern Dance, 1900–1955
Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.