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Vera Lutter
Museum in the Camera

Friday, January 29, 2021, 3–4pm EST

Join Los Angeles County Museum of Art director Michael Govan and the museum’s associate curator of contemporary art Jennifer King for an insightful conversation and tour of the exhibition Vera Lutter: Museum in the Camera. Between February 2017 and January 2019, Lutter documented LACMA using a camera obscura, creating photographs that examine the museum’s exterior architecture, gallery interiors, and permanent collection. Museum in the Camera features the compelling photographs made during this two-year residency. To watch the live event, RSVP at lacma.org.

Installation view, Vera Lutter: Museum in the Camera, Los Angeles County Museum of Art, March 29–August 9, 2020. Artwork © Vera Lutter. Photo: © Museum Associates/LACMA

Installation view, Vera Lutter: Museum in the Camera, Los Angeles County Museum of Art, March 29–August 9, 2020. Artwork © Vera Lutter. Photo: © Museum Associates/LACMA

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Vera Lutter, San Marco, Venice XVIII: November 29–30, 2005, 2005 © Vera Lutter

galleryplatform.la

Vera Lutter
Fragments of Time Past

January 7–20, 2021

Nothing is solid in memory. Our minds only hold on to traces, outlines—and that is what my photographs portray.
—Vera Lutter

Gagosian is pleased to present Fragments of Time Past, a selection of photographs by Vera Lutter online for galleryplatform.la.

In Fragments of Time Past, Lutter depicts four different ancient and historical sites: the pyramids at Giza, the ancient Greek temples at Paestum, the eleventh-century Maria Laach Benedictine abbey in Germany, and the distinctive waterways and buildings of Venice during the city’s yearly acqua alta flood season. Presented in a monochromatic photonegative palette, these iconic landmarks and relics take on a new and uncanny visual life: lively canals are smoothed to glossy stillness and solid ground drops away, leaving behind skeletal architectural structures silhouetted against black skies.

Vera Lutter, San Marco, Venice XVIII: November 29–30, 2005, 2005 © Vera Lutter

Still from “Vera Lutter: Museum in the Artist’s Camera Obscura”

Video

Vera Lutter
Museum in the Artist’s Camera Obscura

This short film, produced by the Los Angeles County Museum of Art (LACMA), features rare behind-the-scenes footage of Vera Lutter, her assistants, and the LACMA staff, filmed during the artist’s residency at the institution. Lutter and museum curator Jennifer King offer their insights into the artistic process and discuss the meanings they find in these dreamlike photographs.

Still from “Vera Lutter: Museum in the Artist’s Camera Obscura”

Vera Lutter, Cold Spring, IX: February 17, 2014, 2014

In Conversation

Vera Lutter
Martin Barnes

Friday, May 18, 2018, 2:30–3:30pm
Somerset House, London
photolondon.org

On the occasion of Photo London, Vera Lutter and Martin Barnes, senior curator of photographs at the Victoria and Albert Museum, will speak about Lutter’s exploration of light, time, and movement and her use of a room-sized camera obscura to capture architecture, urban landscapes, and industrial sites. The pair will also discuss her decision to retain the negative image and refrain from multiplication or reproduction. To attend the event, purchase tickets at photolondon.org.

Vera Lutter, Cold Spring, IX: February 17, 2014, 2014

Michael Govan and Anselm Kiefer

In Conversation
Anselm Kiefer and Michael Govan

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Louise Bonnet in front of her painting Red Study, 2022, oil on linen, picturing a distorted female figure in a powerful stance, feet firmly planted and moving forward. Her hand is digging into the flesh of her hip and a red conical shape streams down from between her legs.

Louise Bonnet: On “Red Study” and Supporting Reproductive Rights

Louise Bonnet speaks with Freja Harrell about her new painting, her donation to Planned Parenthood Los Angeles, and the role of art in the fight for reproductive justice.

Installation view of the exhibition "Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews"

Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews

Join Jake Auerbach, Richard Calvocoressi, Bella Freud, Martin Gayford, and Florence Hallett as they discuss the work and legacy of four era-defining artists. Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews, on view at Gagosian, Grosvenor Hill, London, elucidates the connections between their respective practices, and also features some of the artists’ portraits of each other.

Alexandria Smith's painting, Languorous undulations (in the temple of my familiar), 2022, mixed media on three-dimensional wood assemblage, depicting a purple figure with a cloud-shaped head and one eye standing on a road and dipping a toe into a river. There is a bricked-up doorway in the background.

Languorous undulations (in the temple of my familiar)

Alexandria Smith and Akwaeke Emezi take up themes of queerness, hybridity, and embodied memory in their respective visual and literary works. Here, Emezi responds to Smith’s painting Languorous undulations (in the temple of my familiar) (2022) with an eponymous piece of flash fiction.

Still from Juan Sánchez, Unknown Boricua Streaming: A Nuyorican State of Mind, 2011 (still), video, picturing a cartoon in a superhero pose against a backdrop of a Puerto Rican flag collage in muted colors

On Centering Latinx Video Art

In late 2022, Gagosian, in collaboration with Anthology Film Archives, presented a selection of videos by Latinx artists curated by Susan Breyer. Here, Quarterly film writer Carlos Valladares responds to each work in prose or with a poem. 

Sterling Ruby studio

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.

Image of Jenny Saville standing in front of her artworks

Jenny Saville: Latent

In this video, Jenny Saville describes the evolution of her practice inside her latest exhibition, Latent, at Gagosian, Paris. She addresses the genesis of the title and reflects on the anatomy of a painting.

Glenn Brown in his studio

Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent

In conjunction with his exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent at Gagosian in New York, the artist sits down to discuss his new paintings, sculptures, and drawings.

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2023 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; Henri Rousseau. Photo: Lucia Hunziker/LL Productions

Duane Hanson at Fondation Beyeler

To celebrate their twenty-fifth anniversary, Fondation Beyeler, Riehen/Basel, Switzerland, staged an exhibition entitled Jubiläumsausstellung—Special Guest Duane Hanson. The presentation featured several sculptures by Duane Hanson alongside more than one hundred works from the foundation’s collection. Alice Godwin considers the fertile dialogues produced by these juxtapositions.

Tony Ward and Madonna from Sex (1992)

Fashion and Art: Madonna’s Sex and Saint Laurent Rive Droite

This year’s edition of Art Basel Miami Beach brought Saint Laurent to America for a special exhibition curated by creative director Anthony Vaccarello celebrating the thirtieth anniversary of the publication of Madonna’s groundbreaking book, Sex (1992). Staged on the Miami beachfront, the ephemeral exhibition was presented on the occasion of the reissue of Sex by Rive Droite and Callaway, New York, and featured large-format prints of Steven Meisel’s iconic photographs from the book, as well as unpublished images from the original photo shoots. Rennie McDougall reflects on the momentous impact of the publication, tracing Madonna’s ongoing influence on and provocation of popular culture.

Spencer Sweeney and Peter Doig sitting on chairs in Sweeney’s studio

Artist to Artist: Spencer Sweeney and Peter Doig

Peter Doig visits Spencer Sweeney’s studio and the two discuss automatism, ambiguity, and anguish in the creative process.