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Installation

Piero Golia

February 11–March 18, 2021
Dries Van Noten, Los Angeles
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Piero Golia’s animatronic sculpture The Dog and the Drop (2013) is on view at the Little House, an exhibition space in the recently opened Dries Van Noten store in Los Angeles. Golia’s practice is heterogeneous and unpredictable, employing diverse mediums and methods to spark chain reactions that, even when they leave no objects or images behind, have the capacity to alter our perception.

Piero Golia, The Dog and the Drop, 2013 © Piero Golia

Piero Golia, The Dog and the Drop, 2013 © Piero Golia

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Piero Golia’s performance “The End” from Roman Trilogy at La Fondazione, Rome, 2020 © Piero Golia. Photo: Daniele Molajoli

In Conversation

Piero Golia
Pier Paolo Pancotto

Thursday, December 10, 2020, 12pm est (6pm cet)

Piero Golia will speak with curator Pier Paolo Pancotto in conjunction with the publication of a new book about the artist’s recent work at La Fondazione, Rome. On January 18, 2020, a team of construction workers with jackhammers appeared at the institution and rather than conducting maintenance work, as might be expected, were directed by Golia to engrave the phrase “The End” into the floor as the third and final performance of his Roman Trilogy. Over the course of the work’s production, the unrelenting drilling disrupted the surrounding commercial gallery spaces—both literally and conceptually—causing the paintings hanging on the walls to shake uncontrollably. To watch the live conversation conducted in Italian, visit www.youtube.com.

Piero Golia’s performance “The End” from Roman Trilogy at La Fondazione, Rome, 2020 © Piero Golia. Photo: Daniele Molajoli

Piero Golia with his set of eight porcelain plates The Best Is Yet to Come (2020), Los Angeles, 2020. Artwork © Piero Golia. Photo: Joshua White/JWPictures.com

galleryplatform.la

Piero Golia
The Best Is Yet to Come

July 30–August 6, 2020

Sometimes you want to look back at what you did, and then you realize that you only care about the future. 
—Piero Golia

Gagosian is pleased to present recent work by Piero Golia online for galleryplatform.la. Golia transforms everyday objects and commonplace events into exceptional works of art that defy established conventions and build narratives. His diverse practice includes both artworks that take physical form, often at an architectural scale, and others that are immaterial or conceptual. For his most recent project, Golia hired a painter to illustrate a set of eight porcelain plates with images from his past artistic output. Each is unique in terms of content, size, and shape; together, they become a self-portrait of the places, objects, and interventions constituting his life and work. From his celebrated sculpture Untitled (My Gold Is Yours), exhibited at the Venice Biennale in 2013, to a 2019 intervention involving the hiring of a landscape painter and an airplane, the set comprises a narrative retrospective of the artist’s career.

Piero Golia with his set of eight porcelain plates The Best Is Yet to Come (2020), Los Angeles, 2020. Artwork © Piero Golia. Photo: Joshua White/JWPictures.com

Piero Golia, Still Life (Rotating device), 2019 © Piero Golia

Tour

Piero Golia
Still Life

Monday, July 6, 2020, 12pm EDT

Join Gagosian for a virtual tour of Piero Golia: Still Life, an exhibition on view at Gagosian, Britannia Street, London, through July 31. The Los Angeles–based artist will speak online with Berlin-based artist Jonathan Monk about the surreal “sculptural happening” Golia has engineered but will never see in person due to restrictions on international travel during the pandemic. To watch the live conversation, register at zoom.us.

Piero Golia, Still Life (Rotating device), 2019 © Piero Golia

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Kon Trubkovich in his studio, Brooklyn, New York, 2021.

Kon Trubkovich

Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.

Installation view of Urs Fischer’s Untitled (2011) in the exhibition Ouverture, Bourse de Commerce – Pinault Collection, Paris, 2021. Artwork © Urs Fischer, courtesy Galerie Eva Presenhuber, Zurich; Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier. Photo: Stefan Altenburger

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Anna Halprin in The Prophetess, 1955.

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Anna Halprin

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Kevin Jerome Everson, 2019. Photo: © Erin Leland

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Left: Nancy Rubins. Photo: Joel Searles. Right: Eric Shiner. Photo: Walker Olesen

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Nancy Rubins and Eric Shiner

The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.

Andreas Gursky, Jonathan Ive, 2019, fine art print mounted on dibond, 64 1/2 × 50 ⅝ inches (163.7 × 128.5 cm). National Portrait Gallery, London, commissioned; made possible by the Outset Commission, supported by Scott Collins in partnership with Outset Contemporary Art Fund, 2019 © Andreas Gursky/VG BILD-KUNST, Bonn

Ive by Gursky: A Meeting of Minds

By exploring the conventions of past portraits of industrial designers and architects, Maria Morris Hambourg unpacks Andreas Gursky’s ingenious recent portrait of Apple designer Jony Ive to reveal its layered meanings.

Gregory Corso, New York, 1986. Photo: Allen Ginsberg

Gregory Corso: A Most Dangerous Art

On the occasion of the forthcoming publication of The Golden Dot: Last Poems by Gregory Corso, Raymond Foye reflects on the poet’s enduring engagement with the human condition and explores the unique structure of this final collection.

John Currin, Memorial, 2020 (detail), oil on canvas, 62 × 40 inches (157.5 × 101.6 cm)

John Currin: Monuments to Lust

Natasha Stagg reports on a trip to John Currin’s New York studio.

Stella McCartney. Photo: Dougal MacArthur

Fashion and Art: Stella McCartney

The fashion designer Stella McCartney is best known for pioneering “vegan style,” a term referring to the animal-product-free designs of her luxury label. Derek Blasberg spoke to her about a childhood surrounded by artists such as Frank Stella and Willem de Kooning, and how their inspiration continues to influence her design process.

Kim Jones. Photo: Nikolai von Bismarck

Fashion and Art: Kim Jones

Kim Jones’s day job is as a fashion designer. He’s the artistic director of Dior men’s collection and the womenswear designer at Fendi, but his longtime hobby has been collecting: paintings, fashion memorabilia, books for two libraries (one at home in London and one at home in Paris). Derek Blasberg spoke with the designer about his process and his passions.