Adriana Varejão: Interiors is available for online reading from February 24 through March 25 as part of Artist Spotlight: Adriana Varejão. Published on the occasion of the artist’s 2017 exhibition Interiors at Gagosian, Beverly Hills, and her 2016–17 exhibition Azulejão at Gagosian, Rome, this catalogue brings together images of the paintings and sculptures presented in these shows, as well as views of her multichannel video installation Transbarroco (2014), shown in both cities at the time of these consecutive exhibitions. The book features a preface by Gagosian director Louise Neri, an essay by scholar Luiz Camillo Osorio, and texts by Adriano Pedrosa, artistic director of the Museu de Arte de São Paulo.
Adriana Varejão: Interiors (New York: Gagosian, 2017)
Talk and Book Signing
Thursday, November 17, 2022, 6pm
Rizzoli Bookstore, New York
Adriana Varejão will be in conversation with Gagosian director Louise Neri to celebrate the publication of the artist’s first English-language monograph, published by Rizzoli Electa, in association with Gagosian. Edited by Neri, the fully illustrated volume explores Varejao’s diverse body of work in depth and organizes her oeuvre into several conceptual groupings: “Cartographies,” “Antropofagia,” “Mestizaje,” “Baroque,” “Sauna and Baths,” and “Azulejo.” After the talk, Varejão will sign copies of the book, which will be available to purchase at the event.
Adriana Varejão (New York: Rizzoli Electa, in association with Gagosian, 2022)
Adriana Varejão Selects
October 21–30, 2022
Metrograph, New York
Adriana Varejão has curated a selection of films as part of a series copresented by Gagosian and Metrograph in the theater and online. The program will feature cinema exploring themes of eroticism, excess, and science-fiction fatalism.
Varejão explains: “With these screenings, I’m taking a poetic approach, bringing together films that have opened doors in my art. . . . These aspects are present in my own art in the representations of flesh, in the imagined environments, in the historical parodies. The program also includes more recent remarkable Brazilian productions that resonate with my own thinking.”
Still from Bacurau (2019), directed by Kleber Mendonça Filho
Thursday, June 17, 2021, 1pm edt
Join Gagosian for a dialogue between Adriana Varejão and Brazilian critic and curator Luisa Duarte on the occasion of Varejão’s exhibition Talavera, on view at Gagosian, New York, through June 26. The pair will discuss Varejão’s unique approach to painting in the context of Latin American history, culture, and politics. Duarte’s new essay on Varejão’s oeuvre, “For a Poetics of Difference,” appears in the Summer issue of the Gagosian Quarterly, and she curated the 2019 survey exhibition Adriana Varejão: Por uma retórica canibal, presented in both Salvador and Recife, Brazil. Organized in partnership with Fortes D’Aloia & Gabriel, the conversation will be conducted in Portuguese and streamed online with English subtitles. This is the first of two events presented in conjunction with the exhibition, hosted over the course of two consecutive days.
Left: Adriana Varejão. Photo: Vicente de Mello. Right: Luisa Duarte
Frank Auerbach: Artist Friends
In this candid interview with Richard Calvocoressi, the painter Frank Auerbach reminisces on his friendships with Michael Andrews, Francis Bacon, and Lucian Freud. The two spoke during the planning of the exhibition Friends and Relations, a show that examines the interconnected lives and art practices of this group of London painters.
Gagosian Quarterly Winter 2022
The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.
“The Present Decline”: Jim Shaw’s Epic Parables
Catherine Taft examines Jim Shaw’s visionary work, which probes the American psyche through political, historical, and cultural allegory.
Sky High Farm Symposium at Judd Foundation: The Community Panel
In this video, Thelma Golden, Chief Curator and Director of the Studio Museum in Harlem; Tremaine Emory, Founder of Denim Tears and Creative Director of Supreme; Father Mike Lopez, Founder of the Hungry Monk Rescue Truck; and artist Anicka Yi sit down to explore how the concept of community has shaped their work, and the power in seeing the places we live, our histories, and even our bodies as porous, interdependent, and alive.
Walter De Maria: The Object, the Action, the Aesthetic Feeling
The definitive monograph on the work of Walter De Maria was published earlier this fall. To celebrate this momentous occasion, Elizabeth Childress and Michael Childress of the Walter De Maria Archive talk to Gagosian senior director Kara Vander Weg about the origins of the publication and the revelations brought to light in its creation.
Myths and Monsters
Mike Stinavage visits Dimitris Papaioannou in Athens as he closes one world tour and opens another.
Anna Weyant: Baby, It Ain’t Over Till It’s Over
Novelist Emma Cline traces the boundaries between terror and hilarity in Anna Weyant’s new paintings.
Bruce Bernard: Portraits Of Friends
Virginia Verran details the photographer’s friendships with the London painters.
The Actual Picture: On Karin Kneffel’s Painting
In 2021, Karin Kneffel embarked on a new series of oil paintings, different from anything she had made before. Derived from her photographic studies of early Northern Renaissance polychrome-painted wood sculptures, these portrait diptychs appear for the first time in the exhibition Face of a Woman, Head of a Child at Gagosian, Rome. Art historian Ulrich Wilmes provides a first look, noting how Kneffel links pictorial and empirical realities, past and present, in a topic of universal human significance.
Fashion and Art: Pierre-Alexis Dumas
Pierre-Alexis Dumas, the artistic director of Hermès, speaks with curator Abby Bangser about the central role of the house’s art collection in its creative process.
Shaw Studio Sing-along Songs
In this Shortlist series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Here Jim Shaw shares a selection of songs he listens to while working, from new discoveries to childhood staples. Shaw writes of the balance between delight and regret, hope and gloom in his playlist.
Bickerton’s “Bickertons” in the Realm of the Fetish
Abigail Solomon-Godeau analyzes periodization, artistic persona, and fetishism in the expansive work of Ashley Bickerton.