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In Conversation

Alexander Nemerov
Lise Motherwell

Thursday, March 25, 2021, 6pm EDT

Join Politics and Prose Bookstore for a conversation between art historian Alexander Nemerov and Lise Motherwell, a licensed psychologist, stepdaughter of Helen Frankenthaler, and the vice president of the Helen Frankenthaler Foundation board. The pair will discuss Nemerov’s new book, Fierce Poise: Helen Frankenthaler and 1950s New York, which illuminates the rich intellectual and creative life of postwar New York City, where Frankenthaler’s singular career was launched and which fueled its flourishing. To join the online eventregister at www.eventbrite.com.

Helen Frankenthaler, Eden, 1956, Helen Frankenthaler Foundation, New York © 2021 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Helen Frankenthaler, Eden, 1956, Helen Frankenthaler Foundation, New York © 2021 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

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Helen Frankenthaler, Before the Caves, 1958, University of California, Berkeley Art Museum and Pacific Film Archive © 2021 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Sibila Savage

Talk

Alexander Nemerov
Helen Frankenthaler and 1950s New York

Thursday, March 18, 2021, 7–8pm EDT

Art historian Alexander Nemerov will share stories from his new book, Fierce Poise: Helen Frankenthaler and 1950s New York, illuminating the rich intellectual and creative life of the postwar New York City that launched Helen Frankenthaler’s singular career and fueled its flourishing. From Frankenthaler’s privileged Upper East Side upbringing to her life-altering first encounter with the work of Jackson Pollock to her efforts to chart her own course in a male-dominated art world, Nemerov explores how Frankenthaler came of age as an artist. Celebrating the art itself, he brings fresh insights into the luminous, color-stained, commanding works that made Frankenthaler a pioneer of twentieth-century painting. To join the online event, purchase tickets at www.92y.org.

Helen Frankenthaler, Before the Caves, 1958, University of California, Berkeley Art Museum and Pacific Film Archive © 2021 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Sibila Savage

Helen Frankenthaler, Summer Picture, 1959, Helen Frankenthaler Foundation, New York © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Tim Pyle

In Conversation

Alexander Nemerov and Clifford Ross
On Helen Frankenthaler

Friday, August 23, 2019, 6–8pm
Parrish Art Museum, Water Mill, New York
parrishart.org

Art historian Alexander Nemerov, who is currently working on a new book about Helen Frankenthaler, will speak with Clifford Ross, chairman of the Helen Frankenthaler Foundation. The pair will discuss Nemerov’s forthcoming publication as well as the exhibition currently on view at the Parrish Art Museum, Abstract Climates: Helen Frankenthaler in Provincetown. To attend the event, purchase tickets at parrishart.org.

Helen Frankenthaler, Summer Picture, 1959, Helen Frankenthaler Foundation, New York © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Tim Pyle

Helen Frankenthaler, Reef, 1991 © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Rob McKeever

Panel Discussion

Expanding Climate Action in the Visual Arts

Friday, September 22, 2023, 5:30pm
New Museum, New York

Join the Helen Frankenthaler Foundation during Climate Week NYC for a panel discussion featuring recent Frankenthaler Climate Initiative (FCI) grantees. Through a moderated conversation with museum and university leaders, Expanding Climate Action in the Visual Arts explores current models for energy efficiency and clean energy in the arts—and concludes with a series of action items and next steps that arts organizations can consider taking. The event includes brief presentations by several recent FCI grant recipients, plus invited leaders from the cultural field who are shaping climate change action in the visual arts. The event will also be livestreamed.

Register

Helen Frankenthaler, Reef, 1991 © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. Photo: Rob McKeever

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

Black and white portrait of Frida Escobedo

Hans Ulrich Obrist’s Questionnaire: Frida Escobedo

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.

Black and white portrait of Katherine Dunham leaping in the air

Border Crossings: Exile and American Modern Dance, 1900–1955

Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.