Artists On Writers | Writers On Artists
Ed Ruscha and Rachel Kushner
In the third episode of Artists On Writers | Writers On Artists, novelist Rachel Kushner and Ed Ruscha share memories of Kathy Acker and Walter Hopps, talk about their love of vintage cars, and enjoy a good pun. Rachel Kushner’s The Hard Crowd: Essays, 2000–2010 will be released on April 6 and Ed Ruscha: OKLA, the artist’s first solo exhibition in his home state, is on view at the Oklahoma Contemporary through July 5. Artists On Writers | Writers On Artists brings together luminaries in the fields of art and literature to have the conversations they themselves wish to have. This biweekly web series is a joint production of Artforum and Bookforum, and is sponsored by the Morgan Library & Museum, New York.
Exploring Ed Ruscha’s Archive
Monday, December 14, 2020, 2pm EST (11am PST)
As part of Gagosian’s Building a Legacy program, Andrew Perchuk, deputy director at the Getty Research Institute, and Rani Singh, director of special projects at Gagosian, will take viewers through the interactive website 12 Sunsets: Exploring Ed Ruscha’s Archive. Launched by the Getty in October 2020, the site allows users to browse more than sixty-five thousand photographs of Sunset Boulevard taken by Ed Ruscha between 1965 and 2007. The photographs are drawn from Ruscha’s Streets of Los Angeles Archive at the Getty, which presents a unique view of one of LA’s quintessential streets over the past fifty years. The pair will discuss how the Getty acquired the archive, the digitization and website creation processes, and the importance of this collection in understanding the artist’s oeuvre. To conclude, cultural historian Josh Kun will speak about the musical legacy of Sunset Boulevard and discuss a few of Ruscha’s photographs with an accompanying song to reveal the music behind each location. To join, register at zoom.us.
Ed Ruscha, Shoot from Sunset Blvd, 1966, Streets of Los Angeles Archive, Getty Research Institute © Ed Ruscha
Ice and Fire: A Benefit Exhibition in Three Parts
October 15, 2020–March 23, 2021
The benefit exhibition Ice and Fire features works by more than forty artists who have enduring relationships with the Kitchen in New York. Installed within the organization’s three-story space in Chelsea, which is currently closed due to the global pandemic, the three-part exhibition is viewable online. Proceeds from sales will go toward a planned renovation on the occasion of the Kitchen’s fiftieth anniversary, ensuring that the nonprofit space will remain a platform for artistic experimentation in its historic and beloved building. Work by Cecily Brown, Roe Ethridge, Mark Grotjahn, Alex Israel, Ed Ruscha, Taryn Simon, Mary Weatherford, and Christopher Wool is included.
Mark Grotjahn, Untitled (Capri 53.57), 2020 © Mark Grotjahn
Artist Plate Project
Coalition for the Homeless
November 16–December 14, 2020
Gagosian is pleased to support the Coalition for the Homeless’s Artist Plate Project fundraiser. Artwork by fifty artists, including Cecily Brown, Katharina Grosse, Sterling Ruby, Ed Ruscha, Sarah Sze, Andy Warhol, Jonas Wood, and Christopher Wool, is featured on limited-edition dinner plates produced by Prospect and made available through Artware Editions to support the Coalition’s lifesaving programs. All of the funds raised by the sale of the plates will provide food, crisis services, housing, and other critical aid to thousands of people experiencing homelessness and instability. The purchase of one plate can feed seventy-five homeless and hungry New Yorkers.
Katharina Grosse, Shake Before Using, 2020 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020
Albert Oehlen: In the Studio
This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.
Gagosian Quarterly Spring 2021
The Spring 2021 issue of Gagosian Quarterly is now available, featuring Gerhard Richter’s Helen (1963) on its cover.
Albert Oehlen and Mark Godfrey
Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.
Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.
The Grand Chalet: An interview with Setsuko
On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.
Work in Progress
Adriana Varejão: In the Studio
Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.
A short story by Cleyvis Natera, published here on the occasion of the Quarterly’s collaboration with pen America.
The Art of Biography: Mark Stevens and Annalyn Swan
Mark Stevens and Annalyn Swan, coauthors of the 2005 Pulitzer Prize–winning biography of Willem de Kooning, speak with Michael Cary about the research and revelations that went into their forthcoming biography of Francis Bacon.
On Ming Smith: A Life of Magical Thinking
An interview by Nicola Vassell.
Sir David Adjaye OBE and Zoë Ryan
Architect David Adjaye discusses his archival project Adjaye Africa Architecture: A Photographic Survey of Metropolitan Architecture with Zoë Ryan, Daniel W. Dietrich, II Director of the Institute of Contemporary Art at the University of Pennsylvania. For this decade-long project, published in seven volumes, Adjaye traveled to the capital city of every major African country to photograph the continent’s built environment.
Twombly and the Poets
Anne Boyer, the inaugural winner of the Cy Twombly Award in Poetry, composes a poem in response to Twombly’s Aristaeus Mourning the Loss of His Bees (1973) and introduces a portfolio of the painter’s works accompanied by the poems that inspired them.
A Day in the Life of The Lightning Field
In the first of a two-part feature, John Elderfield recounts his experiences at The Lightning Field (1977), Walter De Maria’s legendary installation in New Mexico. Elderfield considers how this work requires our constantly finding and losing a sense of symmetry and order in shifting perceptions of space, scale, and distance, as the light changes throughout the day.