March 25–September 12, 2021
Piazza della Signoria, Florence, Italy
Giuseppe Penone’s Abete (Fir) is installed in the Piazza della Signoria in Florence, Italy, to celebrate Dantedì, the day dedicated to the Florentine poet Dante Alighieri, and the 700th anniversary of his death. The trunk and branches are made of cast stainless steel, encircled by a lattice with eighteen cast bronze elements. At just over 72 feet high, Penone’s sculpture is the largest ever installed in a public space in Florence and anticipates an upcoming exhibition of his work at the Gallerie degli Uffizi entitled Alberi In-versi (In-verse Trees), opening July 6.
Giuseppe Penone, Abete (Fir), 2013, installation view, Piazza della Signoria, Florence, Italy © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris
May 22–November 21, 2021
Presented by the Vuslat Foundation, Giuseppe Penone’s The Listener (2008) has been installed in Venice as part of the 17th Biennale Architettura of La Biennale di Venezia. This year’s exhibition brings together artists and architects to explore the question “How Will We Live Together?” At just over twenty-nine feet high, Penone’s sculpture, comprising a bronze elm tree cradling a heavy stone, is partially submerged in the Venetian lagoon at the Arsenale site.
Giuseppe Penone, The Listener, 2008, installation view, Gaggiandre, Arsenale, La Biennale di Venezia, Venice © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Sebastiano Pellion di Persano, courtesy Vuslat Foundation
Hans Ulrich Obrist
Tuesday, January 26, 2021, 1pm EST
Join Gagosian for a conversation between Giuseppe Penone and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, London. The pair will discuss the artist’s practice, which is deeply engaged with nature and time, as well as his outdoor installation in San Francisco. Two large-scale bronze sculptures cast from trees—La logica del vegetale (The Logic of the Vegetal) (2012) and Idee di pietra (Ideas of Stone) (2004)—are dramatically installed in Fort Mason’s Great Meadow, overlooking San Francisco Bay and the Golden Gate Bridge, through March 28, 2021.
Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Fort Mason, San Francisco, 2019–2021 © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Matthew Millman
Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn in
100 Drawings from Now
October 7, 2020–January 17, 2021
Drawing Center, New York
The benefit exhibition 100 Drawings from Now features drawings made by an international group of artists since early 2020, providing a snapshot of artistic production during the period of profound global unrest that has resulted from the ongoing health and economic crises, as well as the surge of activism in response to systemic racism, social injustice, and police brutality in the United States. Together, the donated works spotlight the urgency, intimacy, and universality of drawing during moments of upheaval and isolation. Proceeds from the sales will support the Drawing Center and the artists. Work by Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Treasure Hunt #2, 2020 © Nathaniel Mary Quinn
Behind the Art
Rick Lowe: In the Studio
Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Georg Baselitz: Pulling Up the Image
In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.
Social Works II: Kahlil Robert Irving
Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.
The Destination Is Latinx
Susan Breyer surveys the dynamic state of contemporary Latinx art in the United States. Highlighting seven artists who are rewriting cultural narratives, Breyer calls for sustained attention to this growing group beyond National Hispanic Heritage Month.
Christopher Rudd’s pas de deux Touché, choreographed for American Ballet Theatre during the onset of the pandemic, follows dancers João Menegussi and Calvin Royal III through a charged, vulnerable, and ultimately tender love story. In conversation with scholar Clare Croft, the artists reflect on the politics, poetics, and process of bringing this groundbreaking duet to life.
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.
Bourse de Commerce
William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.
Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.
Katy Hessel, Matthew Holman, and Eleanor Nairne on Helen Frankenthaler
Broadcaster and art historian Katy Hessel; Matthew Holman, associate lecturer in English at University College London; and Eleanor Nairne, curator at the Barbican Art Gallery, London, discuss Helen Frankenthaler’s early training, the development of her signature soak-stain technique and subsequent shifts in style, and her connections to the London art world.
Gagosian Quarterly Films
Katharina Grosse: Think Big!
From October 21 to 23, 2021, Gagosian Quarterly presented a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big!