Menu

News / Events

In Conversation

Katharina Grosse
Margaret Andera

Friday, May 7, 2021, 1pm EDT

Join the Milwaukee Art Museum’s Contemporary Art Society for a virtual conversation between Katharina Grosse and the museum’s interim chief curator and curator of contemporary art, Margaret Andera. The pair will discuss Grosse’s Untitled (2019), which the museum recently acquired. The painting is the first work by the artist to enter the collection as well as the first by a female artist in the museum’s collection of contemporary German paintings. To join the online event, register at us02web.zoom.us.

Katharina Grosse, Untitled, 2019 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021

Katharina Grosse, Untitled, 2019 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021

Related News

Katharina Grosse, Canyon, 2022 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany/ADAGP, Paris, 2022. Photo: Jens Ziehe, courtesy Fondation Louis Vuitton, Paris

Commission

Katharina Grosse: Canyon
Fondation Louis Vuitton, Paris

Canyon (2022), a new work by Katharina Grosse, will be on view at the Fondation Louis Vuitton in Paris beginning October 5, 2022. Inspired by and in dialogue with the architecture of the Frank Gehry–designed building, this latest commission by the Fondation is composed of eight spray-painted aluminum sheets connected to a beam. The work is a response to Grosse’s question: “How can a painting appear in a space with no floor and no walls, where air, light, flow, and energies circulate?” It is a reference to the characteristics of the “canyon”—the name given to the void that is visible inside the Fondation Louis Vuitton building from the ground up.

Katharina Grosse, Canyon, 2022 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany/ADAGP, Paris, 2022. Photo: Jens Ziehe, courtesy Fondation Louis Vuitton, Paris

Left: Katharina Grosse. Photo: Larissa Hofmann. Right: Sabine Eckmann. Photo: Bryan Schraier

In Conversation

Katharina Grosse
Sabine Eckmann

Friday, September 23, 2022, 5:30pm
Mildred Lane Kemper Art Museum, Washington University, St. Louis www.kemperartmuseum.wustl.edu

Katharina Grosse will be in conversation with Sabine Eckmann, director and chief curator of the Mildred Lane Kemper Art Museum, Washington University in St. Louis, to celebrate the opening of the exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions at the museum. The pair will discuss the artist’s studio-based paintings, from her earliest works in the 1990s to her most recent canvases, which are subject of this major survey. The event is free and open to the public.

Left: Katharina Grosse. Photo: Larissa Hofmann. Right: Sabine Eckmann. Photo: Bryan Schraier

Katharina Grosse, Untitled, 2021 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2022. Photo: Jens Ziehe

Tour

Katharina Grosse Studio Paintings, 1988–2022
Returns, Revisions, Inventions

Saturday, September 24, 2022, 2pm
Mildred Lane Kemper Art Museum, Washington University, St. Louis
www.kemperartmuseum.wustl.edu

Join student educators from the Mildred Lane Kemper Art Museum at Washington University in St. Louis for an interactive tour of the exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revision, Inventions. The show highlights the role that Katharina Grosse’s studio-based paintings—thirty-seven of which are on view—have played throughout her career in her experiments with the aesthetic potentials and physical and optical properties of color and paint. The event is free and open to the public.

Katharina Grosse, Untitled, 2021 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2022. Photo: Jens Ziehe

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

an open road in the desert with a single car driving on it

Not Running, Just Going

Robert M. Rubin’s Vanishing Point Foreve(RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.

Black and white close up image of a person lying down, their face surrounded by a fog of film grain

On Frederick Wiseman

Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.

film still of Harry Smith's "Film No. 16 (Oz: The Tin Woodman’s Dream)"

You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye

Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.

A person lays in bed, their hand holding their face up as they look at something outside of the frame

Whit Stillman

In celebration of the monograph Whit Stillman: Not So Long Ago (Fireflies Press, 2023), Carlos Valladares chats with the filmmaker about his early life and influences.

Black and white portrait of Lisa Lyon

Lisa Lyon

Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.