Chris Burden at South London Gallery
Launching May 10, 2021
As part of the first season of theVOV, the South London Gallery will digitally re-present the exhibition Chris Burden: 14 Magnolia Double Lamps, fifteen years after it was originally shown at the institution. This important work would go on to become the iconic sculpture Urban Light (2008), which is permanently installed at the Los Angeles County Museum of Art. Created in collaboration with fifteen of the United Kingdom’s leading arts organizations, including the Tate, Hayward Gallery, and Turner Contemporary, theVOV is a new online platform that digitally revives major exhibitions, presenting them in a new light to wider audiences.
Installation view, Chris Burden: 14 Magnolia Double Lamps, South London Gallery, September 15–November 5, 2006. Artwork © Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: VIEW Pictures Ltd./Alamy Stock Photo
75th Birthday Poster
To celebrate what would have been the artist’s seventy-fifth birthday this year, the Chris Burden Estate is sharing a free poster that can be downloaded and printed at home. Designed by Estate director Erica Mercado, the poster features an archival drawing by Burden of his plans for Wexner Castle (1990), currently on view at the Wexner Center for the Arts in Columbus, Ohio, as part of the exhibition Climate Changing: On Artists, Institutions, and the Social Environment. The Estate will continue to commemorate this important moment throughout the year, sharing updates about the artist through their newsletter.
Poster to commemorate Chris Burden’s seventy-fifth birthday
Chris Burden: Streetlamps is available for online reading from August 9 through September 7 as part of the From the Library series. The comprehensive book explores Chris Burden’s iconic work with antique streetlamps. Five major streetlamp sculptures are highlighted, all of which are lavishly documented from conception through installation. The works are further illuminated with texts by Russell Ferguson, Christopher Bedford, and George Roberts; a conversation between Michael Govan and Chris Burden; and a photo essay by Ari Marcopoulos. This was the 500th book the gallery published, which was an exciting and fitting publication to mark the achievement as Burden was among the first artists to work with Larry Gagosian, starting in 1976.
Chris Burden: Streetlamps (New York: Gagosian, 2017)
Alternate Meanings in Film and Video
You’re only as young as the last time you changed your mind.
Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The exhibition will be organized into a series of “chapters,” each lasting two weeks. The first chapter begins on Tuesday, May 19, 2020.
Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point.
Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen
Taryn Simon and Teju Cole
This spring, as part of the Lambert Family Lecture Series at the Wexner Center for the Arts, Taryn Simon joined Teju Cole for an online conversation about her artistic practice and creative process.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Notes on Social Works
Antwaun Sargent presents a collection of thoughts and images, gathered from conversations with artists, curators, architects, and educators, as well as essays, social media, and the news, that inform the exhibition Social Works. The essay serves as an introduction to the corresponding supplement guest edited by Sargent for the Summer 2021 issue of the Quarterly.
Christopher Rudd’s Touché
In celebration of LGBTQ+ Pride Month, we share Christopher Rudd’s acclaimed pas de deux, for a limited engagement from June 24 to June 30. American Ballet Theatre dancers João Menegussi and Calvin Royal III perform this charged and ultimately tender love story. The work is unique for its challenge of ballet’s traditional gender roles and its use of an intimacy director to navigate choreographic consent.
Frank Gehry: Fish Lamps
Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career.
Taryn Simon: An Occupation of Loss
In Taryn Simon’s performance work An Occupation of Loss (2016), professional mourners enact rituals of grief, simultaneously broadcasting their lamentations from within a sculptural installation. This video by filmmaker Boris B. Bertram documents the April 2018 performance of this work with Artangel in Islington, London.
Helen Frankenthaler: A Painter’s Sculptures
On the occasion of four exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.
Adriana Varejão: For a Poetics of Difference
Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.
Fashion and Art: Proenza Schouler
Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.
David Frankel celebrates the art-historical contributions made by the scholar, poet, and critic Thomas McEvilley.
Vicomtesse Marie-Laure de Noailles
Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.
To Create a Vision: Jia Aili in Conversation with Philip Tinari
Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.