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Online Exhibition

theVOV
Chris Burden at South London Gallery

Launching May 10, 2021

As part of the first season of theVOV, the South London Gallery will digitally re-present the exhibition Chris Burden: 14 Magnolia Double Lamps, fifteen years after it was originally shown at the institution. This important work would go on to become the iconic sculpture Urban Light (2008), which is permanently installed at the Los Angeles County Museum of Art. Created in collaboration with fifteen of the United Kingdom’s leading arts organizations, including the Tate, Hayward Gallery, and Turner Contemporary, theVOV is a new online platform that digitally revives major exhibitions, presenting them in a new light to wider audiences.

Installation view, Chris Burden: 14 Magnolia Double Lamps, South London Gallery, September 15–November 5, 2006. Artwork © Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: VIEW Pictures Ltd./Alamy Stock Photo

Installation view, Chris Burden: 14 Magnolia Double Lamps, South London Gallery, September 15–November 5, 2006. Artwork © Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: VIEW Pictures Ltd./Alamy Stock Photo

Related News

Poster to commemorate Chris Burden’s seventy-fifth birthday

Design

Chris Burden
75th Birthday Poster

To celebrate what would have been the artist’s seventy-fifth birthday this year, the Chris Burden Estate is sharing a free poster that can be downloaded and printed at home. Designed by Estate director Erica Mercado, the poster features an archival drawing by Burden of his plans for Wexner Castle (1990), currently on view at the Wexner Center for the Arts in Columbus, Ohio, as part of the exhibition Climate Changing: On Artists, Institutions, and the Social Environment. The Estate will continue to commemorate this important moment throughout the year, sharing updates about the artist through their newsletter.

Download the poster (PDF)

Poster to commemorate Chris Burden’s seventy-fifth birthday

Chris Burden: Streetlamps (New York: Gagosian, 2017)

Online Reading

Chris Burden
Streetlamps

Chris Burden: Streetlamps is available for online reading from August 9 through September 7 as part of the From the Library series. The comprehensive book explores Chris Burden’s iconic work with antique streetlamps. Five major streetlamp sculptures are highlighted, all of which are lavishly documented from conception through installation. The works are further illuminated with texts by Russell Ferguson, Christopher Bedford, and George Roberts; a conversation between Michael Govan and Chris Burden; and a photo essay by Ari Marcopoulos. This was the 500th book the gallery published, which was an exciting and fitting publication to mark the achievement as Burden was among the first artists to work with Larry Gagosian, starting in 1976.

Chris Burden: Streetlamps (New York: Gagosian, 2017)

Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen

Exhibition

Broadcast
Alternate Meanings in Film and Video

You’re only as young as the last time you changed your mind.
—Timothy Leary

Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The exhibition will be organized into a series of “chapters,” each lasting two weeks. The first chapter begins on Tuesday, May 19, 2020.

Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point. 

Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen

Black-and-white photograph of Marie-Laure de Noailles in 1936 by Man Ray.

Game Changer
Vicomtesse Marie-Laure de Noailles

Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Rene Ricard, So Who Left Who, 2007 © Estate of Rene Ricard

Building a Legacy
Famously Unknown: Legacy Building in the Art World

In this video, Raymond Foye and Rani Singh discuss the general principles and methodologies of archiving, editing, and presenting the work of overlooked artists and writers. They share firsthand accounts and learning experiences from working with artists and poets such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith.

Jia Aili working in his studio, Beijing

Work in Progress
Jia Aili: In the Studio

This video presents a behind-the-scenes look at Jia Aili’s studio in Beijing. He elaborates on his in-progress works, the complexity of his compositions, as well as his philosophies of and motivations for painting.

To Create a Vision: Jia Aili in Conversation with Philip Tinari

To Create a Vision: Jia Aili in Conversation with Philip Tinari

Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.

Dr. David Driskell, 2002, head resting on hand in a blue shirt with art in the background.

Game Changer
Dr. David Driskell

Taylor Aldridge reflects on the enduring legacy of the artist, educator, curator, and scholar.

Louise Bonnet, Resting Sphinx Black Background, 2021, colored pencil on paper, 24 x 19 inches (61 x 48.3 cm)

Louise Bonnet: Sphinxes

Ali Subotnick investigates the artist’s surreal new series of drawings.

Albert Oehlen’s studio, Ispaster, Spain, 2019–20. Photos © Esther Freund

Albert Oehlen: Terrifying Sunset

The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.

Eiko Otake stands on what was part of the original seawall next to the Tomioka Fishing Harbor.

A Body in Fukushima

Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.

Installation view, Adriana Varejão: Talavera, Gagosian, West 21st Street, New York, May 3–June 26, 2021. Photo: Rob McKeever

Adriana Varejão: For a Poetics of Difference

Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz

On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.

Helen Frankenthaler, Heart of London Map, steel sculpture

Helen Frankenthaler: A Painter’s Sculptures

On the occasion of three exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.