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Sculpture Milwaukee 2021
Theaster Gates

June 25, 2021–Fall 2022

Theaster Gates has been invited to serve as a guest curator for Sculpture Milwaukee, a nonprofit organization transforming downtown Milwaukee’s cultural landscape every year with an outdoor exhibition of sculpture that acts as a catalyst for community engagement, economic development, and creative placemaking. Gates worked closely with cocurator Michelle Grabner to select artists for the 2021 exhibition, entitled there is this We, with further programming to be announced.

Theaster Gates. Photo: Sara Pooley

Theaster Gates. Photo: Sara Pooley

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Gagosian’s booth at Frieze Los Angeles 2024. Artwork, front to back: © Lauren Halsey, © Cy Gavin, © Theaster Gates. Photo: Ed Mumford

Art Fair

Frieze Los Angeles 2024
Social Abstraction

March 1–3, 2024, booth D13
Santa Monica Airport, California
frieze.com

Gagosian is pleased to announce its participation in Frieze Los Angeles 2024 with Social Abstraction, a diverse selection of paintings and sculptures rooted in the exploration of historic qualities of abstraction and contemporary social realities. The first in a sequence of three presentations organized by Antwaun Sargent, Social Abstraction at Frieze Los Angeles will be followed by exhibitions in Beverly Hills this summer and in Hong Kong this fall.

The intergenerational group of Black artists in Social AbstractionDerrick AdamsTheaster GatesCy GavinLauren Halsey, and Rick Loweoperates beyond purely formal concerns to create artworks that move between and beyond figuration and abstraction. They push shape to become landscape, color to reveal people, and texture to map the totality of experience.

Gagosian’s booth at Frieze Los Angeles 2024. Artwork, front to back: © Lauren Halsey, © Cy Gavin, © Theaster Gates. Photo: Ed Mumford

Theaster Gates at his studio in Chicago, 2020. Photo: Lyndon French

Award

Theaster Gates
Vincent Scully Prize 2023

Theaster Gates has been named the 2023 winner of the National Building Museum’s Vincent Scully Prize. Established in 1999, the award recognizes excellence in practice, scholarship, or criticism in architecture, historic preservation, and urban design. The jury was impressed by Gates’s collecting practice, which in addition to the constellation of Black spaces on Chicago’s South Side that he is actively creating, includes a number of historic record collections, such as those of the godfather of house music, Frankie Knuckles, and the Olympic runner Jesse Owens; over fifteen thousand objects from the legendary Johnson Publishing Company offices; Edward J. Williams and Ana Williams’s collection of approximately four thousand objects of “negrobilia” that make use of stereotypical images of Black people; over sixty thousand glass lantern slides from the University of Chicago; and the fourteen-thousand-volume Prairie Avenue Bookshop Archive.

Theaster Gates at his studio in Chicago, 2020. Photo: Lyndon French

Theaster Gates, Altar for the Unbanned, 2023, installation view, Harold Washington Library Center, Chicago Public Library © Theaster Gates

Permanent Installation

Theaster Gates
Altar for the Unbanned

Theaster Gates’s Altar for the Unbanned has been permanently installed at the Harold Washington Library Center branch of the Chicago Public Library (CPL). It features spiral shelves of books that have been banned at different points in American history topped by a rotating neon sign of the word “unbanned.” Actively responding to rising demands for censorship through public organizing, CPL partnered with the Chicago Department of Cultural Affairs and Special Events to commission Gates’s installation. Library officials hope this public artwork will expose citizens to banned titles and encourage them to engage with these books.

Theaster Gates, Altar for the Unbanned, 2023, installation view, Harold Washington Library Center, Chicago Public Library © Theaster Gates

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Francesca Woodman

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Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

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