Prix Pictet Shortlist
Sally Mann has been shortlisted for the ninth cycle of the Prix Pictet, which aims to harness the power of photography to draw global attention to issues of sustainability, especially those concerning the environment. Founded in 2008 by the Pictet Group, the prize is awarded to the photographer who, in the opinion of the independent jury, has produced a series of work that is both artistically outstanding and presents a compelling narrative related to the selected theme, which is “Fire” this year. The winner will be announced in December 2021 at an exhibition of the shortlisted artists’ work at the Victoria and Albert Museum, London.
Sally Mann, Blackwater 3, 2008–12 © Sally Mann
Sally Mann has been awarded the 2020 Centenary Medal by the Royal Photographic Society (RPS) of Great Britain, in recognition of her sustained, significant contribution to the field of photography. Founded in 1853, the RPS aims to make the art and science of photography more widely accessible. The international charitable organization is dedicated to increasing knowledge and understanding of photography and film, supporting photographers, and inspiring public engagement.
Sally Mann, Georgia, Untitled (Kudzu), 1996 © Sally Mann
Sally Mann will be honored at the annual Gordon Parks Foundation Awards Dinner and Auction in New York on May 22, 2018. The late Gordon Parks believed in the power of transforming lives through self-expression—primarily art. Mann has exemplified this model in her passion for capturing those she loves and the surrounding landscape that has defined her work.
Photo: Annie Leibovitz
Sally Mann Shares Life Behind Her Iconic Images
Sally Mann sits down at Gagosian for a conversation with CBS journalist Charlie Rose to discuss the life, family, and stories behind her remarkable body of work.
Light and Lightning: Wonder-Reactions at Walter De Maria's The Lightning Field
In this second installment of a two-part essay, John Elderfield resumes his investigation of Walter De Maria’s The Lightning Field (1977), focusing this time on how the hope to see lightning there has led to the work’s association with the Romantic conception of the sublime.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Fashion & Art: Valentino Des Ateliers
Author and curator Gianluigi Ricuperati speaks to the Quarterly’s Wyatt Allgeier about his curatorial involvement in Valentino Des Ateliers, a collaborative project devised by Valentino’s creative director, Pierpaolo Piccioli, in partnership with Ricuperati. Working in a symbiotic manner, Piccioli and the Valentino Haute Couture team engaged in a dialogue with artists Joel S. Allen, Anastasia Bay, Benni Bosetto, Katrin Bremermann, Guglielmo Castelli, Maurizio Cilli, Danilo Correale, Luca Coser, Jamie Nares, Francis Offman, Andrea Respino, Wu Rui, Sofia Silva, Alessandro Teoldi, Patricia Treib, and Malte Zenses, along with the participation of Kerstin Bratsch, to arrive at a singular couture collection.
Mixtape: Spencer Sweeney
Spencer Sweeney shares a selection of songs that have punctuated his journey through the pandemic and ponders the expressive powers of a playlist.
The New York Public Library’s Picture Collection
Joshua Chuang, the Robert B. Menschel Senior Curator of Photography at the New York Public Library, discusses the institution’s singular Picture Collection, the artist Taryn Simon’s rigorous engagement with it, and four instances of its little-known role in the history of art making.
Conclusions Never Reached: Nancy Rubins in Fluid Space
Sara Softness reflects on a new series of sculptures by Nancy Rubins, Fluid Space (2019–21), “visual poems” that hint at the invisible and the unknown.
Social Works: The Archives of Frankie Knuckles Organized by Theaster Gates
Theaster Gates, steward of the Frankie Knuckles record collection, is engaging with the late DJ and musician’s archive of records, ephemera, and personal effects. For the Quarterly’s “Social Works” supplement, guest edited by Antwaun Sargent, Gates presents a selection of Knuckles’s personal record collection. Chantala Kommanivanh, a Chicago-based artist, educator, and musician—and the records manager for Rebuild Foundation, Chicago—provides annotations, contextualizing these records’ importance and unique qualities. Ron Trent, a dear friend of Knuckles’s, speaks to the legacy evinced by these materials.
Tatiana Trouvé: From March to May
A portfolio of the artist’s drawings made during lockdown. Text by Jesi Khadivi.
Taryn Simon and Teju Cole
This spring, as part of the Lambert Family Lecture Series at the Wexner Center for the Arts, Taryn Simon joined Teju Cole for an online conversation about her artistic practice and creative process.
Social Works: Carrie Mae Weems and Maya Phillips
A pairing of photography and poetry from “Social Works,” a supplement guest edited by Antwaun Sargent for the Summer 2021 issue of the Quarterly.
Gregory Corso: A Most Dangerous Art
On the occasion of the forthcoming publication of The Golden Dot: Last Poems by Gregory Corso, Raymond Foye reflects on the poet’s enduring engagement with the human condition and explores the unique structure of this final collection.
Dennis Hopper’s Taos Ride
Douglas Dreishpoon reflects on speaking with Hopper at the Harwood Museum of Art, Taos, New Mexico, in 2009.