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In Conversation

Eileen Costello and Marta Kuzma on Donald Judd
Moderated by Caitlin Murray

Wednesday, November 17, 2021, 7pm est

Join Gagosian for a conversation between art historian Eileen Costello and Yale School of Art professor Marta Kuzma, moderated by Caitlin Murray, director of archives and programs at Judd Foundation, on the occasion of the exhibition Donald Judd: Paintings 1959–1961 at Gagosian, New York. Livestreaming from the exhibition in Chelsea, the trio will discuss Judd’s two-dimensional work and how the lessons he learned from the innovations of Abstract Expressionist and Color Field painters—including Jackson Pollock, Barnett Newman, and Mark Rothko—permeate his entire body of work. To join the online event, register at eventbrite.com.

Donald Judd, untitled, 1961 © Judd Foundation/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Donald Judd, untitled, 1961 © Judd Foundation/Artists Rights Society (ARS), New York. Photo: Rob McKeever

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Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano

Art Fair

Art Basel Miami Beach 2022

December 1–3, 2022, booth D5
Miami Beach Convention Center
artbasel.com

Gagosian is pleased to present a selection of modern and contemporary works at Art Basel Miami Beach 2022. Returning to Miami for the fair’s twentieth anniversary, the gallery is honored to have participated each year the fair has been held.

Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano

Installation view, New York: 1962–1964, Jewish Museum, New York, July 22, 2022–January 8, 2023. Artwork, left to right: © 2022 Kenneth Noland/Artists Rights Society (ARS), New York; © 2022 Estate of Isamu Noguchi/Artists Rights Society (ARS), New York; © 2022 Robert Rauschenberg Foundation; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Marjorie Strider. Photo: Nicholas Venezia, courtesy Selldorf Architects

In Conversation

New York: Between Art and Life: The Task of the Critic
Flavin Judd in conversation with Johanna Fateman and Wayne Koestenbaum

Thursday, November 3, 2022, 6:30–8pm EDT
thejewishmuseum.org

Join Judd Foundation and the Jewish Museum, New York, for an online conversation on the occasion of the Jewish Museum’s exhibition New York: 1962–1964, the final project conceived and curated by Germano Celant (1940–2020). The exhibition explores a pivotal three-year period in the history of art and culture in New York City by examining how artists living and working in the city responded to their rapidly changing world. Flavin Judd, artistic director of Judd Foundation, will speak with writers and critics Johanna Fateman and Wayne Koestenbaum about connections between artists represented in the exhibition, Donald Judd’s work as a critic, and the state of art criticism in a conversation moderated by Sarah C. Bancroft, executive director of the James Rosenquist Foundation. The recorded conversation will air on the Jewish Museum’s YouTube channel.

Register

Installation view, New York: 1962–1964, Jewish Museum, New York, July 22, 2022–January 8, 2023. Artwork, left to right: © 2022 Kenneth Noland/Artists Rights Society (ARS), New York; © 2022 Estate of Isamu Noguchi/Artists Rights Society (ARS), New York; © 2022 Robert Rauschenberg Foundation; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Marjorie Strider. Photo: Nicholas Venezia, courtesy Selldorf Architects

Still from “La Mansana de Chinati/The Block, Judd Foundation, Marfa, Texas” © Judd Foundation. Artwork © 2022 Judd Foundation/Artists Rights Society (ARS), New York

In Conversation

Rainer Judd
Sofia Coppola

Tuesday, June 28, 2022, 12pm EDT

Join Judd Foundation and Bloomberg Connects for a special conversation with Rainer Judd and Sofia Coppola. The pair will discuss the creative process of filmmaking, focusing on short films about Judd Foundation spaces in New York and Marfa, Texas. The films, produced by Judd Foundation and Terremoto Films, and codirected by Rainer Judd and Joseph Cashiola with cinematographer Darren Lew in New York, feature narration by Donald Judd. The conversation will be followed by a question-and-answer session. To join the online event, register at onlineexperiences.com.

Still from “La Mansana de Chinati/The Block, Judd Foundation, Marfa, Texas” © Judd Foundation. Artwork © 2022 Judd Foundation/Artists Rights Society (ARS), New York

Michael Govan and Anselm Kiefer

In Conversation
Anselm Kiefer and Michael Govan

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Louise Bonnet in front of her painting Red Study, 2022, oil on linen, picturing a distorted female figure in a powerful stance, feet firmly planted and moving forward. Her hand is digging into the flesh of her hip and a red conical shape streams down from between her legs.

Louise Bonnet: On “Red Study” and Supporting Reproductive Rights

Louise Bonnet speaks with Freja Harrell about her new painting, her donation to Planned Parenthood Los Angeles, and the role of art in the fight for reproductive justice.

Installation view of the exhibition "Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews"

Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews

Join Jake Auerbach, Richard Calvocoressi, Bella Freud, Martin Gayford, and Florence Hallett as they discuss the work and legacy of four era-defining artists. Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews, on view at Gagosian, Grosvenor Hill, London, elucidates the connections between their respective practices, and also features some of the artists’ portraits of each other.

Alexandria Smith's painting, Languorous undulations (in the temple of my familiar), 2022, mixed media on three-dimensional wood assemblage, depicting a purple figure with a cloud-shaped head and one eye standing on a road and dipping a toe into a river. There is a bricked-up doorway in the background.

Languorous undulations (in the temple of my familiar)

Alexandria Smith and Akwaeke Emezi take up themes of queerness, hybridity, and embodied memory in their respective visual and literary works. Here, Emezi responds to Smith’s painting Languorous undulations (in the temple of my familiar) (2022) with an eponymous piece of flash fiction.

Still from Juan Sánchez, Unknown Boricua Streaming: A Nuyorican State of Mind, 2011 (still), video, picturing a cartoon in a superhero pose against a backdrop of a Puerto Rican flag collage in muted colors

On Centering Latinx Video Art

In late 2022, Gagosian, in collaboration with Anthology Film Archives, presented a selection of videos by Latinx artists curated by Susan Breyer. Here, Quarterly film writer Carlos Valladares responds to each work in prose or with a poem. 

Sterling Ruby studio

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.

Image of Jenny Saville standing in front of her artworks

Jenny Saville: Latent

In this video, Jenny Saville describes the evolution of her practice inside her latest exhibition, Latent, at Gagosian, Paris. She addresses the genesis of the title and reflects on the anatomy of a painting.

Glenn Brown in his studio

Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent

In conjunction with his exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent at Gagosian in New York, the artist sits down to discuss his new paintings, sculptures, and drawings.

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2023 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; Henri Rousseau. Photo: Lucia Hunziker/LL Productions

Duane Hanson at Fondation Beyeler

To celebrate their twenty-fifth anniversary, Fondation Beyeler, Riehen/Basel, Switzerland, staged an exhibition entitled Jubiläumsausstellung—Special Guest Duane Hanson. The presentation featured several sculptures by Duane Hanson alongside more than one hundred works from the foundation’s collection. Alice Godwin considers the fertile dialogues produced by these juxtapositions.

Tony Ward and Madonna from Sex (1992)

Fashion and Art: Madonna’s Sex and Saint Laurent Rive Droite

This year’s edition of Art Basel Miami Beach brought Saint Laurent to America for a special exhibition curated by creative director Anthony Vaccarello celebrating the thirtieth anniversary of the publication of Madonna’s groundbreaking book, Sex (1992). Staged on the Miami beachfront, the ephemeral exhibition was presented on the occasion of the reissue of Sex by Rive Droite and Callaway, New York, and featured large-format prints of Steven Meisel’s iconic photographs from the book, as well as unpublished images from the original photo shoots. Rennie McDougall reflects on the momentous impact of the publication, tracing Madonna’s ongoing influence on and provocation of popular culture.

Spencer Sweeney and Peter Doig sitting on chairs in Sweeney’s studio

Artist to Artist: Spencer Sweeney and Peter Doig

Peter Doig visits Spencer Sweeney’s studio and the two discuss automatism, ambiguity, and anguish in the creative process.