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In Conversation

FT Weekend Festival 2022
Michael Craig-Martin and Jan Dalley

Saturday, September 3, 2022, 11–11:45am
Kenwood House, London
ftweekend.live.ft.com

As part of this year’s FT Weekend Festival in London, Michael Craig-Martin will be in conversation with Financial Times arts editor Jan Dalley on the Arts Stage to discuss his long career in art, teaching, and writing, as well as his latest projects. A principal figure of British conceptual art, Craig-Martin probes the relationship between objects and images, harnessing the human capacity to imagine absent forms through symbols and pictures.

Gagosian is partnering with the Financial Times to host the Arts Stage at the one-day event where leading experts discuss the arts, music, literature, food, business, and technology. Recent Gagosian Quarterly films will be screened between sessions on the stage throughout the day and Gagosian publications will also be presented.

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Left: Michael Craig-Martin. Photo: Caroline True. Right: Jan Dalley

Left: Michael Craig-Martin. Photo: Caroline True. Right: Jan Dalley

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Left: Rachel Feinstein. Photo: Chris Sanders. Right: Jan Dalley

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FT Weekend Festival 2022: US Edition
Rachel Feinstein and Jan Dalley

Saturday, May 7, 2022, 5pm
Kennedy Center, Washington, DC
usftweekendfestival.live.ft.com

As part of the inaugural US edition at the FT Weekend Festival, Rachel Feinstein will speak with Financial Times arts editor Jan Dalley about her artistic practice on the Literature & Arts Stage. By synthesizing visual and societal opposites such as romance and pornography, elegance and kitsch, and the marvelous and the banal, Feinstein explores issues of taste and desire in her paintings, sculptures, and installations.

Gagosian is partnering with the Financial Times to host the Literature & Arts Stage at the one-day event where leading experts discuss the arts, music, literature, food, business, and technology. Recent Gagosian Quarterly films will be screened between sessions on the stage throughout the day and Gagosian publications will also be presented. To attend the event in person or online, purchase tickets at usftweekendfestival.live.ft.com.

Left: Rachel Feinstein. Photo: Chris Sanders. Right: Jan Dalley

Rachel Whiteread, Untitled (November), 2020 (detail) © Rachel Whiteread. Photo: Prudence Cuming Associates Ltd.

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Zona Maco 2022

February 9–13, 2022, booth B115
Centro Citibanamex, Mexico City
www.zsonamaco.com

Gagosian is pleased to announce its return to Zona Maco México Arte Contemporáneo for the first time since 2018; significantly, this is also the gallery’s first in-person art fair of 2022. Gagosian is presenting a specially curated selection of dynamic paintings, sculptures, and works on paper by iconic figures long associated with the gallery, juxtaposed with works by key contemporary artists. Many of the featured artists are being represented at Zona Maco for the first time.

Rachel Whiteread, Untitled (November), 2020 (detail) © Rachel Whiteread. Photo: Prudence Cuming Associates Ltd.

Rachel Whiteread, Untitled (Plaster Torso), 1993 © Rachel Whiteread. Photo: Prudence Cuming Associates

Art Fair

Frieze Masters 2021

October 13–17, 2021, booth C02
Regent’s Park, London
www.frieze.com

Gagosian is pleased to participate in Frieze Masters 2021 with Material Process. Conceived, carved, cast, or constructed—sculpture remained a continuously strong tradition throughout the twentieth century in Britain. Artists such as Henry Moore, Anthony Caro, Michael Craig-Martin, Rachel Whiteread, Damien Hirst, and Douglas Gordon have extended this lineage, often focusing on human figures or body parts, transforming materials and techniques, including language, into a widely diverse practice that is internationally recognized.

Rachel Whiteread, Untitled (Plaster Torso), 1993 © Rachel Whiteread. Photo: Prudence Cuming Associates

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Join Titus Kaphar and Zoé Whitley as they discuss the artist’s recent exhibition New Alte̲rs: Reworking Devotion, featuring paintings and sculptures in which Kaphar examines the history of representation by altering the work’s supports to reveal oft unspoken social and political truths.

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