Honor
Rachel Whiteread
Robson Orr TenTen Award 2022
As recipient of this year’s Robson Orr TenTen Award, Rachel Whiteread has been commissioned to create a limited-edition print. Launched in 2018 by the Government Art Collection, with the support of philanthropists Sybil Robson Orr and Matthew Orr, this ten-year award program annually selects a British artist to create an original print work for the Collection to display in the United Kingdom and internationally. Fifteen prints of Whiteread’s Untitled (Bubble) (2022) will be exhibited in diplomatic buildings around the world, and a further eleven will be sold to raise funds to acquire works by emerging artists in the UK.
Share
Rachel Whiteread, Untitled (Bubble), 2022 © Rachel Whiteread
Related News
In Conversation
Rachel Whiteread
Tim Marlow
Wednesday, January 24, 2024, 7:30pm
Sarabande Foundation, London
sarabandefoundation.org
Rachel Whiteread will be in conversation with Tim Marlow, director of the Design Museum, London, for the next installment in the series of INSPIRED talks organized by the Sarabande Foundation. The pair will discuss Whiteread’s recent and current projects and delve into the twists and turns of her creative career to date—from concept to form, and everything in between. Using industrial materials such as plaster, concrete, resin, rubber, and metal to cast everyday objects and architectural elements, Whiteread’s sculptural works are instantly recognizable as evocative interrogations of negative space, from the domestic to the monumental.
This event was originally scheduled for Wednesday, December 6, 2023.
Rachel Whiteread, Untitled (Azure Blue), 2021–22 © Rachel Whiteread. Photo: Thomas Lannes
Visit
Rachel Whiteread
The Connaught Christmas Tree
November 16, 2023–January 7, 2024
The Connaught, London
www.the-connaught.co.uk
Encouraging passersby to celebrate a feeling of togetherness, Rachel Whiteread has used 102 white neon hoops to decorate the Connaught hotel’s 31-foot (9.4-meter) Nordmann’s fir. Whiteread regularly uses circular motifs within her practice and here they illuminate the streets of Mayfair, acting as a symbol of hope and unity this festive season.
Rachel Whiteread’s 2023 Connaught Christmas tree, London. Artwork © Rachel Whiteread
In Conversation
Rachel Whiteread
Briony Fer
Thursday, October 12, 2023, 3pm
Regent’s Park, London
www.frieze.com
Rachel Whiteread and Briony Fer will be in conversation as part of Frieze Masters Talks, a program that explores the connections between historical art and contemporary practice. The pair will discuss Whiteread’s recent and current projects, including . . . And the Animals Were Sold (2023), a new site-specific installation at the Palazzo della Ragione in Bergamo, Italy, which was conceived in relation to the historic architecture of the site and region. They will also discuss pivotal milestones in Whiteread’s life and career that paved the way for her to rise as a leading British artist. The event is free to attend with fair admission on a first-come, first-served basis.
Left: Rachel Whiteread. Right: Briony Fer
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Adaptability
Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.
Not Running, Just Going
Robert M. Rubin’s Vanishing Point Forever (RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.
On Frederick Wiseman
Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.
You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye
Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.
Whit Stillman
In celebration of the monograph Whit Stillman: Not So Long Ago (Fireflies Press, 2023), Carlos Valladares chats with the filmmaker about his early life and influences.
Lisa Lyon
Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.
Jamian Juliano-Villani and Jordan Wolfson
Ahead of her forthcoming exhibition in New York, Jamian Juliano-Villani speaks with Jordan Wolfson about her approach to painting and what she has learned from running her own gallery, O’Flaherty’s.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.