Saturday, August 24, 2019, 12pm
Museo Tamayo, Mexico City
On the occasion of the opening of her exhibition Otros cuerpos detrás at the Museo Tamayo, Mexico City, Adriana Varejão will speak with the show’s curator Adriano Pedrosa. The pair will discuss the evolution of the artist’s practice and her emphasis on a historical revision of colonialism in Brazil. To attend the free event, register with Museo Tamayo.
Adriana Varejão, Rome Meat Ruin, 2016 © Adriana Varejão. Photo: Vicente de Mello
Adriana Varejão, Luisa Duarte, Ayrson Heráclito, Lilia Moritz Schwarcz
Tuesday, April 16, 2019, 4pm
Museu de Arte Moderna da Bahia, Salvador, Brazil
On the occasion of the opening of Adriana Varejão–Por uma retórica cannibal at the Museu de Arte Moderna da Bahia, Adriana Varejão will speak with curator Luisa Duarte, artist Ayrson Heráclito, and anthropologist Lilia Moritz Schwarcz about Afro-Brazilian history and culture. The event is free and open to the public.
Adriana Varejão, Azulejão (Neo-concrete), 2016 © Adriana Varejão
Adriana Varejão, Lilia Moritz Schwarcz, João Biehl
Friday, March 8, 2019, 12–1:30pm
Louis A. Simpson Building, Princeton University, New Jersey
Adriana Varejão has been invited to be the first artist-in-residence at Brazil LAB at Princeton Institute for International and Regional Studies. The multidisciplinary research and teaching hub explores Brazil’s history, politics, and culture. To mark the start of the residency, Varejão will speak with anthropologists Lilia Moritz Schwarcz and João Biehl in a discussion titled “Decolonizing Art.” The event is free and open to the public.
Photo: Matteo D’Eletto
October 19–21, 2017, 7–9pm
The Sowden House, Los Angeles
Adriana Varejão’s four-channel video installation Transbarroco (2014) will play across the facade and in the central courtyard of this extraordinary heritage building. This US premiere coincides with her first-ever West Coast exhibition, Interiors, at Gagosian Beverly Hills. To attend the free event, reserve tickets at www.gagosian.com. Space is limited and will be granted on a first-come-first-serve basis.
Adriana Varejão, Transbarroco, 2014 (detail)
© Adriana Varejão. Photo: Mauro Pinheiro