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Proof of Life
May 19, 2017–February 25, 2018
Weserburg | Museum für moderne Kunst, Bremen, Germany
www.weserburg.de
Proof of Life brings together one hundred paintings, sculptures, and photographic works that investigate existential questions in a manner both palpable and profound. Work by Damien Hirst, Thomas Houseago, Anselm Kiefer, Sterling Ruby, and Richard Serra is included.
Installation view, Proof of Life, Weserburg | Museum für moderne Kunst, Bremen, Germany, May 19, 2017–February 25, 2018. Photo: Björn Behrens
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Modes of Behavior Towards People When Affection Plays a Part
July 15–November 5, 2017
Kunstmuseum Stuttgart, Germany
www.kunstmuseum-stuttgart.de
The Kunstmuseum Stuttgart will present a selection from the collection of Alison and Peter W. Klein. The Kleins, who have been collecting for over thirty years, have amassed a varied collection of more than two thousand works by international artists. Work by Gregory Crewdson, Anselm Kiefer, and Karin Kneffel is included.
Gregory Crewdson, Untitled, 2003/05 © Gregory Crewdson
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Deutschland 8
September 16–October 31, 2017
Eight exhibition venues in Beijing, China
www.stiftungkunst.de
Deutschland 8 is the continuation of the intercultural dialogue between China and Germany that successfully started with the exhibition China 8 in 2015. New works by German artists will be on view at eight different museums throughout Beijing. The works selected will highlight the historical context and developments in German art from 1945 to the present day. Work by Georg Baselitz, Katharina Grosse, Andreas Gursky, Anselm Kiefer, Albert Oehlen, and Thomas Ruff is included.
Anselm Kiefer, The Door, 1973 © Anselm Kiefer
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Kiefer Rodin
March 14–October 22, 2017
Musée Rodin, Paris
www.musee-rodin.fr
For the centenary of Auguste Rodin’s death, Anselm Kiefer is exhibiting recent paintings and sculptures in dialogue with the museum’s collection. Inspired by the debris and offcuts of Rodin’s sculptures—combined with relics of his own life and other unusual materials—Kiefer’s recent work shares an instinctive originality with the French master’s oeuvre. The exhibition was co-organized by the Barnes Foundation in Philadelphia and will be presented there this November.
Anselm Kiefer, Daphné, 2016 © Anselm Kiefer. Photo by Georges Poncet
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Dioramas
June 14–September 10, 2017
Palais de Tokyo, Paris
www.palaisdetokyo.com
This exhibition explores the diorama as an unexpected source of inspiration for contemporary art. At the intersection of art, cinema, and theater, this cross-disciplinary exhibition recontextualizes the diorama with a renewed approach to the history of spectatorship, including the influence of science and technology on popular culture, fun fairs, and exhibitions. Work by Duane Hanson, Anselm Kiefer, Tatiana Trouvé, Jeff Wall, and Tom Wesselmann is included.
Tatiana Trouvé, Untitled, 2007 © ADAGP, Paris 2017. Photo: Daniele Resini
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Regeneration Series
Anselm Kiefer from the Hall Collection
November 29, 2016–September 10, 2017
NSU Art Museum, Fort Lauderdale, Florida
nsuartmuseum.org
The Regeneration Series of exhibitions focuses on post–World War II artists whose work addresses issues of identity and the convergence of history and mythology. This exhibition includes more than fifty of Kiefer’s artist books, works on paper, paintings, and sculptures from 1969 to 2013.
Installation view, Regeneration Series: Anselm Kiefer from the Hall Collection, NSU Art Museum, Fort Lauderdale, Florida, 2017. Photo by Steven Brooke
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Anselm Kiefer
for Velimir Khlebnikov
May 30–September 3, 2017
Hermitage Museum, Saint Petersburg, Russia
www.hermitagemuseum.org
In 2016, Anselm Kiefer, inspired by his visit to Saint Petersburg, created a new exhibition project specially for the Hermitage Museum. In the triadic space of the colossal Nikolaevsky Hall in the Winter Palace, Kiefer has set his works dedicated to the Russian Futurist poet and word-creation experimentalist Velimir Khlebnikov (1885–1922). More than twenty new works were created for this show.
Anselm Kiefer, For Velimir Khlebnikov, Fates of Nations, 2015–16 © Anselm Kiefer
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Anselm Kiefer
For Louis-Ferdinand Céline: Voyage au bout de la nuit
April 1–August 6, 2017
Copenhagen Contemporary
cphco.org
Shrouded in lead, strewn with dried flowers, weighted down by books, the mid-century-style warplanes Anselm Kiefer created for his April show at the vast new Copenhagen Contemporary are designed to take symbolic flight only. With these works, alongside vast canvases of the desert, Kiefer’s great obsession for the colossal failures of mankind’s wartorn history suggests two destinations at once: a tragic landing from long ago as well as a potential future ascent into hope.
Photo by Anders Sune Berg
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The Beginning of Everything
Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections
February 24–June 18, 2017
The Menil Collection, Houston
www.menil.org
In anticipation of the October 2017 opening of the Menil Drawing Institute, the museum is exhibiting a selection of drawings spanning the mid-nineteenth to the late twentieth century. The show highlights promised gifts from the collections of Janie C. Lee and Louisa Stude Sarofim, as well as works from David Whitney’s 2005 bequest, which include those by Balthus, Georg Baselitz, Helen Frankenthaler, Alberto Giacometti, Anselm Kiefer, Brice Marden, Bruce Nauman, Richard Serra, Cy Twombly, and Rachel Whiteread.
Brice Marden, Untitled, 1988–91 © Brice Marden/Artist Rights Society (ARS), New York
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Literary Devices
October 11, 2014–March 15, 2015
Fisher Landau Center for Art, New York
flcart.org
Literary Devices, which comprises works representing text, literary themes, and books themselves, explores the tension between language and image. The exhibition features works by over forty artists, including Richard Artschwager, Gregory Crewdson, Neil Jenney, Donald Judd, Mike Kelley, Anselm Kiefer, Richard Prince, Ed Ruscha, Mark Tansey, and Cy Twombly.
Richard Artschwager, Cerise, 2002 © 2015 Richard Artschwager/Artists Rights Society (ARS), New York