Ice and Fire: A Benefit Exhibition in Three Parts
October 15, 2020–January 31, 2021
The benefit exhibition Ice and Fire features works by more than forty artists who have enduring relationships with the Kitchen in New York. Installed within the organization’s three-story space in Chelsea, which is currently closed due to the global pandemic, the three-part exhibition is viewable online. Proceeds from sales will go toward a planned renovation on the occasion of the Kitchen’s fiftieth anniversary, ensuring that the nonprofit space will remain a platform for artistic experimentation in its historic and beloved building. Work by Cecily Brown, Roe Ethridge, Mark Grotjahn, Alex Israel, Ed Ruscha, Taryn Simon, Mary Weatherford, and Christopher Wool is included.
Mark Grotjahn, Untitled (Capri 53.57), 2020 © Mark Grotjahn
Artist Plate Project
Coalition for the Homeless
November 16–December 14, 2020
Gagosian is pleased to support the Coalition for the Homeless’s Artist Plate Project fundraiser. Artwork by fifty artists, including Cecily Brown, Katharina Grosse, Sterling Ruby, Ed Ruscha, Sarah Sze, Andy Warhol, Jonas Wood, and Christopher Wool, is featured on limited-edition dinner plates produced by Prospect and made available through Artware Editions to support the Coalition’s lifesaving programs. All of the funds raised by the sale of the plates will provide food, crisis services, housing, and other critical aid to thousands of people experiencing homelessness and instability. The purchase of one plate can feed seventy-five homeless and hungry New Yorkers.
Katharina Grosse, Shake Before Using, 2020 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020
100 Drawings from Now
October 7, 2020–January 17, 2021
Drawing Center, New York
The benefit exhibition 100 Drawings from Now features drawings made by an international group of artists since early 2020, providing a snapshot of artistic production during the period of profound global unrest that has resulted from the ongoing health and economic crises, as well as the surge of activism in response to systemic racism, social injustice, and police brutality in the United States. Together, the donated works spotlight the urgency, intimacy, and universality of drawing during moments of upheaval and isolation. Proceeds from the sales will support the Drawing Center and the artists. Work by Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Treasure Hunt #2, 2020 © Nathaniel Mary Quinn
Artists for Biden
October 2–8, 2020
Artists for Biden is an online-only sale of works by leading contemporary artists to support the Biden Victory Fund—a joint fundraising committee authorized by Biden for President, the Democratic National Committee, and forty-seven state Democratic parties. All proceeds from the sale will provide resources needed to elect Joe Biden and Kamala Harris and support other Democratic candidates across the country in the lead up to Election Day. Work by Cecily Brown, Michael Heizer, Jeff Koons, Roy Lichtenstein, Brice Marden, Ed Ruscha, Richard Serra, Cindy Sherman, Sarah Sze, Stanley Whitney, and Christopher Wool will be available. To register for early access on October 1, visit secure.joebiden.com.
Sarah Sze, Afterimage, Silver, 2018 © Sarah Sze
Cecily Brown: The History
Frieze New York 2020 Online Viewing Room
Overall, we have a sense of a surface alive with impressions of marks and traces held momentarily in equilibrium.
John Elderfield reflects on the relationship between Cecily Brown’s monumental painting and art history, including the work of Nicolas Poussin, Willem de Kooning, and others.
Still from “Cecily Brown: The History”
Cecily Brown: The Market
Frieze New York 2020 Online Viewing Room
It’s an iconic masterpiece that looks back in dialogue with our history and will hold up for generations to come, a masterpiece for the twenty-first century.
Gagosian director Deborah McLeod discusses Cecily Brown’s market ascent and just what makes Figures in a Landscape 1 (2001) so desirable.
Still from “Cecily Brown: The Market”
Gagosian App for iPad
Gagosian announces the release of issue 2 of the Gagosian App for iPad on September 22, 2011. Artists featured in this issue include Cecily Brown, John Chamberlain, Douglas Gordon, Arshile Gorky, Joel Morrison, Takashi Murakami, Elizabeth Peyton, Pablo Picasso, Ed Ruscha, Mark Tansey, Robert Therrien, and Andy Warhol.
In issue 2 experience Douglas Gordon’s film k.364 (2010)through a dual-channel 3-D room, explore the world of Robert Therrien as he transforms elements from everyday life into works of art that evoke mythic archetypes, and trace the evolution of economics over time through key figures identified in Mark Tansey’s EC 101 (2009), viewing fine-grained detail in high resolution with gigapixel zoom and artwork rotator. We also introduce the issue manager, which allows users to store and browse multiple issues at once.
Gagosian App for iPad
Gagosian announces the launch of a free iPad app, designed by award-winning firm RadicalMedia, which offers unprecedented access and takes users on an in-depth journey with Gagosian’s artists and exhibitions, presented through visually stunning, richly informative and innovative features on June 12, 2011.
Artists featured in this issue include Richard Avedon, Cecily Brown, John Chamberlain, John Currin, Vera Lutter, Kazimir Malevich, Elizabeth Peyton, Pablo Picasso, Richard Prince, Robert Rauschenberg, and Rudolf Stingel.
Take No Prisoners
Cecily Brown discusses her early influences, the art historical imagery in which she continually finds inspiration, and her latest body of work in this video filmed in her New York studio and produced by the Louisiana Museum of Modern Art, Humlebaek, Denmark.
Still from “Cecily Brown: Take No Prisoners”
Opening April 30, 2020
International Print Center New York
This online exhibition, centered on works by Mark Bradford, Cecily Brown, Glenn Brown, Enrique Chagoya, and Lynette Yiadom-Boakye, opens a dialogue between contemporary prints and the source material referenced. (Re)Print examines how artists revise, recontextualize, and personalize familiar imagery to elicit new thinking. Further, the pairings express the dynamic relationship between contemporary practice and the historical role that prints have played in image reproduction and dissemination, and in the shaping of history, culture, and beliefs.
Glenn Brown, Layered Portrait (after Lucian Freud) 4, 2008 © Glenn Brown
No Man’s Land
Women Artists from the Rubell Family Collection
September 30, 2016–January 8, 2017
National Museum of Women in the Arts, Washington, DC
Drawing from the Rubell Family Collection, the paintings and sculptural hybrids in N0 Man’s Land demonstrate the expressive and technical range of work by a generationally, aesthetically, and politically diverse group of contemporary women artists. Collectively, they populate “no man’s land”—an open, liberated, and adaptable creative space. The presentation focuses on the traditional mediums of painting and sculpture as a way to highlight how women artists have pushed and redefined the boundaries of such categories. Work by Cecily Brown, Jennifer Guidi, and Mary Weatherford is included.
Installation view, No Man’s Land: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington, DC, September 30, 2016–January 8, 2017. Artwork, left to right: © Mary Weatherford, © Kerstin Brätsch, © Sonia Gomes