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Events

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Book Launch

Visions of the Self
Rembrandt and Now

Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
www.english-heritage.org.uk

In the interest of public health, this event has been postponed until further notice.

Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to londonevents@gagosian.com. Space is limited.

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins

Tour

American Pastoral

Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London

Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to londontours@gagosian.com. Space is limited.

Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins

Earrings from Liz Swig’s Cameo collection, featuring Cindy Sherman’s Pensive from her Instagram series

Launch

LizWorks
Cameo

Wednesday, October 16, 2019, 6–7:30pm
Gagosian Shop, New York

Gagosian Shop is pleased to present the launch of Cameo, a new project from LizWorks in collaboration with Catherine Opie and Cindy Sherman. Founded in 2014 by Liz Swig, LizWorks partners with leading contemporary artists to create one-of-a-kind jewelry pieces and accessories. Taking its name from a tradition of portraiture dating all the way back to antiquity, Cameo updates and reimagines this classical art form for the present day through the lens of photographers Opie and Sherman. A selection of these limited-edition cameos—each hand-carved in Torre del Greco, Italy, under the vision of third-generation cameo maker Gino di Luca—will be available. To attend the free event, RSVP to cameorsvp@gagosian.com.

Download the full press release (PDF)

Earrings from Liz Swig’s Cameo collection, featuring Cindy Sherman’s Pensive from her Instagram series

Jonas Wood’s limited-edition Louis Vuitton Artycapucines bag

Design

Louis Vuitton X

June 28–November 10, 2019
Louis Vuitton X, Beverly Hills
us.louisvuitton.com

Louis Vuitton X celebrates the fashion house’s 160-year history of artistic collaborations and marks the world premiere of the Artycapucines Collection. The line includes limited-edition reinterpretations of the label’s iconic Capucines bag by six artists including Urs Fischer, Alex Israel, and Jonas Wood. The exhibition also brings together a collection of early twentieth-century special-order trunks, art deco perfume bottles, iconic Monogram bags reworked by artists such as Frank Gehry and Cindy Sherman, and original collaborations by artists such as Richard Prince.

Jonas Wood’s limited-edition Louis Vuitton Artycapucines bag

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Tour

Visions of the Self: Rembrandt and Now
In partnership with English Heritage

Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London

Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact londontours@gagosian.com.

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Museum Exhibitions

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

Closing this Week

Andy Warhol bis Cindy Sherman
Amerikanische Kunst aus der Albertina

Through March 29, 2020
Schlossmuseum Linz, Austria
www.landesmuseum.at

Europe’s view of America is influenced by images of the entertainment industry: from film and television to advertising and newspapers. No other nation has placed so much reliance upon the power and impact of pictures and symbols as the US. With more than two hundred works of American art from 1960 to the present day, this large-scale exhibition, whose title translates to Andy Warhol to Cindy Sherman: American Art from the Albertina Museum, aims to illustrate how much our perceptions of truth and reality, facts and fake news, owe to America’s visual culture. Work by Gregory Crewdson, Roy Lichtenstein, Cindy Sherman, Andy Warhol, and Tom Wesselmann is included. 

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

On View

Inspiration
Iconic Works

Through May 17, 2020
Nationalmuseum, Stockholm
www.nationalmuseum.se

This exhibition presents contemporary art that draws inspiration from historic masterpieces. A selection of paintings, plaster sculptures, drawings, graphic prints, and applied arts from Nationalmuseum’s vast collections are displayed in dialogue with contemporary objects. Work by Glenn Brown, Jeff Koons, Jenny Saville, and Cindy Sherman is included.

Cindy Sherman, Untitled (#93), 1981, Astrup Fearnley Museet, Oslo © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York

On View

The Cindy Sherman Effect
Identität und Transformation in der zeitgenössischen Kunst

Through June 21, 2020
Kunstforum Wien, Vienna
www.kunstforumwien.at

Cindy Sherman’s work has long questioned issues of identity, including the ways in which it can be constructed and transformed, and elements of fiction. The exhibition, whose title translates to Identity and Transformation in Contemporary Art, juxtaposes Sherman’s work with that of other contemporary artists, including Douglas Gordon, working in a variety of media.

Cindy Sherman, Untitled (#93), 1981, Astrup Fearnley Museet, Oslo © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

On View

Photography’s Last Century
The Ann Tenenbaum and Thomas H. Lee Collection

Through June 28, 2020
Metropolitan Museum of Art, New York
www.metmuseum.org

This exhibition celebrates the remarkable ascendancy of photography in the last century, and Ann Tenenbaum and Thomas H. Lee’s promised gift of over sixty photographs in honor of the Met’s 150th anniversary in 2020. The collection is particularly notable for its breadth and depth of works by women artists, its sustained interest in the nude, and its focus on artists’ beginnings. Work by Gregory Crewdson, Andreas Gursky, Man Ray, Cindy Sherman, Andy Warhol, and Rachel Whiteread is included.

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

Installation view, Feelings: Kunst und Emotion, Pinakothek der Moderne, Munich, November 7, 2019–October 4, 2020. Artwork © Richard Prince

On View

Feelings
Kunst und Emotion

Through October 4, 2020
Pinakothek der Moderne, Munich
www.pinakothek-der-moderne.de

One hundred paintings, objects, and films from contemporary artists invite the viewer to intuitively approach art from an emotional perspective. What does art provoke in us? To what extent does our view of art depend on our personal experiences and memories? This exhibition seeks to encourage this direct dialogue between artwork and viewer in order to stimulate an intense emotional engagement. Work by Gregory Crewdson, Richard Prince, and Cindy Sherman is included.

Installation view, Feelings: Kunst und Emotion, Pinakothek der Moderne, Munich, November 7, 2019–October 4, 2020. Artwork © Richard Prince

Ed Ruscha, Hotel, 1962 © Ed Ruscha

Closed

Edward Hopper and the American Hotel

October 26, 2019–February 23, 2020
Virginia Museum of Fine Arts, Richmond
www.vmfa.museum

Edward Hopper and the American Hotel explores the artist’s images of hospitality settings showcasing more than sixty of the artist’s paintings, drawings, watercolors, and illustrations. Also included are thirty-five works by American artists that similarly explore the visual culture of hotels, travel, and mobility from the early twentieth century to the present, including work by Gregory Crewdson, Ed Ruscha, and Cindy Sherman.

Ed Ruscha, Hotel, 1962 © Ed Ruscha

Sterling Ruby, BASKET (6111), 2016 © Sterling Ruby

Closed

Strange

August 21, 2019–January 19, 2020
University of California, Berkeley Art Museum and Pacific Film Archive
bampfa.org

A century after the Surrealist movement exploded across the global cultural scene, celebrating the improbable, uncanny, and mysterious, the “strange” remains a source of fascination and artistic inspiration today. Strange features works from Berkeley Art Museum and Pacific Film Archive’s collection that invoke strangeness and resonate with the spirit of Surrealism. Work by Sterling Ruby and Cindy Sherman is included.

Sterling Ruby, BASKET (6111), 2016 © Sterling Ruby

Installation view, Art & Porn, Kunsthal Charlottenborg, Copenhagen, October 5, 2019–January 12, 2020. Artwork, left to right: © Jeff Koons, © Cindy Sherman. Photo: David Stjernholm

Closed

Art & Porn

October 5, 2019–January 12, 2020
Kunsthal Charlottenborg, Copenhagen
kunsthalcharlottenborg.dk

To mark the fiftieth anniversary of the lifting of the ban on visual pornography in Denmark, Kunsthal Charlottenborg presents Art & Porn. This exhibition explores the development in art from the ’60s legalization of visual pornography to the current fourth wave of feminism, and highlights how art has been influenced by changing laws and social mores pornography. Work by Jeff Koons and Cindy Sherman is included.

Installation view, Art & Porn, Kunsthal Charlottenborg, Copenhagen, October 5, 2019–January 12, 2020. Artwork, left to right: © Jeff Koons, © Cindy Sherman. Photo: David Stjernholm

Chris Burden, 1/4 Carat Diamond 1/4 Carat Cubic Zirconium Magnified 25 Times, #3, 2007 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Closed

Crystals in Art
Ancient to Today

October 12, 2019–January 6, 2020
Crystal Bridges Museum of American Art, Bentonville, Arkansas
crystalbridges.org

Crystals in Art explores the connections between crystals and art throughout the world, spanning history and geography. The exhibition includes a selection of works and specimens from ancient Egypt up to the present day and addresses broader recurring themes in the history of crystals such as science and religion, art and medicine, aesthetic beauty and transformation, and more. Work by Chris Burden, Pablo Picasso, Cindy Sherman, and Andy Warhol is included.

Chris Burden, 1/4 Carat Diamond 1/4 Carat Cubic Zirconium Magnified 25 Times, #3, 2007 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Douglas Gordon, Monster, 1996–97 © Studio lost but found/VG Bild-Kunst, Bonn 2019

Closed

Mask
In Present-Day Art

September 1, 2019–January 5, 2020
Aargauer Kunsthaus, Aarau, Switzerland
www.aargauerkunsthaus.ch

This exhibition explores how the subject of the mask is being addressed in contemporary art. Interest in masks among contemporary artists focuses not just on the mask as an object but also, and in particular, on its social, cultural, and political implications. Work by Theaster Gates, Douglas Gordon, and Cindy Sherman is included.

Douglas Gordon, Monster, 1996–97 © Studio lost but found/VG Bild-Kunst, Bonn 2019

Closed

Shape of Light
Defining Photographs from the Frances Lehman Loeb Art Center

September 20–December 15, 2019
Frances Lehman Loeb Art Center, Poughkeepsie, New York
fllac.vassar.edu

Shape of Light presents a survey of Vassar’s collection of close to 4,500 photographs. The exhibition features numerous innovations in the history of photography including various types of photographic practices from daguerreotypes and gelatin silver prints to large-scale Polaroids and digital color prints as well as a wide range of styles and geographic focuses. Work by Sally Mann, Man Ray, Cindy Sherman, and Andy Warhol is included.

Katharina Grosse, Untitled, 2017, installation view, Amulet or He calls it chaos, 500 Capp Street Foundation, San Francisco, March 9–June 1, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Preston/Kalogiros 

Closed

Amulet or He calls it chaos

March 9–June 1, 2019
500 Capp Street Foundation, San Francisco
500cappstreet.org

This two-part exhibition uses sculpture, video, and painting as a way to restructure the narrative. Amulet or He calls it chaos chooses the illogical, philosophical, yet recognizable material world of magical realism, while also addressing the power and sensitivity of architecture, gender, politics, and mortality. Work by Katharina Grosse and Cindy Sherman is included.

Katharina Grosse, Untitled, 2017, installation view, Amulet or He calls it chaos, 500 Capp Street Foundation, San Francisco, March 9–June 1, 2019. Artwork © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Photo: Preston/Kalogiros 

See all Museum Exhibitions for Cindy Sherman