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Ed Ruscha, The Future, 1999 © Ed Ruscha. Photo: Jeff McLane

Exhibition

The Future

November 30, 2020–January 31, 2021
gagosian-deitch.com

Gagosian is pleased to announce The Future, the sixth in a series of annual thematic exhibitions presented by Gagosian and Jeffrey Deitch during Art Basel Miami Beach. Previously staged at the historic Moore Building in the Miami Design District, this year the collaborative project will be hosted on a new stand-alone website.

Ed Ruscha, The Future, 1999 © Ed Ruscha. Photo: Jeff McLane

Sarah Sze, Afterimage, Silver, 2018 © Sarah Sze

Support

Artists for Biden

October 2–8, 2020

Artists for Biden is an online-only sale of works by leading contemporary artists to support the Biden Victory Fund—a joint fundraising committee authorized by Biden for President, the Democratic National Committee, and forty-seven state Democratic parties. All proceeds from the sale will provide resources needed to elect Joe Biden and Kamala Harris and support other Democratic candidates across the country in the lead up to Election Day. Work by Cecily Brown, Michael Heizer, Jeff Koons, Roy Lichtenstein, Brice Marden, Ed Ruscha, Richard Serra, Cindy Sherman, Sarah Sze, Stanley Whitney, and Christopher Wool will be available. To register for early access on October 1, visit secure.joebiden.com.

Sarah Sze, Afterimage, Silver, 2018 © Sarah Sze

Taryn Simon, Brazil, from the series Birds of the West Indies, 2014 © Taryn Simon

Support

All for the Hall

August 8–December 31, 2020
Guild Hall, East Hampton, New York
www.guildhall.org

Renowned American artist Robert Longo has mobilized sixty artists to donate artworks for a special benefit exhibition with all proceeds supporting Guild Hall, the historic multidisciplinary center that has for decades served the artist community of Long Island’s East End. In response to the ongoing impact of the covid-19 pandemic, All for the Hall includes painting, sculpture, photography, and new site-responsive installations. Work by Cindy Sherman and Taryn Simon is included

Taryn Simon, Brazil, from the series Birds of the West Indies, 2014 © Taryn Simon

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Book Launch

Visions of the Self
Rembrandt and Now

Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
www.english-heritage.org.uk

In the interest of public health, this event has been postponed until further notice.

Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to londonevents@gagosian.com. Space is limited.

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins

Tour

American Pastoral

Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London

Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to londontours@gagosian.com. Space is limited.

Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins

Earrings from Liz Swig’s Cameo collection, featuring Cindy Sherman’s Pensive from her Instagram series

Launch

LizWorks
Cameo

Wednesday, October 16, 2019, 6–7:30pm
Gagosian Shop, New York

Gagosian Shop is pleased to present the launch of Cameo, a new project from LizWorks in collaboration with Catherine Opie and Cindy Sherman. Founded in 2014 by Liz Swig, LizWorks partners with leading contemporary artists to create one-of-a-kind jewelry pieces and accessories. Taking its name from a tradition of portraiture dating all the way back to antiquity, Cameo updates and reimagines this classical art form for the present day through the lens of photographers Opie and Sherman. A selection of these limited-edition cameos—each hand-carved in Torre del Greco, Italy, under the vision of third-generation cameo maker Gino di Luca—will be available. To attend the free event, RSVP to cameorsvp@gagosian.com.

Download the full press release (PDF)

Earrings from Liz Swig’s Cameo collection, featuring Cindy Sherman’s Pensive from her Instagram series

See all Events for Cindy Sherman

Museum Exhibitions

Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown

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00s. Collection Cranford
Les années 2000

October 24, 2020–May 30, 2021
Mo.Co. Contemporary, Montpellier, France
www.moco.art

This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.

Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown

Gregory Crewdson, Untitled, 2004 © Gregory Crewdson

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The Essl Collection
Photography

December 7, 2020–April 5, 2021
Albertina Modern, Vienna
www.albertina.at

Complementing an overview of the Essl Collection, which has been held by the Albertina since 2017, the lower level of the Albertina Modern is presenting a special exhibition of works from the Essl Collection’s photographic holdings. In addition to notable examples of contemporary photography, the show particularly focuses on representatives of the Becher School, who studied under the influential photographers Bernd and Hilla Becher at the Kunstakademie Düsseldorf in the 1970s. Work by Gregory Crewdson, Andreas Gursky, and Cindy Sherman is included.

Gregory Crewdson, Untitled, 2004 © Gregory Crewdson

Sally Mann, Sorry Game, 1989 © Sally Mann

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Vantage Points
Contemporary Photography from the Whitney Museum of American Art

December 18, 2020–March 15, 2021
Asheville Art Museum, North Carolina
www.ashevilleart.org

Vantage Points features a selection of photographic works from the 1970s to the mid-2000s that highlights how photography has been used to represent individuals, places, and narratives. Drawn exclusively from the Whitney Museum’s permanent collection, the exhibition presents work by approximately twenty artists, including Gregory Crewdson, Sally Mann, Cindy Sherman, and Andy Warhol.

Sally Mann, Sorry Game, 1989 © Sally Mann

Albert Oehlen, Rock, 2009 © Albert Oehlen

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Crossing Views

September 23, 2020–January 3, 2021
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

Presented in conjunction with a retrospective on Cindy Sherman, Crossing Views examines a selection of works from the collection of the Fondation Louis Vuitton, chosen in collaboration with Cindy Sherman. Echoing the artist’s work, the exhibition unfolds across two floors and is centered on the theme of the portrait and its interpretation through different approaches and media, including painting, photography, sculpture, video, and installation. Work by Damien Hirst, Albert Oehlen, Cindy Sherman, and Andy Warhol is included.

Albert Oehlen, Rock, 2009 © Albert Oehlen

Cindy Sherman, Untitled Film Still #13, 1978 © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York 

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Cindy Sherman

September 23, 2020–January 3, 2021
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

This career retrospective on the work of Cindy Sherman, designed in close collaboration with the artist, presents more than 170 works from 1975 to 2020, with a particular focus on pieces produced in the early 2010s, as well as some previously unseen works.

Cindy Sherman, Untitled Film Still #13, 1978 © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York 

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

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Photography’s Last Century
The Ann Tenenbaum and Thomas H. Lee Collection

March 10–November 30, 2020
Metropolitan Museum of Art, New York
www.metmuseum.org

This exhibition celebrates the remarkable ascendancy of photography in the last century, and Ann Tenenbaum and Thomas H. Lee’s promised gift of over sixty photographs in honor of the Met’s 150th anniversary in 2020. The collection is particularly notable for its breadth and depth of works by women artists, its sustained interest in the nude, and its focus on artists’ beginnings. Work by Gregory Crewdson, Andreas Gursky, Man Ray, Cindy Sherman, Andy Warhol, and Rachel Whiteread is included.

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

Installation view, Edward Hopper and the American Hotel, Newfields, Indianapolis, July 17–October 25, 2020. Artwork © Gregory Crewdson

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Edward Hopper and the American Hotel

July 17–October 25, 2020
Newfields, Indianapolis
discovernewfields.org

Edward Hopper and the American Hotel explores the artist’s images of hospitality settings showcasing more than sixty of the artist’s paintings, drawings, watercolors, and illustrations. Also included are thirty-five works by American artists that similarly explore the visual culture of hotels, travel, and mobility from the early twentieth century to the present, including work by Gregory CrewdsonEd Ruscha, and Cindy Sherman. This show has traveled from the Virginia Museum of Fine Arts in Richmond, Virginia.

Installation view, Edward Hopper and the American Hotel, Newfields, Indianapolis, July 17–October 25, 2020. Artwork © Gregory Crewdson

Installation view, Feelings: Kunst und Emotion, Pinakothek der Moderne, Munich, November 7, 2019–October 4, 2020. Artwork © Richard Prince

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Feelings
Kunst und Emotion

November 7, 2019–October 4, 2020
Pinakothek der Moderne, Munich
www.pinakothek-der-moderne.de

One hundred paintings, objects, and films from contemporary artists invite the viewer to intuitively approach art from an emotional perspective. What does art provoke in us? To what extent does our view of art depend on our personal experiences and memories? This exhibition seeks to encourage this direct dialogue between artwork and viewer in order to stimulate an intense emotional engagement. Work by Gregory Crewdson, Richard Prince, and Cindy Sherman is included.

Installation view, Feelings: Kunst und Emotion, Pinakothek der Moderne, Munich, November 7, 2019–October 4, 2020. Artwork © Richard Prince

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

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Amuse-Bouche
The Taste of Art

February 19–July 26, 2020
Museum Tinguely, Basel
www.tinguely.ch

Amuse-Bouche: The Taste of Art presents works—some with a participatory element—by more than forty-five international artists from the Baroque period to the present that explore taste as a dimension of aesthetic perception. Breaking with the usual museum practice of appealing primarily to the sense of sight, works in the exhibition offer art historical and phenomenological encounters with the sense of taste. Work by Urs Fischer, Damien Hirst, Cindy Sherman, Andy Warhol, and Tom Wesselmann is included.

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

Cindy Sherman, Untitled (#93), 1981, Astrup Fearnley Museet, Oslo © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York

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The Cindy Sherman Effect
Identität und Transformation in der zeitgenössischen Kunst

January 29–July 19, 2020
Kunstforum Wien, Vienna
www.kunstforumwien.at

Cindy Sherman’s work has long questioned issues of identity, including the ways in which it can be constructed and transformed, and elements of fiction. The exhibition, whose title translates to Identity and Transformation in Contemporary Art, juxtaposes Sherman’s work with that of other contemporary artists, including Douglas Gordon, working in a variety of media.

Cindy Sherman, Untitled (#93), 1981, Astrup Fearnley Museet, Oslo © Cindy Sherman. Photo: courtesy the artist and Metro Pictures, New York

Glenn Brown, Reproduction, 2014 © Glenn Brown

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Inspiration
Iconic Works

February 20–May 17, 2020
Nationalmuseum, Stockholm
www.nationalmuseum.se

This exhibition presents contemporary art that draws inspiration from historic masterpieces. A selection of paintings, plaster sculptures, drawings, graphic prints, and applied arts from Nationalmuseum’s vast collections are displayed in dialogue with contemporary objects. Work by Glenn Brown, Jeff Koons, Jenny Saville, and Cindy Sherman is included.

Glenn Brown, Reproduction, 2014 © Glenn Brown

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

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Andy Warhol bis Cindy Sherman
Amerikanische Kunst aus der Albertina

November 19, 2019–March 29, 2020
Schlossmuseum Linz, Austria
www.landesmuseum.at

Europe’s view of America is influenced by images of the entertainment industry: from film and television to advertising and newspapers. No other nation has placed so much reliance upon the power and impact of pictures and symbols as the US. With more than two hundred works of American art from 1960 to the present day, this large-scale exhibition, whose title translates to Andy Warhol to Cindy Sherman: American Art from the Albertina Museum, aims to illustrate how much our perceptions of truth and reality, facts and fake news, owe to America’s visual culture. Work by Gregory CrewdsonRoy LichtensteinCindy ShermanAndy Warhol, and Tom Wesselmann is included. 

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

See all Museum Exhibitions for Cindy Sherman