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Cindy Sherman, Untitled #121, 1983, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ©︎ Cindy Sherman

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Brand New
Art and Commodity in the 1980s

February 14–May 13, 2018
Hirshhorn Museum and Sculpture Garden, Washington, DC
hirshhorn.si.edu

Brand New will explore the collision of art and commerce in the 1980s. More than 150 works by sixty-six artists reveal the fascinating ways art infiltrated the worlds of advertising and business. Work by Jeff Koons and Cindy Sherman will be included.

Cindy Sherman, Untitled #121, 1983, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC ©︎ Cindy Sherman

Jeff Koons, Rabbit, 1986 © Jeff Koons.Photo by Nathan Keay © MCA Chicago

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We Are Here

August 19, 2017–April 1, 2018
Museum of Contemporary Art Chicago
mcachicago.org

In honor of the Museum of Contemporary Art’s fiftieth anniversary, the museum presents We Are Here, a three-part exhibition drawn from its collection. I Am You gathers works that question how we relate to and shape our environments; You Are Here examines how the role of the viewer has changed over time; and We Are Everywhere showcases artists who borrow from popular culture. Work by Richard Artschwager, Francis Bacon, Chris Burden, Ellen Gallagher, Andreas Gursky, Michael Heizer, Jasper Johns, Jeff Koons, Takashi Murakami, Bruce Nauman, Richard Serra, Cindy Sherman, Rudolf Stingel, Andy Warhol, and Franz West is included.

Jeff Koons, Rabbit, 1986 © Jeff Koons.
Photo by Nathan Keay © MCA Chicago

Taryn Simon, Charles Irvin Fain, Scene of the crime, the Snake River, Melba, Idaho, Served 18 years of a Death sentence for Murder, Rape and Kidnapping. The Innocents, 2002 © Taryn Simon

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The Face: A Search for Clues

August 19, 2017–February 25, 2018
Deutsches Hygiene-Museum, Dresden, Germany
www.dhmd.de

We encounter human faces in personal interaction but also on the Internet, in the memory of digital cameras and smartphones, in databases of institutions, on posters, cinema walls, and TV screens. This exhibition explores the relationship between the face and society, and whether it is a commodity, a data set, or a central reference point that connects people. Work by Cindy Sherman, Taryn Simon, and Andy Warhol is included.

Taryn Simon, Charles Irvin Fain, Scene of the crime, the Snake River, Melba, Idaho, Served 18 years of a Death sentence for Murder, Rape and Kidnapping. The Innocents, 2002 © Taryn Simon

Pablo Picasso, Nude Woman in a Red Armchair, 1932, Tate © 2017 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo © Tate, London 2017

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NUDE
Masterpieces from the Tate

August 11–December 25, 2017
Seoul Olympic Museum of Art, South Korea
www.britishcouncil.kr

This traveling exhibition brings together masterpieces by renowned artists including Francis Bacon, John Currin, Alberto Giacometti, Man Ray, Henri Matisse, Pablo Picasso, and Cindy Sherman. Beautiful, sensual, and at times provocative, more than one hundred artworks tell the story of the nude and trace artists’ captivation with the human form over the past two centuries.

Pablo Picasso, Nude Woman in a Red Armchair, 1932, Tate © 2017 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo © Tate, London 2017

Installation view, Unpacking: The Marciano Collection, Marciano Art Foundation, Los Angeles, May 25–September 16, 2017. Artwork, left to right: © Albert Oehlen, © Christopher Wool

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Unpacking
The Marciano Collection

May 25–September 16, 2017
Marciano Art Foundation, Los Angeles
marcianoartfoundation.org

Unpacking: The Marciano Collection is the debut presentation of the collection’s holdings organized by Philipp Kaiser. The title and theme of the show are derived from Walter Benjamin’s essay “Unpacking My Library,” in which he discusses the chaotic potentiality inherent in unpacking and recontextualizing one’s collection. Work by Mark Grotjahn, Jennifer Guidi, Thomas Houseago, Alex Israel, Takashi Murakami, Albert Oehlen, Sterling Ruby, Cindy Sherman, Franz West, Jonas Wood, and Christopher Wool is included.

Installation view, Unpacking: The Marciano Collection, Marciano Art Foundation, Los Angeles, May 25–September 16, 2017. Artwork, left to right: © Albert Oehlen, © Christopher Wool

Chris Burden, Tower of London Bridge, 2003 © 2017 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

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The Arcades:
Contemporary Art and Walter Benjamin

March 17–August 6, 2017
Jewish Museum, New York
thejewishmuseum.org

Walter Benjamin’s The Arcades Project is about Paris’s nineteenth-century vaulted iron-and-glass shopping passages. With their labyrinthine architecture and surrealistic juxtapositions, the arcades offer an ideal prism through which to examine the era’s capitalist metropolis. This exhibition will explore The Arcades Project and its ongoing relevance through works of contemporary art representing the subjects of each of the book’s thirty-six chapters. Work by Chris Burden, Andreas Gursky, Cindy Sherman, and Taryn Simon is included.

Chris Burden, Tower of London Bridge, 2003 © 2017 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Cindy Sherman, Untitled #97, 1982, Tate © Cindy Sherman. Photo © Tate, London 2017

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The Body Laid Bare
Masterpieces from the Tate

March 18–July 16, 2017
Auckland Art Gallery, New Zealand
www.aucklandartgallery.com

Journeying through time, from the classical, biblical, and literary subjects of the nineteenth century to the body politics of contemporary art, this exhibition brings together masterpieces by renowned artists including Francis Bacon, John Currin, Alberto Giacometti, Man Ray, Henri Matisse, Pablo Picasso, and Cindy Sherman. Beautiful, sensual, and at times provocative, more than one hundred artworks tell the story of the nude and trace artists’ captivation with the human form over the past two centuries. The exhibition travels to the Seoul Olympic Museum of Art in South Korea, opening August 11, 2017.

Cindy Sherman, Untitled #97, 1982, Tate © Cindy Sherman. Photo © Tate, London 2017

Willem de Kooning, Woman and Bicycle, 1952–53, Whitney Museum of American Art, New York © The Willem de Kooning Foundation/Artists Rights Society (ARS), New York

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Human Interest
Portraits from the Whitney’s Collection

April 2, 2016–April 2, 2017
Whitney Museum of American Art, New York
whitney.org

Human Interest offers new perspectives on one of art’s oldest genres. Drawn entirely from the museum’s holdings, the more than two hundred works in the exhibition show changing approaches to portraiture from the early 1900s until today. Bringing iconic works together with lesser-known examples and recent acquisitions in a range of mediums, the exhibition unfolds in eleven thematic sections. Work by Jean-Michel Basquiat, Willem de Kooning, Roe Ethridge, Duane Hanson, Mike KelleySally MannMan RayBruce NaumanRichard PrinceEd RuschaCindy ShermanRudolf StingelAndy Warhol, and Jonas Wood is included.

Willem de Kooning, Woman and Bicycle, 1952–53, Whitney Museum of American Art, New York © The Willem de Kooning Foundation/Artists Rights Society (ARS), New York