The Black Image Corporation
April 25–July 28, 2019
Gropius Bau, Berlin
Conceived by Theaster Gates, this exhibition looks at the legacy of the Johnson Publishing Company archive, which features more than four million images and has helped shape the aesthetic and cultural languages of the contemporary African American identity. Founded by John H. Johnson in 1942, the company created Ebony and Jet, two of the landmark publications for black American audiences. The participatory exhibition focuses on the works of Moneta Sleet Jr. and Isaac Sutton, two photographers whose works are in the collection. This exhibition has traveled from the Fondazione Prada in Milan.
Isaac Sutton, Moneta Sleet Jr., 1965. Photo: courtesy Johnson Publishing Company, LLC. All rights reserved
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.