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On View

Douglas Gordon in
Hey Psycho!

Through November 24, 2019
Arsenale Institute for Politics of Representation, Venice

This exhibition looks at the work of two artists, Douglas Gordon and Florian Süssmayr, who share common backgrounds in film, music, and art, independent of national interests, and in the historic context of Venice. Notably, Gordon’s film installation 24 Hour Psycho (1993) is viewable from the Riva dei Sette Martiri, between the Arsenale and Giardini, day and night. The show also includes new neon and sprayed texts and sculpture by Gordon. Pink neons in the windows, visible from afar, with the words “non-stop,” reflect on the uncontrollable nature of psychosis and obsession.

Douglas Gordon, Psycho Hitchhiker, 1993 © Douglas Gordon/VG Bild-Kunst, Bonn, 2019

Douglas Gordon, Psycho Hitchhiker, 1993 © Douglas Gordon/VG Bild-Kunst, Bonn, 2019

Marc Newson, London, 2018.

In Conversation
Marc Newson and Derek Blasberg

Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Andy Warhol: Everything Is Good

Andy Warhol: Everything Is Good

Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.

Frieze Sculpture New York: An Interview with Brett Littman

Frieze Sculpture New York: An Interview with Brett Littman

The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.

Roy Lichtenstein: 1961 to 1965

Roy Lichtenstein: 1961 to 1965

Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.

Arakawa: Diagrams for the Imagination

Arakawa: Diagrams for the Imagination

The exhibition Arakawa: Diagrams for the Imagination receives a closer look by Gagosian director Ealan Wingate. In this video, he discusses the artist’s arrival in New York and examines the importance of maps and language in Arakawa’s work.

Jeff Wall: The World as It Appears

Jeff Wall: The World as It Appears

The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.

Time by Dance by Paik

Time by Dance by Paik

Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.

David Bailey: The Sixties

David Bailey: The Sixties

The photographer speaks about his signature portraits of the 1960s, recounting how he came to photograph such luminaries of the era as Mick Jagger, Jean Shrimpton, and Andy Warhol, among many others.

Helen Frankenthaler: Sea Change

Helen Frankenthaler: Sea Change

Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.

View of the south front of Kenwood House.

Kenwood House

Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.