Taryn Simon in
Through May 9, 2020
Talbot Rice Gallery, University of Edinburgh, Scotland
Taking its name from that of Pinocchio (the word means “pine eye” in Italian), Pine’s Eye explores what it means to be human in times of ecological change. The exhibition offers alternative perspectives for how we understand ourselves in the face of environmental crisis. Work by Taryn Simon is included.
Taryn Simon, Finding Pursuant to Section 662 of the Foreign Assistance Act of 1961, as Amended, Concerning Operations in Foreign Countries Other than Those Intended Solely for the Purpose of Intelligence Collection. White House, Washington, D.C., United States, 1981, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon
The artist speaks with Laura Fried about her most recent paintings, the symbol of the serpent, and her evolving relationship to color.
Gagosian Quarterly Spring 2020
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
Overture: Ridding the Passing Moments of Their Fat
Art historian Robert Farris Thompson has maintained a passion for Afro-Cuban dance and music since experiencing, in 1944, a conga line in his hometown of El Paso. Here, he tracks the spiritual, linguistic, and musical roots of mambo.
Urs Fischer: Leo
Journalist and curator Judith Benhamou-Huet leads a tour of the exhibition Urs Fischer: Leo at Gagosian, Paris.
Michael Craig-Martin in Conversation at artgenève
Michael Craig-Martin speaks with Samuel Gross about his depictions of everyday objects and the building blocks of his visual vocabulary, as part of artgenève’s art talks 2020.
Wyatt Allgeier pays homage to the renowned gallerist and artist Betty Parsons (1900–1982).
Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.
Picasso and Maya: An Interview with Diana Widmaier-Picasso
Diana Widmaier-Picasso curated a presentation at Gagosian, Paris, to celebrate the publication of Picasso and Maya: Father and Daughter at the end of 2019. This comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Picasso details her ongoing interest in the subject and reflects on the process of making the book.
Carlos Valladares explores the cinema of Pier Paolo Pasolini, tracking the developments and lasting influence of the auteur’s singular career.
Albert Oehlen: Maximum Chance Maximum Control
The artist met with art historian Christian Malycha to discuss his newest paintings.
Giuseppe Penone at Fort Mason
A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.
Edmund de Waal and Sally Mann
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.