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Installation view, Fiçcão e fabricação. Fotografia de arquitetura após a revolução digital, Museum of Art, Architecture and Technology, Lisbon, March 20–August 19, 2019. Artwork, left to right © Jeff Wall, © Gregory Crewdson

On View

Fiçcão e fabricação
Fotografia de arquitetura após a revolução digital

Through August 19, 2019
Museum of Art, Architecture and Technology, Lisbon
www.maat.pt

This exhibition, whose English title is Fiction and Fabrication. Photography of Architecture after the Digital Turn, looks at artists who have created and engaged with imagery of architecture. It examines how digital manipulation has enabled a fictionalization of architectural spaces, and explores architecture’s role in an expanded practice of photography within contemporary art. Work by Gregory Crewdson, Andres Gursky, and Jeff Wall is included.

Installation view, Fiçcão e fabricação. Fotografia de arquitetura após a revolução digital, Museum of Art, Architecture and Technology, Lisbon, March 20–August 19, 2019. Artwork, left to right © Jeff Wall, © Gregory Crewdson

Albert Oehlen, Untitled, 1992–2005, Collection Fondation Louis Vuitton, Paris © Albert Oehlen/ADAGP, Paris 2019. Photo © Primae/David Bordes

On View

Albert Oehlen in
La Collection de la Fondation: Le parti de la peinture

Through August 26, 2019
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

Seventy-five paintings by twenty-three international artists from the Fondation Louis Vuitton’s collection, dating from the 1960s to today, are on view. Work by Albert Oehlen is included.

Albert Oehlen, Untitled, 1992–2005, Collection Fondation Louis Vuitton, Paris © Albert Oehlen/ADAGP, Paris 2019. Photo © Primae/David Bordes

Installation view, Alex Israel, MAMO–Marseille Modulor, France, June 8–August 31, 2019. Artwork © Alex Israel

On View

Alex Israel

Through August 31, 2019
MAMO–Marseille Modulor, France
mamo.fr

Alex Israel at MAMO occupies the rooftop deck and former gymnasium of Le Corbusier’s iconic Cité Radieuse. Inspired by Marseille’s gritty history and the architect’s use of concrete, Alex Israel has reimagined the building as Gotham City, and as a temporary home for two new works appropriated from Tim Burton’s Batman (1989). Continuing the artist’s ongoing exploration of rented film props as readymade sculpture, the Batmobile serves as the centerpiece of an installation with smoke, light, and sound, while the Bat-Signal, projected high above the city, activates the night sky throughout the summer.

Installation view, Alex Israel, MAMO–Marseille Modulor, France, June 8–August 31, 2019. Artwork © Alex Israel

Chris Burden, TV Hijack, 1972 © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Gary Beydler

On View

Chris Burden in
Closer Look: Intimate-Scale Sculpture from the Permanent Collection

Through September 1, 2019
Orange County Museum of Art, Santa Ana, California
www.ocmaexpand.org

This exhibition provides a focused look at small sculpture in OCMA’s permanent collection. Selected for their innovative materials and playfulness in scale and function, the artworks in Closer Look are intended to be viewed at a close distance, providing the viewer with intimate moments in which to make slow and careful observations about content and construction. Work by Chris Burden is included.

Chris Burden, TV Hijack, 1972 © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Gary Beydler

Douglas Gordon, Feature Film, 1999 (still) © Studio lost but found/VG Bild-Kunst, Bonn 2019

On View

Douglas Gordon
Feature Film

Through September 1, 2019
The Tanks, Tate Modern, London
www.tate.org.uk

Douglas Gordon’s Feature Film (1999) focuses intimately on the hands and facial gestures of conductor James Conlon while he conducts the orchestra of the Opéra National de Paris in performing the haunting soundtrack of Alfred Hitchcock’s Vertigo (1958).

Douglas Gordon, Feature Film, 1999 (still) © Studio lost but found/VG Bild-Kunst, Bonn 2019

Douglas Gordon, Self Portrait of You + Me (2 piece Andy), 2008 © Studio lost but found/VG Bild-Kunst, Bonn, 2019

On View

Douglas Gordon in
Fire: Flashes to Ashes in British Art 1692–2019

Through September 1, 2019
Royal West of England Academy, Bristol
shop.rwa.org.uk

The show examines how artists’ approach to the subject of fire has changed over time, recording historical, religious, domestic, and natural events. This exhibition is the third in a series of element-themed exhibitions at the RWA, bringing together a number of important historic, modern, and contemporary artworks. Work by Douglas Gordon is included.

Douglas Gordon, Self Portrait of You + Me (2 piece Andy), 2008 © Studio lost but found/VG Bild-Kunst, Bonn, 2019

Glenn Brown, Half-Life (after Rembrandt) 6, 2016 © Glenn Brown. Photo: courtesy the Rembrandt House Museum, Amsterdam

On View

Inspired by Rembrandt
100 jaar verzamelen door het Rembrandthuis

Through September 1, 2019
Museum het Rembrandthuis, Amsterdam
www.rembrandthuis.nl

To mark one hundred years of its collection, Museum het Rembrandthuis celebrates the famous artist with a special program in his own house. This exhibition features works from the museum’s collection by Rembrandt as well as by contemporary artists who were inspired by him. Work by Glenn Brown and Pablo Picasso is included.

Glenn Brown, Half-Life (after Rembrandt) 6, 2016 © Glenn Brown. Photo: courtesy the Rembrandt House Museum, Amsterdam

Installation view, Murakami vs Murakami, Tai Kwun Contemporary, Hong Kong, June 1–September 1, 2019. Artwork © 2019 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Guillaume Ziccarelli

On View

Murakami vs Murakami

Through September 1, 2019
Tai Kwun Contemporary, Hong Kong
www.taikwun.hk

This comprehensive survey features more than sixty paintings and sculptures in an immersive setting that showcases the intriguing paradoxes embodied in the diverse work and life of Takashi Murakami.

Installation view, Murakami vs Murakami, Tai Kwun Contemporary, Hong Kong, June 1–September 1, 2019. Artwork © 2019 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Guillaume Ziccarelli

Andy Warhol, Ladies and Gentlemen (Wilhelmina Ross), 1975 © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS) New York.

On View

Andy Warhol
From A to B and Back Again

Through September 2, 2019
San Francisco Museum of Modern Art
www.sfmoma.org

Few American artists are as widely known and instantly recognizable as Andy Warhol. This exhibition—the first Warhol retrospective organized in the US since 1989—reconsiders his work with more than 350 works of art, many assembled together for the first time. Building on a wealth of new materials, research, and scholarship that has emerged since the artist’s untimely death in 1987, this exhibition, curated by Donna De Salvo, reveals new complexities about the Warhol we think we know, and introduces a Warhol for the twenty-first century. This exhibition has traveled from the Whitney Museum of American Art in New York.

Andy Warhol, Ladies and Gentlemen (Wilhelmina Ross), 1975 © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS) New York.

On View

What is an edition, anyway?

Through September 7, 2019
McEvoy Foundation for the Arts, San Francisco
www.mcevoyarts.org

What is an edition, anyway? explores the traditions, conditions, and inventive expressions of the contemporary artist’s multiple. Photography, performance, illustration, technology, and installation further explore the notion of the edition as an idea reproduced in limited quantities. Work by Richard Prince and Taryn Simon is included.

Michael Craig-Martin, Untitled (shoe), 2009 © Michael Craig-Martin

On View

The Aerodrome
An exhibition dedicated to the memory of Michael Stanley

Through September 8, 2019
Ikon Gallery, Birmingham, England
www.ikon-gallery.org

This exhibition, dedicated to the memory of former Ikon director Michael Stanley, is structured loosely on Rex Warner’s 1941 wartime novel The Aerodrome, a book that made a great impression on Stanley. The show features many of the artists he worked with, including Michael Craig-Martin, Thomas Houseago, and Jenny Saville.

Michael Craig-Martin, Untitled (shoe), 2009 © Michael Craig-Martin

Georg Baselitz, Schlafzimmer (Bedroom), 1975 © Georg Baselitz. Photo: Jochen Littkemann

On View

Baselitz – Academy

Through September 8, 2019
Gallerie dell’Accademia, Venice
www.gallerieaccademia.it

Baselitz – Academy, a major retrospective of works by Georg Baselitz curated by Kosme de Barañano, is the first exhibition by a living artist at the Gallerie dell’Accademia in Venice. The exhibition traces the critical junctures in the artist’s extraordinary sixty-year career through paintings, drawings, prints, and sculptures, including rarely seen works exploring the artist’s relationship with Italy and the academic tradition. Two monumental works created specifically for this show are also on view. This is a Collateral Event of the 58th International Art Exhibition La Biennale di Venezia, organized with support from Gagosian.

Georg Baselitz, Schlafzimmer (Bedroom), 1975 © Georg Baselitz. Photo: Jochen Littkemann

Jeff Koons, New Shop-Vac Wet/Dry, 1980 © Jeff Koons

On View

Elephant in the Room
Sculptures of the Marx Collection and the Collection of the Nationalgalerie

Through September 8, 2019
Hamburger Bahnhof–Museum für Gegenwart, Berlin
www.smb.museum

Elephant in the Room—Sculptures of the Marx Collection and the Collection of the Nationalgalerie explores the relationship between artwork and spatiality. The titular “elephant in the room” is those forces and sizes that, although not part of the sculptures, have a decisive influence on their presence in space and are thus an integral part of the expanded concept of art of the 1960s. Work by Jeff Koons and Rachel Whiteread is included.

Jeff Koons, New Shop-Vac Wet/Dry, 1980 © Jeff Koons

Portrait of a woman from the archives of the Johnson Publishing Company. Photo: courtesy Theaster Gates

On View

Theaster Gates
Facsimile Cabinet of Women Origin Stories

Through September 8, 2019
Colby Museum of Art, Waterville, Maine
www.colby.edu

This exhibition features nearly three thousand images from the Johnson Publishing Company, which since 1942 has chronicled the lives of black Americans through the magazines Ebony and Jet. Theaster Gates’s project, composed from this important archive of black visual culture, recontextualizes and reanimates these images and their histories, as Facsimile Cabinet is both a repository and an interactive archive.

Portrait of a woman from the archives of the Johnson Publishing Company. Photo: courtesy Theaster Gates

Tetsuya Ishida, Recalled, 1998, Nick Taylor Collection © Estate of Tetsuya Ishida

On View

Tetsuya Ishida
Autorretrato de otro

Through September 8, 2019
Palacio de Velázquez, Madrid
www.museoreinasofia.es

In a span of just ten years, Tetsuya Ishida (1973–2005) produced a formidable body of work centered on isolation and alienation in a world dominated by uncontrollable forces. This exhibition—whose title translates to Self-Portrait of Other—was organized by the Museo Nacional Centro de Arte Reina Sofía and features works that evoke the uncertainty and desolation of a Japanese society drastically altered by the technological advances and successive crises that have affected economies and politics the world over.

Tetsuya Ishida, Recalled, 1998, Nick Taylor Collection © Estate of Tetsuya Ishida

Taryn Simon, New York Times, Friday, November 11, 2016, 2017 © Taryn Simon

On View

Taryn Simon in
Leonard Cohen: A Crack in Everything

Through September 8, 2019
Jewish Museum, New York
thejewishmuseum.org

This multidisciplinary exhibition combining visual art, virtual reality, installations, performances, music, and writing offers the public a collection of new work commissioned from and created by local and international artists who have been inspired by Leonard Cohen’s style and recurring themes. This exhibition originated at the Musée d’art contemporain de Montréal. Work by Taryn Simon is included.

Taryn Simon, New York Times, Friday, November 11, 2016, 2017 © Taryn Simon

Adriana Varejão, Quadro Ferido (Wounded Painting), 1992 © Adriana Varejão. Photo: Eduardo Ortega

On View

Adriana Varejão
Por uma retórica canibal

Through September 8, 2019
Museu de Arte Moderna Aloísio Magalhães, Recife, Brazil
blogmamam.wordpress.com

The exhibition seeks to emphasize that Adriana Varejão was already developing research on a historical revision of colonialism long before postcolonial studies were at the center of the contemporary art debate. The show features some twenty works, made between 1992 and 2016, that refer to Salvador, Bahia, the city with the largest African heritage in Brazil and the municipality that inspired much of Varejão’s poetics. This exhibition has traveled from the Museu de Arte Moderna da Bahia in Salvador, Brazil.

Adriana Varejão, Quadro Ferido (Wounded Painting), 1992 © Adriana Varejão. Photo: Eduardo Ortega

Anselm Kiefer, Barren Landscape, 1987–89 © Anselm Kiefer

On View

Anselm Kiefer
Bøker og tresnitt

Through September 14, 2019
Astrup Fearnley Museum, Oslo
www.afmuseet.no

This exhibition aims to point out the various connections Anselm Kiefer has with poetry, myths, history, philosophy, and alchemy, through a collection of artist’s books dating from the years 1969 to 2017, along with a selection of his woodcuts, the most recent of which are being shown for the first time. This exhibition has traveled from the Fondation Jan Michalski in Montricher, Switzerland.

Anselm Kiefer, Barren Landscape, 1987–89 © Anselm Kiefer

William Forsythe, City of Abstracts, 2000 © William Forsythe. Photo: Dominik Mentzos

On View

William Forsythe
Choreographic Objects

Through September 15, 2019
Museum of Fine Arts, Houston
www.mfah.org

Since the 1990s, parallel to his stage productions, William Forsythe has developed installations, sculptures, and films that he calls Choreographic Objects. Blurring the lines between performance, sculpture, and installation, these works invite the viewer to engage with the fundamental ideas of choreography.

William Forsythe, City of Abstracts, 2000 © William Forsythe. Photo: Dominik Mentzos

Nancy Rubins, Agrifauna Delicata I, 2017 © Nancy Rubins

On View

Nancy Rubins in
ARTZUID 2019

Through September 15, 2019
Amsterdam
www.artzuid.nl

The sixth edition of the Amsterdam Sculpture Biennial presents more than sixty figurative sculptures and spatial installations. Work by Nancy Rubins is included.

Nancy Rubins, Agrifauna Delicata I, 2017 © Nancy Rubins

Ed Ruscha, Miracle, 1975 (still) © Ed Ruscha

On View

Ed Ruscha in
Life Is a Highway: Art and American Car Culture

Through September 15, 2019
Toledo Museum, Ohio
www.toledomuseum.org

Life Is a Highway brings together a diverse selection of artists to showcase how the automobile reshaped the twentieth-century American landscape and cultural attitudes of self-expression. Work by Ed Ruscha is included.

Ed Ruscha, Miracle, 1975 (still) © Ed Ruscha

Adriana Varejão, Ruína de Charque–Vigário Geral (Vigário Geral Jerked-Beef Ruin), 2002 (detail), Dallas Museum of Art © Adriana Varejão

On View

Adriana Varejão in
America Will Be!: Surveying the Contemporary Landscape

Through September 15, 2019
Dallas Museum of Art
www.dma.org

Drawing on works from the museum’s permanent collection, this exhibition investigates the ways in which contemporary artists engage with landscapes, broadly defined, exploring how our natural and built environments intersect with our representations of ourselves and our communities. The show aims to delve into how contemporary “landscapes” might better reflect the full diversity of the people who inhabit North and South America. Work by Adriana Varejão is included.

Adriana Varejão, Ruína de Charque–Vigário Geral (Vigário Geral Jerked-Beef Ruin), 2002 (detail), Dallas Museum of Art © Adriana Varejão

Yves Klein, Anthropométrie (ANT 84), 1960 © Succession Yves Klein/ADAGP, Paris 2019. Photo: Muriel Anssens/Ville de Nice

On View

Préhistoire, une énigme moderne

Through September 16, 2019
Centre Pompidou, Paris
www.centrepompidou.fr

This exhibition examines the link between prehistory and modern and contemporary art. It reveals that some of the most important artists of the twentieth and early twenty-first centuries have been haunted by the question, What is prehistory? Work by Alberto Giacometti, Yves Klein, Giuseppe Penone, and Pablo Picasso is included.

Yves Klein, Anthropométrie (ANT 84), 1960 © Succession Yves Klein/ADAGP, Paris 2019. Photo: Muriel Anssens/Ville de Nice

Virgil Abloh, Color Gradient Chairs, 2018 © Virgil Abloh

On View

Virgil Abloh
“Figures of Speech”

Through September 22, 2019
Museum of Contemporary Art Chicago
mcachicago.org

Virgil Abloh pioneers a practice that cuts across media and connects visual artists, musicians, graphic designers, fashion designers, and architects. This exhibition offers an in-depth look at defining highlights of Abloh’s career and includes a program of cross-disciplinary offerings that will mirror the artist’s range of interests.

Virgil Abloh, Color Gradient Chairs, 2018 © Virgil Abloh