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Installation view, Urs Fischer: The Lyrical and the Prosaic, Aïshti Foundation, Beirut, October 20, 2019–October 31, 2020. Artwork © Urs Fischer. Photo: Stefan Altenburger

On View

Urs Fischer
The Lyrical and the Prosaic

Through October 31, 2020
Aïshti Foundation, Beirut
www.aishtifoundation.com

This exhibition brings together a selection of recent works by Urs Fischer, which are shown alongside works by the artist from the Aïshti Collection and a series of new installations, paintings, and interventions. Evident everywhere in the exhibition is Fischer’s fascination with subversions of scale and with shifts from the monumental to the minuscule, and, as the show’s title suggests, from the sublime to the prosaic.

Installation view, Urs Fischer: The Lyrical and the Prosaic, Aïshti Foundation, Beirut, October 20, 2019–October 31, 2020. Artwork © Urs Fischer. Photo: Stefan Altenburger

Giuseppe Penone, Una pelle di foglie, 1999 © Giuseppe Penone 

On View

Giuseppe Penone
Dessins, Gravures, et Sculptures

Through November 1, 2020
Domaine de Chaumont-sur-Loire, France
www.domaine-chaumont.fr

This exhibition, whose title translates to Drawings, Etchings, and Sculptures, consists of two large sculptures, thirty original drawings, and seven engravings by Giuseppe Penone.

Giuseppe Penone, Una pelle di foglie, 1999 © Giuseppe Penone 

Helen Frankenthaler, Europa, 1957 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

On View

Helen Frankenthaler

Through November 15, 2020
Tate Modern, London
www.tate.org.uk

Tate Modern presents five works by Helen Frankenthaler, ranging in date from 1951 to 1977, on loan from the Helen Frankenthaler Foundation, New York. The display marks the artist’s first extensive museum presentation in London since 1969.

Helen Frankenthaler, Europa, 1957 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Installation view, Andy Warhol, Tate Modern, London, July 27–November 15, 2020. Artwork © 2020 The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by DACS, London. Photo: Andrew Dunkley

On View

Andy Warhol

Through November 15, 2020
Tate Modern, London
www.tate.org.uk

This major retrospective is the first Andy Warhol exhibition at Tate Modern in almost twenty years. In addition to the artist’s iconic pop images of Marilyn Monroe, Coca-Cola bottles, and Campbell’s soup cans, it includes works never before seen in the United Kingdom. Twenty-five works from his Ladies and Gentlemen series—portraits of Black and Latinx drag queens and trans women—are on view for the first time in thirty years.

Installation view, Andy Warhol, Tate Modern, London, July 27–November 15, 2020. Artwork © 2020 The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by DACS, London. Photo: Andrew Dunkley

Alberto Giacometti in his studio, Paris, 1959. Artwork © Succession Alberto Giacometti (Fondation Giacometti + ADAGP 2020). Photo: Ernst Scheidegger

On View

L’homme qui marche
Une icône de l’art du XXè siècle

Through November 29, 2020
Institut Giacometti, Paris
www.fondation-giacometti.fr

This exhibition, whose title translates to The Walking Man: An Icon of 20th Century Art, explores Alberto Giacometti’s most famous work, the Walking Man. The show brings together for the first time the various life-size models, as well as most of the sculpted and drawn variations, of the famous artwork. Accompanied by numerous unpublished documents and drawings, it traces the genealogy of the motif, from the Walking Woman of Giacometti’s Surrealist period to the icons created between 1959 and 1960.

Alberto Giacometti in his studio, Paris, 1959. Artwork © Succession Alberto Giacometti (Fondation Giacometti + ADAGP 2020). Photo: Ernst Scheidegger

Photo: Isaac Sutton, courtesy Johnson Publishing Company, LLC. All rights reserved

On View

Theaster Gates
The Black Image Corporation

Through December 5, 2020
Spelman College Museum of Fine Art, Atlanta
www.spelman.edu

As an ongoing concern, Theaster Gates’s Black Image Archive examines the legacy of the Johnson Publishing Company archive, which contains more than four million images and helped shape the aesthetic and cultural vision of modern African American identity. Founded by John H. Johnson in 1942, the company created Ebony and Jet, two key periodicals for Black American audiences. Gates’s participatory exhibition invites visitors to actively explore the archive, which includes images by Moneta Sleet Jr. and Isaac Sutton, among many others.

Photo: Isaac Sutton, courtesy Johnson Publishing Company, LLC. All rights reserved

Olivier Mosset, ABC, 1997 © Olivier Mosset

On View

Olivier Mosset

Through December 6, 2020
Musée d’art moderne et contemporain, Geneva
www.mamco.ch

Olivier Mosset’s retrospective reviews his career over almost sixty years, from the early experiments of the 1960s to his monumental recent works, via the painter’s reflections on artistic appropriation, monochrome painting, and shaped canvases. In addition to his own work, several rooms are devoted to movements and artists with whom Mosset was or remains closely associated, allowing the viewer to consider his work in a variety of different contexts.

Olivier Mosset, ABC, 1997 © Olivier Mosset

On View

Untitled, 2020

Through December 13, 2020
Punta della Dogana, Venice
www.palazzograssi.it

Conceived and curated by Thomas Houseago, Muna El Fituri, and Caroline Bourgeois, Untitled, 2020 places into dialogue works in a broad range of media by more than sixty artists held by the Pinault Collection, international museums, and private collections. The exhibition centers around a re-creation of Houseago’s studio in Tadao Ando’s cube room, in the heart of Punta della Dogana. Work by Ellen Gallagher, Duane Hanson, Mike Kelley, Henry Moore, and Nam June Paik is included.

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

On View

Photography’s Last Century
The Ann Tenenbaum and Thomas H. Lee Collection

Opened March 10, 2020
Metropolitan Museum of Art, New York
www.metmuseum.org

This exhibition celebrates the remarkable ascendancy of photography in the last century, and Ann Tenenbaum and Thomas H. Lee’s promised gift of over sixty photographs in honor of the Met’s 150th anniversary in 2020. The collection is particularly notable for its breadth and depth of works by women artists, its sustained interest in the nude, and its focus on artists’ beginnings. Work by Gregory Crewdson, Andreas Gursky, Man Ray, Cindy Sherman, Andy Warhol, and Rachel Whiteread is included.

Gregory Crewdson, Untitled, 2005 © Gregory Crewdson

Edgar Cleijne and Ellen Gallagher, Osedax, 2010 (still) © Edgar Cleijne and Ellen Gallagher

On View

Ellen Gallagher in
Other.Worldly

Through January 3, 2021
Fries Museum, Leeuwarden, Netherlands
www.friesmuseum.nl

Delving into the underwater world in all its aspects, this large-scale exhibition features artworks that explore the beauty and mystery of this unknown territory, as well as the environmental dangers that currently threaten it. Work by Ellen Gallagher is included.

Edgar Cleijne and Ellen Gallagher, Osedax, 2010 (still) © Edgar Cleijne and Ellen Gallagher

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

On View

Katharina Grosse
Is It You?

Through January 3, 2021
Baltimore Museum of Art
artbma.org

For this exhibition Katharina Grosse presents five recent paintings and a new site-related environment. The central gallery is transformed with an expansive, immersive fabric installation that is partially suspended from the ceiling, creating a cloth “room” with vibrantly painted undulating walls.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Mitro Hood, courtesy Baltimore Museum of Art

On View

Riffs and Relations
African American Artists and the European Modernist Tradition

Through January 3, 2021
Phillips Collection, Washington, DC
www.phillipscollection.org

This exhibition presents works by African American artists of the twentieth and twenty-first centuries alongside works by European artists from the early twentieth century. The show aims to examine cross-cultural conversations and presents the divergent works that reflect these complex dialogues. Work by Ellen Gallagher and Pablo Picasso is included.

Installation view, Dyr i kunsten, Arken Museum, Ishoj, Denmark, May 26, 2020–January 10, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: David Stjernholm

On View

Dyr i kunsten

Through January 10, 2021
Arken Museum, Ishoj, Denmark
uk.arken.dk

Dyr i kunsten, or Animals in Art, features sculpture, installations, video, photography, and paintings by a wide array of international artists whose work explores the ways that humans study, categorize, live with, and use animals and how we thus attempt to gain a deeper understanding of ourselves. Work by Douglas Gordon, Damien Hirst, and Carsten Höller is included.

Installation view, Dyr i kunsten, Arken Museum, Ishoj, Denmark, May 26, 2020–January 10, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: David Stjernholm

Katharina Grosse, I Think This Is a Pine Tree, 2013, installation view, Hamburger Bahnhof–Museum für Gegenwart, Berlin © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Thomas Bruns

On View

Katharina Grosse
It Wasn’t Us

Through January 10, 2021
Hamburger Bahnhof–Museum für Gegenwart, Berlin
www.smb.museum

Katharina Grosse will use the historical hall of the Hamburger Bahnhof and the outdoor area behind the building as the site for a new work that radically destabilizes and renegotiates the existing order of the space of the museum. Incorporating the floor of the hall and Styrofoam sculptural elements as a pictorial ground, her painting will extend beyond the building’s walls and into public space, inviting us to reconsider our habits of seeing, thinking, and perceiving.

Katharina Grosse, I Think This Is a Pine Tree, 2013, installation view, Hamburger Bahnhof–Museum für Gegenwart, Berlin © Katharina Grosse and VG Bild-Kunst, Bonn 2020. Photo: Thomas Bruns

On View

Indistinti confini—Noce
Giuseppe Penone

Through January 11, 2021
Centre Pompidou-Metz, France
www.centrepompidou-metz.fr

To celebrate its tenth anniversary, Centre Pompidou-Metz has invited Giuseppe Penone to install a new original work: a 49-foot-tall cast-bronze sculpture of a walnut tree (whose title translates to Indistinct Boundaries), with some sections and branches made of white marble.

Taryn Simon, Chapter XIV, 2011, from the series A Living Man Declared Dead and Other Chapters I–XVIII, 2008–2011 © Taryn Simon

On View

Taryn Simon in
Measure Your Existence

Through January 25, 2021
Rubin Museum of Art, New York
rubinmuseum.org

Measure Your Existence questions and expands the Buddhist concept of impermanence through artworks by six contemporary artists who explore duration, survival, memory, fate, history, loss, disappearance, and reappearance. Work by Taryn Simon is included.

Taryn Simon, Chapter XIV, 2011, from the series A Living Man Declared Dead and Other Chapters I–XVIII, 2008–2011 © Taryn Simon

Shio Kusaka, (line 5), 2010 © Shio Kusaka

On View

Making Knowing
Craft in Art, 1950–2019

November 22, 2019–January 2021
Whitney Museum of American Art, New York
whitney.org

Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as weaving, sewing, or pottery, while others experiment with clay, beads, and glass, among other mediums. Work by Richard Artschwager, Mike Kelley, Shio Kusaka, and Sterling Ruby is included.

Shio Kusaka, (line 5), 2010 © Shio Kusaka

Ellen Gallagher, Untitled, 1995 © Ellen Gallagher

On View

Ellen Gallagher in
Beyond Infinity: Contemporary Art after Kusama

Through February 7, 2021
Institute of Contemporary Art, Boston
www.icaboston.org

This exhibition provides visitors with a deeper understanding of how the immersive environment of Yayoi Kusama’s LOVE IS CALLING (2013) embodies the artist’s long-standing exploration of accumulation, repetition, luminescence, life and death, and happenings. Works featuring Kusama’s obsessive repetition of symbols, patterns, and forms are paired with works by contemporaries as well as those by current practitioners such as Ellen Gallagher.

Ellen Gallagher, Untitled, 1995 © Ellen Gallagher

On View

Taryn Simon in
Future Food. Food for Tomorrow’s World

Through February 21, 2021
Deutsches Hygiene-Museum, Dresden, Germany
www.dhmd.de

Investigating the political, ethical, and cultural significance of eating, this interdisciplinary exhibition features works of contemporary art that address one of the most urgent questions of our time: “How will we—and can we—feed ourselves in the future?” Work by Taryn Simon is included.

Sarah Sze, Flash Point (Timekeeper), 2018 © Sarah Sze. Photo: Matteo D’Eletto, M3 Studio

On View

Sarah Sze in
Critical Zones

Through February 28, 2021
ZKM | Center for Art and Media, Karlsruhe, Germany
zkm.de

This exhibition invites visitors to engage with the critical situation of the earth in a novel and diverse way and to explore new modes of coexistence between all forms of life. In order to remedy the generally prevailing disorientation and dissension in society, politics, and ecology with regard to the changing state of the planet, the exhibition project sets up an imaginary cartography, considering the earth as a network of “critical zones.” Work by Sarah Sze is included.

Sarah Sze, Flash Point (Timekeeper), 2018 © Sarah Sze. Photo: Matteo D’Eletto, M3 Studio

On View

Helen Frankenthaler in
Women Take the Floor

Through May 3, 2021
Museum of Fine Arts, Boston
www.mfa.org

Women Take the Floor challenges the dominant history of twentieth-century American art by focusing on the overlooked and underrepresented work and stories of women artists. With more than two hundred works drawn primarily from the museum’s collection, the exhibition is organized into seven thematic galleries. Work by Helen Frankenthaler is included.

Urs Fischer, Untitled, 2003 © Urs Fischer

On View

The Paradox of Stillness
Art, Object, and Performance

Originally scheduled April 18–July 26, 2020; currently postponed
Walker Art Center, Minneapolis
walkerart.org

Featuring works from the early twentieth century to today, The Paradox of Stillness examines the notion of stillness as both a performative and a visual gesture. More than sixty-five artists present object-based art, pictures, and actions staged by live performers to test the boundaries between stillness and motion, mortality and aliveness, and the still life and the living picture. Work by Urs Fischer, Piero Manzoni, Cindy Sherman, Tom Wesselmann, and Franz West is included.

Urs Fischer, Untitled, 2003 © Urs Fischer

Helen Frankenthaler, Western Dream, 1957, collection of Helen Frankenthaler Foundation, New York © 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

On View

Epic Abstraction
Pollock to Herrera

Opened December 17, 2018
Metropolitan Museum of Art, New York
www.metmuseum.org

Epic Abstraction: Pollock to Herrera explores large-scale abstract painting, sculpture, and assemblage, from the 1940s to the twenty-first century, through works from the Met collection and special loans. Many of the artists in the exhibition worked in large formats not only to explore aesthetic elements of line, color, shape, and texture, but also to activate scale’s metaphoric potential to evoke expansive—“epic”—ideas and subjects, including time, history, nature, and existential concerns of the self. Work by Helen Frankenthaler and Cy Twombly is included.

Helen Frankenthaler, Western Dream, 1957, collection of Helen Frankenthaler Foundation, New York © 2018 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Rachel Feinstein working at the Porzellan Manufaktur Nymphenburg, Munich, 2019. Artwork © Rachel Feinstein. Photo: Samuel Keyte, courtesy Gucci

On View

Rachel Feinstein

Opened June 25, 2019
Chatsworth House, Derbyshire, England
www.chatsworth.org

The Artist in Residence project is a program at Chatsworth House, in collaboration with Gucci, where the public is invited to discover an artist’s works while visiting the estate. Rachel Feinstein’s works create an open dialogue between the artist’s perspective and her environment, reflective of her research during her residency at Chatsworth.

Rachel Feinstein working at the Porzellan Manufaktur Nymphenburg, Munich, 2019. Artwork © Rachel Feinstein. Photo: Samuel Keyte, courtesy Gucci