Now available
Gagosian Quarterly Fall 2024
The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.
Closed
August 11, 2018–January 6, 2019
Harry Ransom Center, University of Texas, Austin
www.hrc.utexas.edu
This exhibition features more than 150 objects and presents Ed Ruscha’s celebrated books, photographs, drawings, and prints alongside unpublished archival production materials, layout sketches, and studio notebooks. The exhibition also examines the stages of conception, design, and production leading to the publication of his groundbreaking artist’s books, and provides audiences with an unprecedented look into Ruscha’s creative process.
Ed Ruscha, Pool #2, 1968 (printed 1997), Harry Ransom Center, University of Texas at Austin © Ed Ruscha
The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.
Jordan Carter, curator at Dia Art Foundation, sits down with artists Alteronce Gumby and Amanda Williams to discuss the profound significance of color in their work, as well as the intersections between art and architecture.
Katherine Bucknell, previously the editor of a four-volume edition of Christopher Isherwood’s diaries, has now published Christopher Isherwood Inside Out, an intimate and rigorous biography of the celebrated writer and gay cultural icon. Here she meets with Josh Zajdman to discuss the challenges and revelations of the book.
In this interview, we delve into the realm of dance with choreographer Kyle Abraham, who put on a special performance inside the exhibition Social Abstraction in Beverly Hills this past July. Ahead of that event, Cameron Thompkins met with Abraham at New York’s Park Avenue Armory to discuss the relationships between dance, visual art, and abstraction.
Grace Coddington, fashion editor and former creative-director-at-large for American Vogue, meets with the Quarterly’s Derek C. Blasberg to reminisce on some of her most iconic collaborations with photographers and artists.
Old friends chat about their love of music, nightclub paintings, life lessons from aikido, and Spencer Sweeney’s upcoming exhibition The Painted Bride, at Gagosian, New York.
Artist Devin B. Johnson meets with Diallo Simon-Ponte to reflect on the evolution of his practice, the impact of place on the temporal dimensions of his work, and the reemergence of ceramics in his exploration of abstraction and figuration.
Ryuan Johnson, sculptor and creative director, focuses on the works of Allana Clarke and Lauren Halsey to examine the key place of hair in Black culture. Through image and poetry, Johnson reveals the cultural and historical significance of hair as a medium to discuss identity, community, and the politics of representation.
The exhibition Enzo Mari, curated by Hans Ulrich Obrist with Francesca Giacomelli at the Design Museum, London, runs through September 8. Taking a cue from this major retrospective, Bartolomeo Sala delves into Mari’s practice and convictions.
In conjunction with the memorial service for Brice Marden held at the Museum of Modern Art, New York, Mirabelle and Melia Marden produced a short film directed by Chiara Clemente to honor the late artist. Featuring interviews, archival photographs, and family videos, this film captures Marden’s vibrant life and enduring cultural impact.
Kahlil Robert Irving and Cameron Welch discuss their approaches to materiality and longevity.
Rick Lowe and artist Kevin Beasley discuss their engagement with material and place, as well as the social potentials of abstraction.