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On View

The Human Body

Through June 26, 2021
Hill Art Foundation, New York
hillartfoundation.org

This exhibition, curated from the Hill Collection by Karel Schampers, examines the human body through figurative work from the last five hundred years. The installation spans two floors and visitors are encouraged to view the works from different levels and vantage points, creating a dialogue across diverse periods and mediums. The foundation’s collection of Renaissance bronzes  is featured alongside works by artists such as Francis Bacon, Richard Prince, Jenny Saville, Rudolf Stingel, and Andy Warhol.

Installation view, The Human Body, Hill Art Foundation, New York, April 29–June 26, 2021. Artwork, left to right: © Jenny Saville, © Richard Prince, © Ron Mueck, Anthony van Dyck, Peter Paul Rubens. Photo: Matthew Herrmann

Installation view, The Human Body, Hill Art Foundation, New York, April 29–June 26, 2021. Artwork, left to right: © Jenny Saville, © Richard Prince, © Ron Mueck, Anthony van Dyck, Peter Paul Rubens. Photo: Matthew Herrmann

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz

On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Glenn Brown’s studio, London, 2021. Photo: Lucy Dawkins

In Conversation
Glenn Brown and Jacky Klein

Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.

Doris Ammann, black-and-white photo

Doris Ammann

Larry Gagosian reflects on the incredible life and career of his friend Doris Ammann.

Installation view, Adriana Varejão: Talavera, Gagosian, West 21st Street, New York, May 3–June 26, 2021. Photo: Rob McKeever

Adriana Varejão: For a Poetics of Difference

Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.

Eiko Otake stands on what was part of the original seawall next to the Tomioka Fishing Harbor.

A Body in Fukushima

Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.

Albert Oehlen: In the Studio

Albert Oehlen: In the Studio

This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.

Charlotte Gainsbourg on a motorscooter in a film still from Jim Jarmusch and Anthony Vaccarello's "French Water"

Fashion and Art: Anthony Vaccarello and Jim Jarmusch

Director Jim Jarmusch and Anthony Vaccarello, the creative director for Saint Laurent, discuss French Water, a new short film collaboration—starring Charlotte Gainsbourg, Indya Moore, Julianne Moore, Chloë Sevigny, and Leo Reilly—in this interview with the Quarterly’s Wyatt Allgeier.

Albert Oehlen and Mark Godfrey

In Conversation
Albert Oehlen and Mark Godfrey

Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.

Gerhard Richter working on one of his Cage paintings, Cologne, Germany, 2006. Artwork © Gerhard Richter 2020 (05102020). Photo: © Hubert Becker

Gerhard Richter

Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.

Setsuko in front of the Grand Chalet de Rossinière in Switzerland where she lives and works.

The Grand Chalet: An interview with Setsuko

On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.

Adriana Varejão: In the Studio

Work in Progress
Adriana Varejão: In the Studio

Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.