Person of Interest
January 31, 2020–July 3, 2021
Sheldon Museum of Art, University of Nebraska–Lincoln
Exploring nuances in portraiture from the late nineteenth century to today—and testing the very definition of the genre—Person of Interest presents depictions of the literal and abstracted body from Sheldon’s rich holdings and selected loans. This exhibition asks open-ended questions about self-fashioning, cultural memory, gender identity, and the performance of identity. In doing so, it prompts conversations about race and representation, institutional power, and lived experiences. Work by Nathaniel Mary Quinn and Jenny Saville is included.
Nathaniel Mary Quinn, Lil’ Barbara, 2017 © Nathaniel Mary Quinn
Takashi Murakami and RTFKT: An Arrow through History
Bridging the digital and the physical realms, the three-part presentation of paintings and sculptures that make up Takashi Murakami: An Arrow through History at Gagosian, New York, builds on the ongoing collaboration between the artist and RTFKT Studios. Here, Murakami and the RTFKT team explain the collaborative process, the necessity of cognitive revolution, the metaverse, and the future of art to the Quarterly’s Wyatt Allgeier.
Gagosian Quarterly Summer 2022
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
Artist to Artist: Pat Steir and Sarah Sze
On the occasion of her exhibition of recent paintings, presented at Gagosian in Rome, Pat Steir met with fellow artist Sarah Sze for a wide-ranging discussion—from shared inspirations and influences to the role of chance, contingency, place, and time in painting.
On the occasion of an exhibition at Gagosian, New York, from May 5 to June 18, 2022, Max Dax met with Andreas Gursky to speak with the photographer about his new work. Here, they discuss the consequences of the pandemic on certain works, the roles of techno music and art history in Gursky’s art process, and the necessary balance of beauty and honesty in the contemporary.
The artist speaks with author Nalo Hopkinson about what it means to depict the body, the struggles to embark on new projects, and the contours of space and place in the creation of fiction and art.
Mary Weatherford: The Flaying of Marsyas
Coinciding with the 59th Venice Biennale, an exhibition at the Museo di Palazzo Grimani in Venice presents new paintings by Mary Weatherford inspired by Titian’s The Flaying of Marsyas (1570–76). Francine Prose traces the development of these works.
Simon Hantaï: Les blancs de la couleur, la couleur du blanc
Anne Baldassari reflects on the art historical influences and radical breaks reflected in the artist’s work with color.
Peter Paul Rubens
Larry Gagosian reflects on Peter Paul Rubens’s The Massacre of the Innocents (c. 1610).
Robert Mapplethorpe’s Jewelry: Gaia Repossi and Michael Ward Stout
As part of an ongoing collaboration, Gaia Repossi, creative director for the Paris jewelry house Repossi, has created a collection of pieces inspired by Robert Mapplethorpe’s art practice and jewelry. Speaking with Michael Ward Stout, president of the Robert Mapplethorpe Foundation, and the Quarterly’s Wyatt Allgeier, Repossi recounts the origins of this project and details her deep admiration for the artist’s precision and eye for composition.
Tatiana Trouvé and Jean-Michel Geneste
Tatiana Trouvé speaks with Jean-Michel Geneste, archaeologist and curator, about the paradoxes of her practice: absence and presence, the ancient and the contemporary, the natural and the human-made.
Georg Baselitz: Archinto
On the occasion of Georg Baselitz: Archinto at Museo di Palazzo Grimani, Venice, Artcore Films produced a short documentary featuring the artist. In the video, Baselitz details the origins of the project, how he approached the unique space, and his experiments in process and technique.
Receptacles of Memory
Lara Mashayekh speaks with artist Albert Chong and scholar Marci Kwon about the role of the archive and mysticism, their lived experiences as professionals in the art world, and their forthcoming endeavors.