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Walter De Maria in
Minimalism: Space. Light. Object.
November 16, 2018–April 14, 2019
National Gallery Singapore
www.nationalgallery.sg
Minimalism: Space. Light. Object. examines the emergence, development, and legacies of Minimalism across Asia, the United States, and Europe. From the 1950s to the present day, ideas of presence and absence—often informed by Asian philosophies such as Zen Buddhism—are explored. Work by Walter De Maria is included.
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Walter De Maria, 16-Sided Open Polygon, 1984 © 2019 Estate of Walter De Maria
Light and Lightning: Wonder-Reactions at Walter De Maria's The Lightning Field
In this second installment of a two-part essay, John Elderfield resumes his investigation of Walter De Maria’s The Lightning Field (1977), focusing this time on how the hope to see lightning there has led to the work’s association with the Romantic conception of the sublime.
Now available
Gagosian Quarterly Summer 2021
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Shortlist
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