Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 23, 2019; artwork © Michael Craig-Martin; video: Miriam Perez and PerryDuke
August 12, 2019
Behind the Art
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
The Parameters of Perception
Michael Craig-Martin and Jeffrey Sturges in conversation on Tom Wessselmann’s Standing Still Lifes.
Gagosian Quarterly Spring 2021
The Spring 2021 issue of Gagosian Quarterly is now available, featuring Gerhard Richter’s Helen (1963) on its cover.
The Kitchen: Fifty-Year Anniversary
To celebrate the fiftieth anniversary of the trailblazing New York institution The Kitchen, we present an oral history that includes contributions from Laurie Anderson, Charles Atlas, Wade Guyton, Jacqueline Humphries, Joan Jonas, Ralph Lemon, and Anicka Yi. Statements organized by Christopher Bollen and Tim Griffin.
Death Valley ’89: Jeff Wall vs. Photography
Daniel Spaulding considers formal and technical developments in the photographer’s work against the background of global shifts of power and politics, specifically the fall of the Berlin Wall in 1989.
The Art History of Presidential Campaign Posters
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Lauren Mahony and Michael Tcheyan pay homage to the founder of the New York Studio School.
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding
The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.
The Last Gangster Show
Carlos Valladares explores the gangster film genre, tracing the conventions and evolutions in the form from the exuberance of Raoul Walsh’s The Roaring Twenties (1939) to the heavy silence of Martin Scorsese’s The Irishman (2019).
Gwen Allen recounts her discovery of cutting-edge artists’ magazines from the 1960s and 1970s and explores the roots and implications of these singular publications.
Natasha Prince interviews the Dutch photographer and filmmaker about his relationships with musicians and gets the backstory on some of his most legendary images. Ivan Shaw puts Corbijn’s practice and aesthetic innovations into context.