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Gagosian Quarterly

April 24, 2020

Shortlist

TWELVE TRACKS:Roe Ethridge

In this series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Roe Ethridge shares the transportive powers of his playlist “Teenage Chemicals in 1985,” a soundtrack that began playing in those formative years and hasn’t stopped since.

Roe Ethridge, Backing Out, 1996, 2020

Roe Ethridge, Backing Out, 1996, 2020

Roe Ethridge

In his photographs, Roe Ethridge uses the real to suggest—or disrupt—the ideal. Through commercial images of fashion models, products, and advertisements, as well as intimate moments from his own daily life, he subverts the residual authority of established artistic genres such as the still life or the portrait, merging them with the increasingly pervasive image culture of the present. Photo: Albrecht Fuchs

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For as long as I can remember, music has done things to my brain and body. But I think the combo of teenage chemicals and a driver’s license at sixteen years old multiplied the feeling. The music I was listening to was suddenly selected, curated—I’d get a mixtape from a friend or tune in to the college station, hear a song, and go buy the album. I’d make my own mixtapes.

Music became the soundtrack to my world, not just whatever was on the radio. And the car was a place where I wasn’t surveilled by my parents. Driving was autonomy and freedom.

Twelve Tracks: Roe Ethridge

Twelve Tracks: Roe Ethridge

Roe Ethridge, Tallahassee, Florida, c. 1989

All the tracks on the list below are ones I’ve listened to throughout the years. Still I’ll see snapshots of specific moments when I listen to them. I remember “South of Heaven” playing in a “borrowed” Mercedes Benz as we drove around North Florida in the middle of the night, trying to find a scary-ass abandoned house. “Love Vigilantes” always makes me flash on an image of pulling out of my neighborhood with that sense of optimism and melancholy that the song conveys.

At other times they’ll conjure more of a composite image. “Big Black Car”—or any song by Big Star—makes me think of Memphis, a kind of mix of William Eggleston’s photos of the city and the trips I’ve taken there. Sometimes a song will transport me to a specific feeling rather than an image. My Bloody Valentine makes me feel like I’m on something and my eyes are rolling back in my head.

I usually listen to whole albums rather than single tracks. I suggest that all the albums on the list should be listened to as well.

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Artwork © Roe Ethridge

Roe Ethridge's Two Kittens with Yarn Ball (2017–22) on the cover of Gagosian Quarterly, Spring 2023

Now available
Gagosian Quarterly Spring 2023

The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.

Roe Ethridge, Oslo Grace at Willets Point, 2019, dye sublimation print on aluminum.

In Conversation
Roe Ethridge and Antwaun Sargent

From his early work for magazines in the 1990s to recent projects with the designer Telfar Clemens, Roe Ethridge has consistently challenged the distinctions between commercial and conceptual photography that long defined the medium. Antwaun Sargent recently caught up with him to discuss the moment that confirmed the artist’s understanding of the photographic image’s potential for boundary-hopping ubiquity in the contemporary era.

Photograph of pink satin bow by Roe Ethridge

Roe Ethridge

During a conversation with David Rimanelli, Roe Ethridge reflected on photographs that he made during the late 1990s and early 2000s after moving to New York. They spoke as Ethridge was preparing for his exhibition Old Fruit.

The cover of the Spring 2020 edition of the Gagosian Quarterly magazine. A Cindy Sherman photograph of herself dressed as a clown against a rainbow background.

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

Diana Widmaier-Ruiz-Picasso standing in front of a bookcase

Picasso and Maya: An Interview with Diana Widmaier-Ruiz-Picasso

Diana Widmaier-Ruiz-Picasso curated an exhibition at Gagosian, Paris, in 2017–18 titled Picasso and Maya: Father and Daughter. To celebrate the exhibition, a publication was published in 2019; the comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Ruiz-Picasso details her ongoing interest in the subject and reflects on the process of making the book.

Self-Reflections: Roe Ethridge Innocence II

Self-Reflections: Roe Ethridge Innocence II

Angela Brown considers the wide-ranging photographs included in Roe Ethridge: Innocence II.  

Innocence II

Innocence II

A photography portfolio by Roe Ethridge, accompanied by Saul Anton’s The Story of L.

Jim Shaw performing in the exhibition LEFT BEHIND at CAPC musée d’art contemporain de Bordeaux, France, 2010

Shortlist
Shaw Studio Sing-along Songs

In this Shortlist series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Here Jim Shaw shares a selection of songs he listens to while working, from new discoveries to childhood staples. Shaw writes of the balance between delight and regret, hope and gloom in his playlist.

Spencer Sweeney, Self-Portrait Morning Gown, Records, 2019, oil on canvas, 66 x 42 inches (167.6 x 106.7 cm)

Shortlist
Mixtape: Spencer Sweeney

Spencer Sweeney shares a selection of songs that have punctuated his journey through the pandemic and ponders the expressive powers of a playlist.

Still from Vertigo (1958), directed by Alfred Hitchcock. Photo: PARAMOUNT PICTURES/Ronald Grant Archive/Alamy Stock Photo

Shortlist
Five Films: Louise Bonnet

Los Angeles painter Louise Bonnet reminisces about the films that influenced her development as an artist.

Jenny Saville, Study for Pentimenti I, 2011, graphite and pastel on paper.

Shortlist
Five Preoccupations: Jenny Saville

Jenny Saville shares a selection of the books, films, and more that have been her companions in the quiet of the shutdowns in recent months and as she looks ahead to a new exhibition next year.

Five Books: Urs Fischer

Shortlist
Five Books: Urs Fischer

Urs Fischer talks about reading during the pandemic lockdown, sharing five books—both fiction and nonfiction—that he has turned to while in self-isolation.