Adriana Varejão Selects, Metrograph, New York, October 21–30, 2022
Adriana Varejão (New York: Rizzoli Electra, in association with Gagosian, 2022)
October 20, 2022
Adriana Varejão Selects, Metrograph, New York, October 21–30, 2022
Adriana Varejão (New York: Rizzoli Electra, in association with Gagosian, 2022)
To celebrate the publication of Phaidon’s new, expansive survey, we share an excerpt from Raphael Fonseca’s introduction and a few of the more than three hundred artists featured.
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.
Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.
Sydney Stutterheim meditates on the power and possibilities of small-format artworks throughout time.
From October 19 to 21, 2017, Adriana Varejão’s video installation Transbarroco (2014) played across the façade and in the central courtyard of the historic John Sowden House, designed by Lloyd Wright in 1926.
Lilia Moritz Schwarcz explores themes that are central to the artist’s oeuvre.
Gagosian director Louise Neri discusses the evolution of the Azulejão series with Adriana Varejão.
In conjunction with her exhibition The Flaying of Marsyas at Museo di Palazzo Grimani, Venice, Mary Weatherford discusses the featured paintings, which are directly inspired by Titian’s late, eponymous masterpiece of circa 1570–76 and reflect her enduring fascination with the painting.
Join president of the Picasso Museum, Paris, Cécile Debray; curator, writer, biographer, and historian Annie Cohen-Solal; art historian Vérane Tasseau; and Gagosian director Serena Cattaneo Adorno as they discuss A Foreigner Called Picasso. Organized in association with the Musée national Picasso–Paris and the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration, Paris, the exhibition reframes our perception of Picasso and focuses on his status as a permanent foreigner in France.
Christo: Early Works, curated by Elena Geuna, is the inaugural exhibition in the Gagosian Open series of off-site projects. In this video, Geuna explores the connection between Christo’s sculptural works and their setting in the historic Georgian house at 4 Princelet Street, London.
Gagosian presented an evening of poetry inside to light, and then return—, an exhibition of new works by Edmund de Waal and Sally Mann, inspired by each other’s practices, at Gagosian, New York. In this video—taking the artists’ shared love of poetry, fragments, and metamorphosis as a point of departure—poets Elisa Gonzalez and Terrance Hayes read a selection of their recent works that resonate with the themes of elegy and historical reckoning in the show. The evening was moderated by Jonathan Galassi, chairman and executive editor at Farrar, Straus & Giroux.